Midnight Traveler
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''Midnight Traveler'' is a 2019 documentary film directed by Hassan Fazili. Filmed on three smartphones by Fazili and his wife, Fatima Hussaini, and their two daughters, it chronicles their three-year journey from their home in Afghanistan to Europe in search for asylum. The film premiered in the World Cinema Documentary Competition at the Sundance Film Festival in January 2019, where it won the Special Jury Award for No Borders. It also screened in the Panorama section at the
Berlin International Film Festival The Berlin International Film Festival (german: Internationale Filmfestspiele Berlin), usually called the Berlinale (), is a major international film festival held annually in Berlin, Germany. Founded in 1951 and originally run in June, the fest ...
in February 2019, where it won the second prize in the documentary section. It was nominated for Best Documentary at the 2019 Gotham Independent Film Awards.
PBS The Public Broadcasting Service (PBS) is an American public broadcaster and non-commercial, free-to-air television network based in Arlington, Virginia. PBS is a publicly funded nonprofit organization and the most prominent provider of educat ...
aired the film as part of the '' POV'' series on December 30, 2019. As an episode of the series, the film received a Peabody Award in 2020.


Background

Fazili and Hussaini, who are self-taught filmmakers, owned
Kabul Kabul (; ps, , ; , ) is the capital and largest city of Afghanistan. Located in the eastern half of the country, it is also a municipality, forming part of the Kabul Province; it is administratively divided into 22 municipal districts. Acco ...
's Art Café and Restaurant, a place where men and women with reformist beliefs would congregate, until conservative religious leaders organized a boycott and a police raid, forcing the couple to shut it down. In 2015, after Fazili's documentary about Mullah Tur Jan, a former
Taliban The Taliban (; ps, طالبان, ṭālibān, lit=students or 'seekers'), which also refers to itself by its state name, the Islamic Emirate of Afghanistan, is a Deobandi Islamic fundamentalist, militant Islamist, jihadist, and Pasht ...
commander who renounced the cause, aired on national television, Taliban murdered Mullah Tur Jan and put a bounty on Fazili's head. The Fazilis fled to Tajikistan and applied for asylum, but after 14 months, they were deported back to Afghanistan. This is the context in which the film begins.


Content

The family leaves for Europe, on the so-called " Balkan route". They reach Turkey through Iran by car, and then Bulgaria with the help of smugglers. Though they find a place to stay at a refugee camp, they fall victim to hate crime and head to Serbia, en route to which they are forced to camp out for days. They arrive at a refugee camp in Hungary, where they spend a year waiting to be able to request asylum. The family then get detained for three months before being finally granted refugee status in April 2018.


Aftermath

Without permission from authorities, the Fazilis moved to Germany the same month they were granted refugee status, because of the poor treatment they received in the detention center in Hungary. German authorities declined the Fazilis' request to stay, forcing them to live in poor condition in Hungary until November 2019. They were then granted permanent residency in Germany.


Production

Persian-speaking filmmaker Emelie Mahdavian, who produced and edited the film, set up "contact points" in each country to copy footage Fazili stored in SD cards and send it to her in the United States so that, once the footage was received, the family could delete old footage and secure storage space on their phones to shoot new footage. Mahdavian joined Fazili in Serbia to work on story development and record voice-over. 300 hours of footage and 25 hours of voice-over were edited down to the 87-minute film. While the Fazilis were waiting for their asylum request to be processed, the production team joined them in Germany to work on post-production.


Release

In March 2019, Oscilloscope acquired the North American rights to the film. It released the film theatrically on September 18, 2019.


Reception

On review aggregator website
Rotten Tomatoes Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang ...
, the film holds an approval rating of , based on reviews, and an average rating of . The site's critical consensus reads, "''Midnight Traveler'' puts a harrowing personal face on the modern refugee crisis, driving home the heartbreakingly relatable odysseys of the displaced." On
Metacritic Metacritic is a website that aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted average). Metacritic was created by Jason Dietz, Marc ...
, the film has a weighted average score of 79 out of 100, based on 18 critics, indicating "generally favorable reviews". Wendy Ide of '' Screen International'' called the film an "affecting, essential documentary" and wrote, "the suffering, fear and humiliation that they experience is balanced by moments of warmth and an artist's magpie eye for unexpected glimpses of beauty. It's a remarkable achievement." Simran Hans of ''
The Observer ''The Observer'' is a British newspaper published on Sundays. It is a sister paper to ''The Guardian'' and '' The Guardian Weekly'', whose parent company Guardian Media Group Limited acquired it in 1993. First published in 1791, it is the ...
'' wrote, "the combination of perspectives paints a vivid and hopeful portrait of a family, as well as an indictment of the refugee crisis". Gary Garrison of ''The Playlist'' gave the film an A− grade, writing, "It does not set out to tell story, nor does it shoehorn statistics in about violence in Afghanistan or families forced from their homes ... ''Midnight Traveler'', rather, is a film about a family, about the hardship and inhumanity they have endured, about their bravery, about their love, about their hope, and, above all else, about their desire to be safe and in control of their lives and bodies and destinies and fates."
Manohla Dargis Manohla June Dargis () is an American film critic. She is one of the chief film critics for ''The New York Times''. She is a five-time finalist for the Pulitzer Prize for Criticism. Career Before being a film critic for ''The New York Times'', ...
of ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'' wrote, "What largely distinguishes ''Midnight Traveler'' is its anxious intimacy, a sense of uneasy closeness that pulls you into a family circle that at times gets very small ... The filmmakers are chronicling their own lives, of course. But they are also documenting a far larger catastrophe, one that comes in different languages and affects innumerable families." Vanessa H. Larson of ''
The Washington Post ''The Washington Post'' (also known as the ''Post'' and, informally, ''WaPo'') is an American daily newspaper published in Washington, D.C. It is the most widely circulated newspaper within the Washington metropolitan area and has a large nati ...
'' described the film as "the extraordinary first-person account of filmmaker Hassan Fazili's escape from Afghanistan with his family" and wrote, "The film captures not only the harrowing moments of their ordeal but also the sheer tedium of the seemingly endless waiting and uncertainty that come with being refugees." Doreen St. Félix of ''
The New Yorker ''The New Yorker'' is an American weekly magazine featuring journalism, commentary, criticism, essays, fiction, satire, cartoons, and poetry. Founded as a weekly in 1925, the magazine is published 47 times annually, with five of these issues ...
'' wrote, "There is a defiance to the Fazilis' methods of documenting their hell on earth. The film has flair, a sense of style and drama, and of playfulness." St. Félix called for better recognition of the film's "narrative and aesthetic strengths", which she argued "are not superficial flourishes but indeed inseparable from how we observe the family unit".


References


External links

*{{IMDb title, 8923500 2019 films Dari-language films 2019 documentary films American documentary films Canadian documentary films British documentary films Documentary films about refugees Documentary films about immigration to Europe Documentary films about Afghanistan Films shot in Afghanistan Films shot in Tajikistan Films shot in Iran Films shot in Turkey Films shot in Bulgaria Films shot in Serbia Films shot in Hungary Mobile phone films POV (TV series) films 2010s American films 2010s Canadian films 2010s British films