Michael (2011 Austrian Film)
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''Michael'' is a 2011 Austrian
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super ...
directed by Markus Schleinzer which resembles the famous
Natascha Kampusch Natascha Maria Kampusch (born 17 February 1988) is an Austrian author and former talk show host. At the age of 10, on 2 March 1998, she was abducted and held in a secret cellar by her kidnapper Wolfgang Přiklopil for more than eight years, unt ...
case from the offender's viewpoint. It premiered In Competition at the
2011 Cannes Film Festival The 64th Cannes Film Festival was held from 11 to 22 May 2011. American actor Robert De Niro served as the president of the jury for the main competition and French filmmaker Michel Gondry headed the jury for the short film competition. South ...
. It is Schleinzer's directorial debut.


Plot

The film's title character is an insurance broker who lives a quiet, unassuming existence — and who secretly keeps a 10-year-old boy called Wolfgang in his soundproof basement. He sexually abuses the boy, but they otherwise have something of a father–son relationship. In the evenings, after Michael locks the door and closes the blinds, Wolfgang is allowed into the living room for dinner and to watch TV. When in hospital after an accident, Michael is in a hurry to be released and return to Wolfgang. When Wolfgang gets sick Michael digs a grave in the woods, in case Wolfgang dies. However, he recovers. The boy writes a letter to his parents, to be mailed by Michael, but Michael does not send it and lies to Wolfgang, saying his parents don't want him back. Sometimes he takes the boy on a pleasure trip outside the town, where people do not know Michael. On one occasion he goes on a skiing trip with friends for multiple days, leaving extra food for Wolfgang, who has water, a toilet, simple cooking facilities and a TV in his room. Seeing that Wolfgang is lonely, Michael promises to bring another child for company. Together they assemble a bunk bed in advance. Michael attempts to abduct another boy by luring him away, but the boy is called back by his father, who scolds him for walking off with a stranger. Michael tells Wolfgang that he did not succeed in providing him a friend. One day Wolfgang throws boiling water into Michael's face, nearly blinding him, but does not succeed in escaping. Due to the burns inflicted upon him in the attack, Michael takes his car and attempts to seek medical attention but dies in an accident. After the funeral Michael's mother is about to discover the boy when the film ends.


Cast

* as Michael *David Rauchenberger as Wolfgang *Christine Kain as Mother *
Ursula Strauss Ursula Strauss (born 25 April 1974) is an Austrian actress. She is best known for her role as Inspector Angelika Schnell in the television series ''Schnell ermittelt''. Strauss was born in Melk Melk (; older spelling: ) is a city of Austria, in ...
as Sister *Victor Tremmel as Brother-in-law


Production

The film contains a scene in which Michael exposes his penis to Wolfgang. Schleinzer used an invisible
split screen Split screen may refer to: * Split screen (computing) Split screen is a display technique in computer graphics that consists of dividing graphics and/or text into adjacent (and possibly overlapping) parts, typically as two or four rectangular ...
to ensure Rauchenberger did not have to participate in the scene.


Reception

The film was met with mixed critic ratings at the
Cannes Film Festival The Cannes Festival (; french: link=no, Festival de Cannes), until 2003 called the International Film Festival (') and known in English as the Cannes Film Festival, is an annual film festival held in Cannes, France, which previews new films o ...
. While
Indiewire IndieWire (sometimes stylized as indieWIRE or Indiewire) is a film industry and review website that was established in 1996. The site's focus was predominantly independent film, although its coverage has grown to "to include all aspects of Holl ...
's Eric Kohn called the film "a triumph of uneasy cinema: Not since
Todd Solondz Todd Solondz (; born October 15, 1959) is an American filmmaker and playwright known for his style of dark, socially conscious satire. Solondz's work has received critical acclaim for its commentary on the "dark underbelly of middle class America ...
's ''
Happiness Happiness, in the context of mental or emotional states, is positive or pleasant emotions ranging from contentment to intense joy. Other forms include life satisfaction, well-being, subjective well-being, flourishing and eudaimonia. ...
'' has a movie portrayed
pedophilia Pedophilia ( alternatively spelt paedophilia) is a psychiatric disorder in which an adult or older adolescent experiences a primary or exclusive sexual attraction to prepubescent children. Although girls typically begin the process of puberty ...
in such uncomfortable detail", '' Esquire''s
Mike D'Angelo Mike D'Angelo (born April 9, 1968) is an American film critic. He has written reviews for '' The A.V. Club'', ''Las Vegas Weekly'' and ''Nerve'', and maintains a personal website, The Man Who Viewed Too Much. He lives near Los Angeles. One of t ...
tweeted Twitter is an online social media and social networking service owned and operated by American company Twitter, Inc., on which users post and interact with 280-character-long messages known as "tweets". Registered users can post, like, and ...
"WHAT THE FUCK IS WRONG WITH EVERYONE IN AUSTRIA. SERIOUSLY. Once again, very well made in the approved festival style, but I understand now exactly how detractors of '' Funny Games'' felt". In
Télérama ''Télérama'' is a weekly French cultural and television magazine published in Paris, France. The name is a contraction of its earlier title: ''Télévision-Radio-Cinéma''. Fabienne Pascaud is currently managing editor. Ludovic Desautez is de ...
, Aurélien Ferenczi wrote : "a (apparent) objectivity, the refusal of emotion, a willingness to show horror as something ordinary. We can admire the mastery, praise the coherence of the subject, or find that this mannerism is almost dated".


References


External links

* * {{DEFAULTSORT:Michael 2011 drama films 2011 directorial debut films Austrian drama films 2010s German-language films Films about pedophilia Films about child sexual abuse