Mezzetino (painting)
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''Mezzetino'' (; french: Mézetin) is an oil-on-canvas painting in the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, ''Mezzetino'' forms a full-length single-figure composition, depicting the eponymous character in '' commedia dell'arte''. In the 18th century, ''Mezzetino'' was owned by Jean de Jullienne, the friend and patron of Watteau who supervised the four-volume edition of prints after the artist's works, for which the picture was engraved by Benoit Audran the Elder; after Jullienne's death in 1766, it was acquired for the Hermitage in
Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
, then recently established by Empress Catherine II of Russia. During the Soviet sales in the 1920s and 1930s, ''Mezzetino'' was sold to British-American businessman
Calouste Gulbenkian Calouste Sarkis Gulbenkian (, Western hy, Գալուստ Կիւլպէնկեան; 23 March 1869 – 20 July 1955), nicknamed "Mr Five Per Cent", was a British-Armenian businessman and philanthropist. He played a major role in making the petrole ...
; it was later sold to the Wildenstein art firm in Paris and New York, from which it was bought in 1934 by the Metropolitan Museum of Art, where it remains; the institution also owns a preparatory study—a drawing of the man's head. Mezzetino was a comedy character, based on
Harlequin Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the '' zanni'' or comic servant characters from the Italian '' commedia dell'arte'', associated with the city of Bergamo. The role is traditional ...
but with his own distinctive costume, who was introduced for the first time by the Théâtre italien de Paris actor Angelo Costantini on October 16, 1683. Constantini's expressive face allowed him to portray the role without a mask, a tradition kept alive by all successive Mezzetinos. That novelty attracted Watteau, who featured Mezzetino in several of his works. In the picture, Mezzetino is playing his guitar and singing, his eyes lifted as if towards an unseen balcony. The statue of Venus behind him is facing away, suggesting that his feelings are not shared by the lady she represents. Although the model for Mezzetino is not known, the fact that Jean de Jullienne, who, while selling a number of Watteau's works through his life, still kept ''Mezzetino'', suggests he may have fulfilled the role.


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External links

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''Mezzetin''
at the
Web Gallery of Art The Web Gallery of Art (WGA) is a virtual art gallery website. It displays historic European visual art, mainly from the Baroque, Gothic and Renaissance periods, available for educational and personal use. Overview The website contains reprodu ...
{{Antoine Watteau Musical instruments in art 1710s paintings Paintings by Antoine Watteau Paintings in the Metropolitan Museum of Art Commedia dell'arte