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''Merry-Go-Round'' is a large oil on canvas painting made by Mark Gertler in 1916, when he was 24 years old. It is perhaps his most famous work, and depicts men and women (many in uniform) on a
merry-go-round A carousel or carrousel (mainly North American English), merry-go-round (List of sovereign states, international), roundabout (British English), or hurdy-gurdy (an old term in Australian English, in South Australia, SA) is a type of amusement ...
ride. The painting (and another 1915 painting entitled ''Swing Boats'', now lost) may have been inspired by a ride at the annual fair on
Hampstead Heath Hampstead Heath (locally known simply as the Heath) is an ancient heath in London, spanning . This grassy public space sits astride a sandy ridge, one of the highest points in London, running from Hampstead to Highgate, which rests on a band o ...
. The painting is now held in Tate Britain.


Background

Gertler moved to
Hampstead Hampstead () is an area in London, which lies northwest of Charing Cross, and extends from Watling Street, the A5 road (Roman Watling Street) to Hampstead Heath, a large, hilly expanse of parkland. The area forms the northwest part of the Lon ...
in north London in late 1914. A letter written by Gertler's friend
D. H. Lawrence David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English writer, novelist, poet and essayist. His works reflect on modernity, industrialization, sexuality, emotional health, vitality, spontaneity and instinct. His best-k ...
in September 1915 mentions wounded soldiers in uniforms enjoying the rowdy entertainment at the fair. Another letter by Lawrence in 1916 describes the painting as "the best ''modern'' picture I have seen: I think it is great and true". The work in progress is mentioned in a letter sent by Gertler to Lytton Strachey in May 1916: "I am working very hard on a large and very unsaleable picture of ''Merry-Go-Round''."


Painting

The painting measures . It depicts sixteen figures travelling on horseback around a fairground
carousel A carousel or carrousel (mainly North American English), merry-go-round (List of sovereign states, international), roundabout (British English), or hurdy-gurdy (an old term in Australian English, in South Australia, SA) is a type of amusement ...
, arranged in five groups of three plus a singleton. The figures resemble dolls, becoming abstracted into blocks of bright colours, with open mouths as if they are screaming. Some are in military uniforms and others in civilian clothes. The work takes inspiration from the Vorticist and Futurist works of David Bomberg and Christopher Nevinson.


Reception

The painting was included in the London Group exhibition at the
Mansard Gallery Heal's ("Heal and Son Ltd") is a British furniture retail company comprising seven stores, selling a range of furniture, lighting and home accessories. For over two centuries, it has been known for promoting modern design and employing ta ...
in 1917. It was interpreted as a deliberately "modern" and decorative work at the time, but is now seen as Gertler's visceral reaction to – and protest against – the First World War, perhaps triggered by the possibility that Gertler could be conscripted into the British Army. Gertler was a
conscientious objector A conscientious objector (often shortened to conchie) is an "individual who has claimed the right to refuse to perform military service" on the grounds of freedom of thought, conscience, or religion. The term has also been extended to object ...
. Expanding on the theme of war, the painting may represent the threefold colours of wholeness and balance in our Thinking, Feeling and Willing – within a human being. The four sets of people too suggest the balance between the masculine and feminine aspects within us; whilst the individual sailor is presented as the true unknown, unseen and rather elusive higher self. The continuous merry-go-round search for balance through the battle of suffering – as a strangely joyful part of the human Life. Gertler was working on a sculpture version of ''Merry-Go-Round'' in 1916. The painting remained unsold during Gertler's lifetime. After his suicide in 1939 it was acquired by Leicester Galleries, who gave it to the
Ben Uri Art Society The Ben Uri Gallery & Museum is a registered museum and charity based at 108a Boundary Road, off Abbey Road in St John's Wood, London, England. It features the work and lives of émigré artists in London, and describes itself as "The Art Museu ...
in 1945. The Tate Gallery bought it from the Ben Uri Art Society in 1984.


Legacy

''Merry-Go-Round'' inspired a scene in Joan Littlewood's 1963 stage musical '' Oh, What a Lovely War!'', and in the 1969
film adaptation A film adaptation is the transfer of a work or story, in whole or in part, to a feature film. Although often considered a type of derivative work, film adaptation has been conceptualized recently by academic scholars such as Robert Stam as a dial ...
directed by
Richard Attenborough Richard Samuel Attenborough, Baron Attenborough, (; 29 August 192324 August 2014) was an English actor, filmmaker, and entrepreneur. He was the president of the Royal Academy of Dramatic Art (RADA) and the British Academy of Film and Televisio ...
. A cast-iron roundel (or mock coal hole cover) depicting a detail from ''Merry-Go-Round'' is set into the pavement in front of Gertler's former home and studio at 32 Elder Street,
Spitalfields Spitalfields is a district in the East End of London and within the London Borough of Tower Hamlets. The area is formed around Commercial Street (on the A1202 London Inner Ring Road) and includes the locale around Brick Lane, Christ Church, ...
, London. It was installed in 1995, and is one of a series of such roundels created by sculptor Keith Bowler to celebrate Spitalfields heritage.


References


External links


''Merry-Go-Round''
Tate Gallery
''Merry-Go-Round'': text summary
Tate Gallery
''Merry-Go-Round'': catalogue entry
Tate Gallery
The one-hit wonder
''The Observer'', 23 June 2002 {{Authority control 1916 paintings English paintings Collection of the Tate galleries Horses in art