Mehmet Bahri
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Mehmet Bahri (–) was an Ottoman and
Turkish Turkish may refer to: *a Turkic language spoken by the Turks * of or about Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities and mi ...
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
and
sculptor Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
. Bahri was educated at the Sanay-i Nefise Mektebi and was a student of
Osgan Efendi Yervant Voskan (1855, Istanbul – Istanbul 1914) was an Armenian painter, sculptor, instructor, and administrator. He is the first known sculptor in modern Turkish sculpture history and as the first sculpture teacher at the Sanay-i Nefise he ed ...
. He was close friends with fellow student and sculptor İsa Behzat. After graduating from the Sanay-i Nefise in
Istanbul Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
he became the director of the Sanay-i Nefise workshop in
Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...
. He is recognised as one of the first sculptors of
Turkey Turkey ( tr, Türkiye ), officially the Republic of Türkiye ( tr, Türkiye Cumhuriyeti, links=no ), is a list of transcontinental countries, transcontinental country located mainly on the Anatolia, Anatolian Peninsula in Western Asia, with ...
.


Work

He was along with Ihsan Özsoy, Isa Behzat and
Mahir Tomruk Mehmet Mahir Tomruk (1885–1949) was a Turkish sculptor who is one of lead figures in pre-Republic sculpture. He is one of the sculptors to be educated in the Sanayi-i Nefise in the time before the foundation of the Turkish Republic where ha ...
, one of the first four students and graduates of the sculpture department at the Sanay-i Nefise Mektebi, and part of the first generation of Turkish sculptures following Osgan Efendi. He is described as a more decorative worker. The newspaper of the Ottoman Painters Society featured Bahris works at the time. He was noted for the detail in his technique which was liked to that of Behzat while also giving an important place to the psychological aspect of the subjects portrayed in his sculpture. On the occasion of the exhibition for the 100th anniversary of the Sanay-i Nefise Mektebi two of Bahris sculptures in particular were noted for their qualities: ''Gülen Adam'' and ''Düşünce''. They "combine an expressive academic understanding with a humorous depiction of emotions". A card infront of ''Gülen Adam'' reads, made in the Ottoman workshop. He continued the tradition of Oskan Efendi.


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* * * 20th-century sculptors 19th-century births 20th-century deaths Year of death uncertain Year of birth uncertain {{Turkey-sculptor-stub