History
Max's I
Max's quickly became a hangout of choice for artists and sculptors of the New York School, like John Chamberlain, Robert Rauschenberg and Larry Rivers, whose presence attracted hip celebrities and the jet set. Neil Williams, Larry Zox, Forrest (Frosty) Myers, Larry Poons, Brice Marden, Bob Neuwirth, Dan Christensen, Ronnie Landfield, Ching Ho Cheng, Richard Bernstein, Peter Reginato, Carl Andre, Dan Graham, Lawrence Weiner, Robert Smithson, Joseph Kosuth, Brigid Berlin, Viva, Edie Sedgwick, David R. Prentice, Roy Lichtenstein, Peter Forakis, Peter Young, Mark di Suvero, Pat Lipsky, Larry Bell, Donald Judd, Dan Flavin, Richard Serra, Lee Lozano, Carlos Villa, Jack Whitten, Edward Leffingwell, Philip Glass, Max Neuhaus, Ray Johnson, Malcolm Morley, Lotti Golden, Marjorie Strider, Edward Avedisian, Carolee Schneemann, Dorothea Rockburne, Norman Bluhm, Kenneth Showell, Robert Tex Wray, John Griefen, Colette Justine, Lenore Jaffee, Tally Brown, Taylor Mead, William S. Burroughs, Allen Ginsberg, René Ricard, Richard Gallo, Stephen Shore, Marta Minujín, and Marisol were just some of the artists seen regularly at Max's. Willem de Kooning, Barnett Newman, Henry Geldzahler, art critics Lucy Lippard, Robert Hughes, Clement Greenberg, and Harold Rosenberg, art dealers Leo Castelli, and David Whitney, whose gallery was across the street, writers Lillian Roxon, Fran Lebowitz, Germaine Greer, and architect Philip Johnson occasionally would be seen there as well. It was also a favorite hangout of Andy Warhol and his entourage, who dominated the back room. The Velvet Underground played there regularly, including their last shows with Lou Reed before he quit the band, in the summer of 1970. It was a home base for the glam rock scene, which included Marc Bolan, David Bowie, Iggy Pop, Lou Reed, Alice Cooper, theMickey Ruskin
Shortly after graduating from Cornell Law School, Mickey Ruskin opened The Tenth Street Coffeehouse, which featured nightly poetry readings. He then opened Les Deux Megots on East Ninth Street. His next endeavor was a bar called the Ninth Circle Steak House, a hangout for artists and musicians on West 10th Street. After opening Max's Kansas City, he opened similar restaurants including: the Longview Country Club (later known as Levine's Restaurant) which was on 19th Street and Park Avenue South, diagonally across the street from Max's and Max's Terre Haute, on the Upper East Side, but they did not do as well. His next club was The Locale on Waverly Place that he opened with partner Richard Sanders. Sanders kept The Locale and Mickey went on to The Lower Manhattan Ocean Club, on Chambers Street in TriBeCa. Ruskin's last enterprise was Chinese Chance (nicknamed One U), a bar and restaurant that he opened with partner Sanders, located at 1 University Place in Greenwich Village. The French composer Duncan Youngerman and the poet and mail artist Adam Czarnowski both worked there as busboys. Lauren Hutton, Ellen Barkin, Gerard Malanga, Joe Jackson, Joni Mitchell, Nico, David Bowie and a score of other Lower Manhattan celebs hung out there, as well as the artists that formerly frequented Max's and the doormen of the Mudd Club. Ruskin died in New York City on May 16, 1983, at the age of 50.Max's II
Max's Kansas City reopened in 1975 under the ownership of Tommy Dean Mills, who initially thought he would make it a disco. Peter Crowley, who had been booking the same early punk bands that played at CBGB and Mothers, a gay bar on West 23rd Street, was hired to book bands at Max's. Under Crowley's guidance the club became one of the birthplaces of punk, regularly featuring bands including Cherry Vanilla, Wayne County & the Electric Chairs, Ruby and the Rednecks, The Offs, The Fast, Suicide (who all appeared on the compilation album ''1976 Max's Kansas City''), theMax's III
Mills reopened the club again on January 27, 1998, at a new location—240 West 52nd Street—site of the former Lone Star Roadhouse. However, it closed shortly after opening. The opening had been delayed due to litigation by Ruskin's partner, Yvonne Sewall-Ruskin, who claimed that she owned the trademark to Max's Kansas City and was granted a temporary restraining order to prevent use of the name.Aftermath
In 2000, Acidwork Productions, Inc., a production company founded by Neil Holstein (second cousin of Mickey Ruskin) began working in conjunction with Victoria Ruskin (Mickey Ruskin's daughter) on a feature-length documentary about Mickey Ruskin and his many establishments, including Max's Kansas City. In 2001, Yvonne Sewall-Ruskin established the Max's Kansas City Project. In the spirit of Ruskin's philosophy of helping artists in need, the project, a 501(c)(3) non-profit, provides emergency funding and resources for individuals in the arts in crisis. The nonprofit is also dedicated to empowering teens through the arts.References
Sources * *Further reading
*Weinberger, Tony, ''The Max's Kansas City stories'' (1971) Bobbs-Merrill 971Call number in Library of Congress: PS3573.E393 M3 *Kasher, Steven, ''Max's Kansas City: Art, Glamour, Rock and Roll'' (2010) Abrams Image, .External links
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