Mattavilasa Prahasana
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''Mattavilasa Prahasana'' (
Devanagari Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental syste ...
:मत्तविलासप्रहसन), ( en, A Farce of Drunken Sport) is a short one-act
Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ...
play. It is one of the two great one act plays written by Pallava King Mahendravarman I (571– 630CE) in the beginning of the seventh century in
Tamil Nadu Tamil Nadu (; , TN) is a States and union territories of India, state in southern India. It is the List of states and union territories of India by area, tenth largest Indian state by area and the List of states and union territories of India ...
.Bhat and Lockwood, pg. 51 ''Mattavilasa Prahasana'' is a
satire Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming ...
that pokes fun at the peculiar aspects of the heretic Kapalika and
Pasupata Pashupata Shaivism (, sa, पाशुपत) is the oldest of the major Shaivite Hindu schools. The mainstream which follows Vedic Pasupata penance are 'Maha Pasupatas' and the schism of 'Lakula Pasupata' of Lakulisa. There is a debate about p ...
Saivite sects,
Buddhists Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religion or philosophical tradition based on teachings attributed to the Buddha. It originated in northern India as a -movement in the 5th century BCE, and gra ...
and
Jainism Jainism ( ), also known as Jain Dharma, is an Indian religions, Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of ''Dharma''), with the first in the current ...
. The setting of the play is Kanchipuram, the capital city of the Pallava kingdom in the seventh century. The play revolves around the drunken antics of a Kapalika
mendicant A mendicant (from la, mendicans, "begging") is one who practices mendicancy, relying chiefly or exclusively on alms to survive. In principle, mendicant religious orders own little property, either individually or collectively, and in many inst ...
, Satyasoma, his woman, Devasoma, and the loss and recovery of their skull-bowl. The cast of characters consists of ''Kapali'' or Satysoma, an unorthodox Saivite mendicant, ''Devasoma'', Satysoma’s female partner, a ''Buddhist Monk'', whose name is Nagasena, ''Pasupata'', a member of another unorthodox Saivite order and a ''Madman''. The act describes a dispute between a drunken Kapali and the Buddhist monk. The inebriated Kapali suspects the Buddhist monk of stealing his begging bowl made from a skull, but after a drawn-out argument it is found to have been taken away by a dog.


Synopsis

''Mattavilasa Prahasana'' opens with the entering of two drunken Kapalikas, Satyasoma and his woman, Devasoma. Full of drunken antics, they stumble from tavern to tavern searching for more alcohol. The Kapalikas are told to be followers of a heretic
Saivite Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions rangin ...
sect whose rites included drinking, wild dancing and singing, and ritual intercourse with their partners. As Satysoma asks for more alms, he realizes that he has lost his sacred skull-bowl. Devasoma suggests that he might have left it at the tavern they previously visited. To their dismay, it was not there. Satyasoma suspects that either a dog or a Buddhist monk has taken it. A Buddhist monk, Nagasena, enters the stage and the Kapalika suggests that he is the culprit-the one who has stolen the skull-bowl. Satyasoma criticizes the Buddhist monk by saying that he steals, lies, and desires liquor, meat and women even though his religion prohibits it. As for Buddhism itself, the Kapali accuses it of stealing ideas from the
Mahabharata The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kuruk ...
and the Vedanta. Satyasoma argues with the monk who denies the accusations and the dispute eventually leads to a physical brawl. As the fighting escalates, another mendicant, a
Pasupata Pashupata Shaivism (, sa, पाशुपत) is the oldest of the major Shaivite Hindu schools. The mainstream which follows Vedic Pasupata penance are 'Maha Pasupatas' and the schism of 'Lakula Pasupata' of Lakulisa. There is a debate about p ...
acquaintance of Satyasoma's, enters and mediates the situation. The drawn-out argument continues until the Buddhist monk, in despair, gives his begging bowl to a delusional Satyasoma. The Madman enters the stage and in his hand is Satyasoma's real skull-bowl. The madman recovered the bowl from a dog and the skull-bowl is finally returned to its delighted, rightful owner. There is a happy resolution and all characters leave in an amicable fashion.


Interpretations

There was a strong revivalist movement of
Hinduism Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global p ...
in South India during the seventh century and King Mahendra supported this revivalism. He excavated temples in mountains, a majority of which were dedicated to Siva. It is within this atmosphere of this enlightenment when Mahendra’s play, ''Mattavilasa Prahasana'', had its greatest effect. It is widely held that Mahendra’s play is a satire of the degenerate sects of his day. For example, both the Kapalika and
Pasupata Pashupata Shaivism (, sa, पाशुपत) is the oldest of the major Shaivite Hindu schools. The mainstream which follows Vedic Pasupata penance are 'Maha Pasupatas' and the schism of 'Lakula Pasupata' of Lakulisa. There is a debate about p ...
sects must have been considered peculiar during Mahendra’s reign, and the king satirizes them in his play. The Kapalikas embodied a serious, yet suspect, religious concept:
Tantrism Tantra (; sa, तन्त्र, lit=loom, weave, warp) are the esoteric traditions of Hinduism and Buddhism that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards. The term ''tantra'', in the Indian t ...
where religious enlightenment is attained through unorthodox rituals. Some of these notorious rituals were ''Madya'' (liquor) and ''Maithuna'' (ritual intercourse). Meanwhile, these rituals are satirically echoed by Nagasena, the Buddhist monk, who wonders why Buddhism disallows liquor and women. Jainism isn’t spared from Mahendra’s satirical pen as both Devasoma and Satyasoma describe Jains as heretics. While the play does have a satirical plot, it also provides an interesting look into the life at
Kanchipuram Kanchipuram ('; ) also known as ''Conjeevaram,'' is a city in the Indian state of Tamil Nadu in the Tondaimandalam region, from Chennaithe capital of Tamil Nadu. Known as the ''City of Thousand Temples'', Kanchipuram is known for its temple ...
during the seventh century. There are references to the sounds of drums, young ladies and various flower shops. The King points to the festive climate within taverns and to the corrupted courts of Kanchi where officials were sometimes bribed. There is also mention of temple towers. Satyasoma accuses the Buddha of stealing ideas from the ''Vedanta'' and ''Mahabharata''. This remark has a bearing on the age of the Mahabharata battle and its epic story.


Adaptations

A 2003 dance theatre adaptation of ''Mattavilasa Prahasanam'' was produced and presented by SANGALPAM. There was a national United Kingdom tour between 2003-2004. Directed by Stella Uppal-Subbiah, the play was edited to highlight bharatanatyam, and received great reviews.Zarilli, http://www.phillipzarrilli.com/productions/drunkenmonk/index.html .


Translations

* ''Mattavilasa Prahasana'' ''The Farce of Drunken Sport'' (1981) by Michael Lockwood and A. Vishnu Bhat * ''Drunken Games'' (2001) by David Lorenzen, edited by David Gordon White * ''The Farce of Drunken Sport'' (2003) by Stella Uppal-Subbiah heatrical Adaptation* ''Mattavilasa Prahasana'' (1936) by N.P. Unni and Narayanan Parameswaran * ''Mahendravikrama Varmana'' (1998) by Urmibhushna Gupta * ''High Spirits'' (1990, 1992) by Rahul Bonner


See also

* Kapalika * Kutiyattam


References

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Further reading

* Heras, Rev Henry. ''Studies in Pallava History''. Madras: B.G Paul and Company, 1933. * Chākyār, Māni Mādhava. ''Mattavilāsam''. Kerala, 1968 * Chākyār, Māni Mādhava. '' Nātyakalpadrumam''.
New Delhi New Delhi (, , ''Naī Dillī'') is the capital of India and a part of the National Capital Territory of Delhi (NCT). New Delhi is the seat of all three branches of the government of India, hosting the Rashtrapati Bhavan, Parliament House ...
:
Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and be ...
, 1975 * Unni, NP. ''Mattavilasa on the Kutiyattam Stage Mattavilasam''. New Delhi: Nag Publishers, 1997. * Unni, NP.''Journal of Kerala Studies''. Vol I, No I. New Delhi: Trivandrum, 1973. * Unni, NP. "Mattavilasa prahasana of Mahendravikramavarman". Madras: College Book House, 1979. * Guptā, Urmibhūshṇa. "Mahendravikrama Varmana'. Nayī Dillī : Vāṇī Prakāśana, 1998. * Lockwood, M and AV Bhat. ''The Farce of Drunken Sport''. Tambaram, Madras: MCC, 1981. * Barnett, Lionel D. ''Matta-vilasa, a farce by Mahendravikrama-Varman''. London: 1930. * Zarilli, P. ''The Play and its Adaptation as South Asian Dance-Theatre'' 2003. Web. 13 July 2009 . * Fentress, Roy Kenneth. "The rock-cut shrines of Pallava Mahendravarman I". University of California, Berkeley: University Press, 1981. * Varma, Mahendra. "Mattavilasaprahasana. English and Sanscrit". Dilli: Naga Prakasaka, 1998. * Jouveau-Dubreuil, Gabriel. "Conjeevaram inscription of Mahêndravarman I". St. Joseph's Industrial School Press, 1919. * Aiyangar, Sakkottai K. ''Early History of Vaishnavism in South India''. London: Oxford University Press, 1920.


External links

*http://www.britannica.com/EBchecked/topic/358161/Mahendravarman-I *http://www.enotes.com/mahendravarman-salem/mahendravarman *http://ignca.nic.in/sanskrit/matta_vilasa_prahasanam.pdf Sanskrit plays Indian plays Ancient Indian literature