Martin Zellar And The Hardways
   HOME

TheInfoList



OR:

''Martin Zellar and the Hardways'' is an album by Martin Zellar, released in 1996. He is credited with his band, the Hardways. Zellar supported the album with a North American tour. The first single was "I Can't Believe".


Production

The album was produced by Tom Herbers. Zellar included several faster songs, with a mind toward his live show. "Big Sandals" is about the cohort who followed the Baby boomers but who don't identify as Generation X. "Guilty Just the Same" is about a death row inmate. Inspired by a friend of Zellar's, "Ten-Year Coin" depicts an alcoholic who falls off the wagon. "Haunt My Dreams" describes an infatuation with a younger woman. "Lullaby" is about a father and his newborn. "Frog Fightin' Drunk" is an unlisted bonus track.


Critical reception

The '' Lincoln Journal Star'' wrote that the Hardways "are along for the ride and their stage chemistry transfers effectively into the studio, providing a more cohesive sound and near-perfect backing for Zellar's explorations on the street of broken dreams." '' No Depression'' concluded that, "for the second album in a row, Zellar seems incapable of writing a memorable melody, relying on a simple, easygoing roots-rock sound to cover up any real musical inspiration." The ''
Milwaukee Journal Sentinel The ''Milwaukee Journal Sentinel'' is a daily morning broadsheet printed in Milwaukee, Wisconsin, where it is the primary newspaper. It is also the largest newspaper in the state of Wisconsin, where it is widely distributed. It is currently o ...
'' noted that "the underappreciated Minnesotan has focused on the gap between the heady promise of youth and the harsh realities of adulthood." The '' Chicago Tribune'' deemed the album "a striking collection of musical vignettes graced with vivid storytelling and an unvarnished yet indelible lyricism." The '' Dallas Observer'' stated that "Zellar addresses us from the heart of the everyday—that territory defined by a line of empty beer bottles on the bar, the job in town, the snowplow blade rusting in the barn, and the whitewashed halves of old tractor tires between the mums and the driveway." '' The Province'' labeled Zellar "an accomplished songwriter who'll find an audience among admirers of John Hiatt or Paul Kelly." The '' Arkansas Democrat-Gazette'' dismissed Zellar as "a Springsteen clone."


Track listing


References

{{authority control 1996 albums Martin Zellar albums Rykodisc albums