Marion Sanford
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Marion Sanford (February 9, 1904 - February 1987) was an American sculptor known for her bronze portraits of women engaged in everyday domestic activities.


Early life and career

Sanford was born to American parents in Guelph, Ontario and was raised on a farm in Warren, Pennsylvania. Her artistic education began at
Pratt Institute Pratt Institute is a private university with its main campus in Brooklyn, New York (state), New York. It has a satellite campus in Manhattan and an extension campus in Utica, New York at the Munson-Williams-Proctor Arts Institute. The school was ...
, where she studied painting in 1922. She later worked as a stage and costume designer before developing an interest in sculpture. At the
Art Students League of New York The Art Students League of New York is an art school at 215 West 57th Street in Manhattan, New York City, New York. The League has historically been known for its broad appeal to both amateurs and professional artists. Although artists may stu ...
, Sanford studied sculpture under Leo Lentelli and
Robert Laurent Robert Laurent (June 29, 1890 – April 20, 1970) was a French-American modernist figurative sculptor, printmaker and teacher. His work, the ''New York Times'' wrote,"figured in the development of an American sculptural art that balanced natu ...
, experimenting with the direct-carving method. She also worked as an apprentice to artist
Brenda Putnam Brenda Putnam (June 3, 1890 – October 18, 1975) was an American sculptor, teacher and author. Biography She was the daughter of Librarian of Congress Herbert Putnam and his wife Charlotte Elizabeth Munroe. Her older sister Shirley and sh ...
between 1937 and 1940. Sanford provided pen and ink illustrations for Putnam's book, ''The Sculptor's Way,'' and is referred to by Putnam in that book as "my pupil, assistant and colleague." In 1937, Sanford had her first exhibition of sculptures. The same year, her statue ''Diana'' was awarded a prize by the
National Association of Women Painters and Sculptors The National Association of Women Artists, Inc. (NAWA) is a United States organization, founded in 1889 to gain recognition for professional women fine artists in an era when that field was strongly male-oriented. It sponsors exhibitions, awards ...
. In 1939, she completed a plaster bas-relief of black workers weighing cotton, which had been commissioned with funds provided by the Treasury Section of Fine Arts for the Winder, Georgia post office as part of a
New Deal The New Deal was a series of programs, public work projects, financial reforms, and regulations enacted by President Franklin D. Roosevelt in the United States between 1933 and 1939. Major federal programs agencies included the Civilian Cons ...
arts initiative. Sanford also was included in the
1939 New York World's Fair The 1939–40 New York World's Fair was a world's fair held at Flushing Meadows–Corona Park in Queens, New York, United States. It was the second-most expensive American world's fair of all time, exceeded only by St. Louis's Louisiana Purchas ...
exhibition of American art, and won Guggenheim Fellowships in 1941 and 1942. Sanford is best known for her "Women at Work" (also referred to as "working women") series of bronze sculptures depicting women doing household chores such as picking apples (''Harvest,'' 1941), preparing food (''Butterwoman'', 1942) and washing clothes (''Scrubwoman'', n.d.). These works were inspired by memories of her Swedish neighbors working on their farm when she was a child in Pennsylvania. In a 1947 interview, Sanford stated that she feels there is a "beauty in movements one makes while performing chores" as well as an "unconscious grace in the succession of movements as the work proceeds." Other notable works include ''De Profundis'' (1943), a portrait of a grief-stricken woman for which she received the Watrous Gold Medal at the National Academy of Design, and ''Dawn'' (1947), a portrait of a seated teenaged girl, which won another award from the Academy. In the summer of 1949 she was one of 250 sculptors who exhibited in the
3rd Sculpture International 3rd Sculpture International was a 1949 exhibition of contemporary sculpture held inside and outside the Philadelphia Museum of Art, in Philadelphia, Pennsylvania, USA. It featured works by 250 sculptors from around the world, and ran from May 15 ...
held at the
Philadelphia Museum of Art The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Fr ...
. Other exhibitions include those at the
Newport Art Association The Newport Art Museum, founded in 1912 as the Art Association of Newport, is located at 76 Bellevue Avenue in Newport, Rhode Island. The museum operates a gallery in the John N. A. Griswold House, a National Historic Landmark that is one of th ...
,
Architectural League of New York The Architectural League of New York is a non-profit organization "for creative and intellectual work in architecture, urbanism, and related disciplines". The league dates from 1881, when Cass Gilbert organized meetings at the Salmagundi Club for ...
, and the Whitney Museum of American Art. Sanford was a founding member of the
Sculptors Guild Sculptors Guild, a society of sculptors who banded together to promote public interest in contemporary sculpture, was founded in 1937. Signatories to the original corporation papers (Sculptors Guild, Inc.) were Sonia Gordon Brown, Berta Margoulie ...
and also a member in the National Sculpture Society.


Personal life and death

Sanford began working with fellow sculptor Cornelia Chapin in the late 1930s. During the Second World War, they redecorated and maintained the former studio of Gutzon Borglum on 38th Street in New York City. The two artists eventually relocated to Lakeville, Connecticut in 1952. Chapin often modeled for Sanford's work. After Chapin's death in 1972, Sanford relocated to Eastbourne, England, where she lived and worked until her own death in February 1987. The two artists' combined papers are in the Smithsonian Institution's Archives of American Art as the "Marion Sanford and Cornelia Chapin papers, 1929-1988."


References

{{DEFAULTSORT:Sanford, Marion 1904 births 1987 deaths 20th-century American sculptors Treasury Relief Art Project artists American women sculptors Modern sculptors Artists from New York City 20th-century American women artists American expatriates in Canada People from Lakeville, Connecticut Sculptors from New York (state)