Biography
Marine Oussedik has dedicated her life to horses whether through art or in her daily horse-riding.Early life and education
Marine Oussedik was born on May 20, 1967, in Neuilly-sur-Seine. Her mother was from Picardy and her father was a Kabyle. She discovered horses when she was five years old, riding poneys in Paris, at theFirst exhibitions
Marine Oussedik enjoyed a " meteoric rise ". In 1991, for the first time, she exhibited ink drawings in a gallery in the VIth arrondissement of Paris. Then Amaury de Louvencourt (owner of La Cymaise gallery, rue Faubourg Saint-Honoré in Paris and an art expert) discovered her works and immediately invited her to prepare an exhibition. That was the beginning of a long collaboration. The founder of theRecognition
From 1992 on, Marine Oussedik has been in demand all over the world, whether in Lausanne and Geneva (Switzerland), London (England), Seoul (South Korea), Antwerp and Brussels (Belgium), Shanghai (China) or the United States and the United Arab Emirates. She made her first bronze sculptures in 1996. " Immediately, sculpture was easy for me ", she said. Art expert Amaury de Louvencourt encouraged her to persevere. She remains humble as to the success of her works : « Chivalrous, the young woman doesn't swell with pride, tries oil painting and sculpture while her ink lines keep galloping with spiritual sensitivity (…) we can only rejoice that Marine Oussedik had no gift for maths, " the veterinary association " she wanted to join would have stolen a great artist! " – ''Côté Sud'' In 1998 the book service of Algeria called upon her to illustrate a new edition of ''Les chevaux du Sahara''. She contributed to various books for different publishers and to equestrian magazines such as " Cheval pratique ". A book lover, she enjoys working with a team, publishers and authors, sharing knowledge. In 2002 she hosted a presentation of her works about horses, followed by a workshop at the Arab World Institute in Paris ; her book ''Les chevaux du vent, oiseaux sans ailes'', was published at the same time. In 2004 she was awarded the prix Pégase (Pegasus literary prize) by the academy for the advancement of equestrian culture (ACDE). She became a member of the academy and created the Pegasus prize trophy the following year. She has also created trophies for the Arabian Horse World Championship at the Paris Salon du Cheval (Horse Fair), including the Most Beautiful Head Trophy. In 2010, a retrospective of 20 years of work was held at Saint-Jean museum and castle inHorse-riding
Marine Oussedik is also a rider who favors classical dressage. She lives with her two horses on her family estate in Picardy. Her daily life is organized around horse-riding, drawing and sculpting according to the climate and light. She ride two to three hours daily. She prefers developing her relationship with her two horses rather than competing. She thinks that art and horse-riding are similar, both being constantly challenging : " It never ends, there is always room for improvement ".Works
Marine Oussedik may work around a sole theme but the supports she uses are varied. She is interested in many different techniques and has tried them all.Ink, drawings and paintings
Marine Oussedik became known for her works made with ink representing harnessed horses on colored and gold papers. Quill and brush enable her to make illustrations as accurate as possible. Her creations vibrate with the bright colors from the various inks she draws and paints with. She also uses charcoal, black chalk, pencil and oil paint. The choice of paper is very important. Marine Oussedik works on colored papers which tints echo the colors of the desert sand. Thanks to these papers she can work with white as a true color. She is on the lookout for rare and quality papers like those made in Egypt by the garbage collectors in Cairo who press the sheets at the drying stage. She also works on paper with gold specks.Reportage ''Picards d'ici'', 24 min 45Sculptures
For Marine Oussedik the art of sculpture and that of drawing are complementary both needing to be " as exact as possible whatever the position of the horse "6,36. First the model is cast in earth or wax. Because of the fragile balance of the horse (a mass on thin legs) a framework and a support are required. Once the model is finished, it is moulded and twelve bronze casts can be made before the moulding is destroyed.Tableware and toys
The first collection she created for Gien earthenware, " Horses of the Wind ", revolves around Arabian horses. It was so successful that it was followed by a limited edition of hand-painted items. She also produced a few unique ones enhanced with some gold for an exhibition in Dubai at Dubai Mall : " Dream Objects, Icons of French Style " in 2010. A new collection was born in 2014, " Horses of the Sun ", dedicated to Portuguese horses. A limited edition of hand-painted items is under way. Marine Oussedik, who confesses that she has remained a child at heart, makes toys too. She has signed the " Horse " figurines of the French brand Papo and has designed original items like games of " petits chevaux ", a French alternative of Parcheesi and Ludo, with terracotta figurines, and an Arabian horse on wheels. Original items were on display during the " Variations Équines " exhibition in 2012 centered on " Le cheval amusant " (fun with horses) at the museum-castle in Nogent-le-Rotrou.Performances
Performances have been also achieved by Marine Oussedik. During the show " Celebrating horses ", organized by Jean-Louis Gouraud at Maison des Cultures du Monde on September 23, 1998, she was filmed drawing live on stage in front of an audience. All the profit were donated to the restoration of the necropolis of the tzars's horses. She also performed live at Maison des Cultures during the " horsewoman " show in June 2003. In 2012, during the " Night of the Horse " show at Paris Salon du Cheval, her illustrations of Portuguese horses were projected and a film was shown where she could be seen drawing horses on glass plates from the view point of the camera.Artist's impression
Marine Oussedik believes that her pictorial art can't be separated from her equestrian art, that being an artist relies on a daily routine necessary to train one's hand whatever the gifts you are born with. That's why she is drawing daily, otherwise she feels " bored and missing something ". She thinks that work and passion are inseparable as symbolized by Stendhal's quote on her desk. Her artistic style has matured towards volume. In the early part of her career, her works appeared as silhouettes of horses which, as time passes by, become three-dimensional and full-bodied. Marine Oussedik started sculpting in 1996 a logical step in her artistic career. What she learned from sculpting she used while drawing. Her studio in Picardy brings her the peace of mind and the light she needs to create. Although she owns several horses who might be used as models (she can see her two horses from her working table), she would rather talk of " equestrian impregnation ". She draws from memory – as she lives with horses she can observe their attitudes and expressions – and uses her equestrian knowledge. She thinks that horses are not easy animals to depict. The slightest alteration of proportion and all the drawing goes wrong. She thinks that, would she use a photography, her drawing would lack life and movement. That's why she chooses to forget the model to be free and develop her own style. She only uses photographs when she has to depict historical elements, for example. Living with horses is the right approach : thus she can capture the shape of the animal she then reproduces. Marine Oussedik has illustrated a great variety of subjects from the equestrian world : Arabian horses, Iberian ones, hunting, life in the stables, coaches, polo, side-saddle riding, bull fighting, horse racing. However Arabian horses remain her favorites. She sees them as the " jewel in the box ", enhanced by the rich settings they are often associated with such as stable rugs, colored saddlecloths and harness, the desert atmosphere as well as their companions sloughis and falcons. She also likes the power and expressiveness Iberian horses radiate. They started playing a bigger part in her work in 1995 when she met them at the Living Museum of the Horse. She made illustrations of Jerez Royal Riding School, Spanish carriages " a la calasera " and bull fighting for the exhibition " Horses from the South " at La Cymaise gallery late 2002.Critical reception
Today her works are quite well-known all over the world. Their unique style is her signature. The accuracy of anatomy and their delicacy, especially when made with ink, have been widely noticed by art reviewers : « Thanks to her very accurate lines, the horses that Marine Oussedik shows us are not domesticated but tamed ", says one of them. The words delicacy, nobility, femininity are often used to qualify her work. Blaise de Chabalier, art reviewer for the French national dailybibliography
Whether she collaborates to art and technical books for young readers, Marine Oussedik's books are all dedicated to horses (with the exception of the legends from Picardie and Nord-Pas-de-Calais). The book, as an object, attracts her tremendously. * Out of print. *Abd-El-kader and Eugène Daumas (ill. Marine Oussedik), ''Les chevaux du Sahara'', OLA, May 5, 1999, 275 p. ( and 978-2913437005), out of print. *Marine Oussedik, ''Les chevaux du vent : Oiseaux sans ailes'', Martelle, November 2002, 120 p. ( and 978-2878900880) rewarded by Prix Pégase 2004 * Marine Oussedik (pref. Carlos Henriques Pereira), ''Les chevaux de rois'', Martelle, October 29, 2003, 119 p. ( and 978-2878900934) Rewarded by Prix Pégase 2004. *''L'imagier des chevaux d'Europe'', Castor et Pollux, coll. " L'imagier de Castor & Pollux ", 2005, 53 p. ( and 9782912756961). Illustrations of 150 European breeds of ponys and horses classified according to countries.Selective chronology
References
Sources
Press articles
* * * * * * * *TV
* « Marine Oussedik », by Michelle Hauteville and Laurent Desprez, coll. « Le magazine du cheval », Saturday January 23, 1999 : Diffusion France 3 national January 28, 1999 at 14h05. * « La cavalière peintre », by Halima Najibi in Picards d'ici, 18 décember 2005 : Diffusion France 3 Picardie at 18h50 * « Championnat du monde du cheval arabe – 7 décembre 2011 », by Luca Bergamaschi, Enora contant, Equidia Life, coll. « La Culturelle », December 7, 2011, diffusion Equidia Life * " Marine Oussedik ", by Luca Bergamaschi, Enora contant, Equidia Life, coll. " La Culturelle ", November 21, 2012, diffusion Equidia LifeBooks
* *Further reading
* Monique Pieri, « Les bronzes de Marine » in ''Le Sillon romand'', May 7, 1998 * Elisabeth Gillion, « Quand l'art et l'équitation ne font qu'un » in ''L'Éperon'', no 299, April 2010 {{DEFAULTSORT:Oussedik, Marine 1967 births Living people