Marina Gržinić (born 1958) is a philosopher, theoretician, and artist from Ljubljana. She is a prominent contemporary theoretical and critical figure in Slovenia. Since 1993, she is employed at the Institute of Philosophy at the Scientific and Research C , title= enter of the Slovenian Academy of Science and Arts (short ZRC-SAZU in Slovenian and SRC-SASA in English). Today, she serves as a professor and research adviser. For her scientific work, she received the Golden SASA sign in 2007. Since 2003, she has also served as a Full Professor at the Academy of Fine Arts in Vienna, Austria. She publishes extensively, lectures worldwide, and is involved in video art since 1982.

Early life and education

Marina Gržinić was born in 1958 in

Rijeka Rijeka ( , , ; also known as Fiume hu, Fiume, it, Fiume ; local Chakavian: ''Reka''; german: Sankt Veit am Flaum; sl, Reka) is the principal seaport and the third-largest city in Croatia (after Zagreb and Split). It is located in Primor ...

( Yugoslavia), in present-day Croatia. She was raised in an Italian minority family. She moved alone to Ljubljana at the age of seventeen (after completing her gymnasium studies in Rijeka). She received her Bachelor of Arts in analytical sociology in 1985, completed her Master of Arts in 1991 at the Faculty of Arts, and received her doctoral title in 1995 from the Department of Philosophy, Faculty of Arts, University of Ljubljana. The title of her dissertation was Virtual Reality: Achronic Time, Paraspace, and Simulation. Gržinić was one of the first, if not the first in Slovenia and maybe ex-Yugoslavia, with a doctorate in philosophy and virtual reality,

cyberspace Cyberspace is a concept describing a widespread interconnected digital technology. "The expression dates back from the first decade of the diffusion of the internet. It refers to the online world as a world 'apart', as distinct from everyday rea ...

, cyberfeminism ( Haraway),

postcolonial theory Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. More specifically, it is a ...

(

Trinh T. Minh-ha Trinh T. Minh-ha (born 1952 in Hanoi; Vietnamese: Trịnh Thị Minh Hà) is a Vietnamese filmmaker, writer, literary theorist, composer, and professor. She has been making films for over thirty years and may be best known for her films Reassemb ...

), French

structuralism In sociology, anthropology, archaeology, history, philosophy, and linguistics, structuralism is a general theory of culture and methodology that implies that elements of human culture must be understood by way of their relationship to a broader ...

, and

media theory Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media Studies may draw on traditions from both the social sciences and the humanities, but mostly ...

( Baudrillard, Couchot, Klonaris/Thomadaki, Virilio, etc.). In the period from 1997 to 1998, she completed her postdoctoral academic training in Japan, at the University of Tokyo (she received the Japan government grant, JSPS) and spent a year with Professor Machiko Kusahara.

Career

In Ljubljana, she engaged in the constitution of what is today known as the Ljubljana alternative or subcultural movement that, in the 1980s, developed new artistic practices,(like video and performance) politically engaged movements such as the homosexual gay and lesbian scene, and many other processes that were constitutive for the discussion of the position of art and culture in Slovenia in connection with demands and struggles for a political emancipated life that bypasses the middle-class

bourgeoisie The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They ...

perception of the Slovenian society and reality.

Theory

Gržinić's theoretical work focuses on contemporary philosophy and aesthetics after modernism. Her work is directed towards a theory of ideology, theory of technology, biopolitics/necropolitics, video technology, and transfeminism in connection with decoloniality. Gržinić's work cannot be easily circumscribed in this or that school or discipline, though in recent years, she has brought forward global critical philosophy, which is both daring and dangerously concrete in being alert, critical for the local, against racism, coloniality and globally questioning capitalism, and necropolitics. It is important to highlight her theoretical approach that is between the politically performative theory and activist criticism and theory in action. This means that Gržinić's position is not a disengaged area of interpretation that derives from theoretical and philosophical contemplation but that her work in philosophy, theory, and arts derives from concrete theoretical practice and interventions and related cultures. She regularly implements her research results in the processes of education and as well in other disciplines, especially art disciplines. She finally engages significantly in public life at home and abroad, being part of different struggles politically and socially motivated against capitalism and its processes of dispossession, racism, and brutal discrimination.

Art/video

Gržinić is active in video art and media art since 1982. She works in collaboration with Aina Šmid, an art historian and artist from Ljubljana. From 25.11.2022 to 28.2.2023 2022, the Loža Gallery Koper, Slovenia, hosts a major retrospective exhibition of works and visual installations by Marina Gržinić & Aina Šmid, from 1982 to 2022, entitled ODPADNIŠKE ZGODOVINE / STORIE DISSIDENTI / DISSIDENT HISTORIES, curated by Mara Ambrožič Verderber. A comprehensive study by Tjaša Kancler is published in the leaflet for the exhibition and in the reader.

Selected works

Books from 1995 on: *V vrsti za virtualni kruh : čas, prostor, subjekt in novi mediji v letu 2000, (Zbirka Sophia, 1996, 5). Ljubljana: Znanstveno in publicistično središče, 1996. SLOVENIAN *Rekonstruirana fikcija : novi mediji, (video) umetnost, postsocializem in retroavantgarda : teorija, politika, estetika : 1997–1985, (Knjižna zbirka Koda). Ljubljana: Študentska organizacija Univerze, Študentska založba, 1997. SLOVENIAN *U redu za virtualni kruh, (Biblioteka Intermedia, knj. 2). Zagreb: Meandar, 1998. CROATIAN *Fiction reconstructed : Eastern Europe, post-socialism & the retro-avant-garde. Vienna: Selene, 2000. ENGLISH *Estetika kibersveta in učinki derealizacije, (Zbirka Prizma). Ljubljana: Založba ZRC, ZRC SAZU, 2003. SLOVENIAN *Situated contemporary art practices : art, theory and activism from (the east of) Europe. Ljubljana: Založba ZRC: = ZRC Publishing; Frankfurt am Main: Revolver – Archiv für aktuelle Kunst, 2004. ENGLISH *Avangarda i politika : istočnoevropska paradigma i rat na Balkanu, (Bibliteka Slovenica). Belgrade: Belgradeski krug, 2005. SERBIAN *Estetika kibersvijeta i učinci derealizacije, (Basic). Zagreb: Multimedijalni institut; Sarajevo: Košnica – centar za komunikaciju i kulturu, 2005. CROATIAN *Une fiction reconstruite : Europe de l'Est, post-socialisme et rétro-avant-garde, (Ouverture philosophique). Paris; Budapest; Torino: Harmattan, 2005. FRENCH *Re-politicizing art, theory, representation and new media technology, (Schriften der Akademie der bildenden Künste Vienna, Vol. 6). Vienna: Schlebrügge.Editor, cop. 2008. ENGLISH *Necropolitics, Racialization, and Global Capitalism. Historicization of Biopolitics and Forensics of Politics, Art, and Life. Marina Gržinić and Šefik Tatlić, Lexington books, 2014. *Regimes of invisibility in contemporary art, theory and culture: image, racialization, history. Marina Gržinić, Aneta Stojnić and Miško Šuvaković, eds., Cham: Palgrave Macmillan. cop. 2017. *Shifting corporealities in contemporary performance: danger, im/mobility and politics, Marina Gržinić and Aneta Stojnić, eds., (Avant-gardes in performance). Cham: Palgrave Macmillan. cop. 2018. *Border Thinking. Disassembling Histories of Racialized Violence. Marina Gržinić, ed., Vienna, Berlin: Publication Series of the Academy of Fine Arts Vienna. Vol 21., and Sternberg Press, 2018. *Arte-Política-Resistencia, Tjaša Kancler, Barcelona: Ediciones t.i.c.t.a.c., 2018. SPANISH *Opposing Colonialism, Antisemitism, and Turbo-Nationalism. Rethinking the Past for New Conviviality. Marina Gržinić, Jovita Pristovšek, Sophie Uitz, eds. PEEK/FWF Research Project Vienna, 578 pp., Cambridge Scholars, United Kingdom, 2020. *Dialogues for the Future: Countering the Genealogy of Amnesia, Marina Gržinić, Šefik Tatlić in collaboration with Valerija Zabret, Jovita Pristovšek, Tjaša Kancler, and Sophie Uitz, 312 pp., Center for Cultural Decontamination CKZD, Belgrade, Serbia, Academy of Fine Arts Vienna; PEEK/FWF Research Project Vienna, 2020. *Re-Activating Critical Thinking in the Midst of Necropolitical Realities: For Radical Change, Marina Gržinić, Jovita Pristovšek, 458 pp., eds. Cambridge Scholars, United Kingdom, 2022. *Parallel Histories of Slovenia's Empowerment and Urbanity 1980-1990-2000. The collection of material compiled by Marina Gržinić.

References

External links

* {{DEFAULTSORT:Grzinic, Marina 20th-century Slovenian philosophers Living people Slovenian women philosophers Scholars of feminist philosophy Philosophers of technology Artists from Ljubljana Academic staff of the Academy of Fine Arts Vienna 1958 births 21st-century Slovenian philosophers