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Marie Hanlon is a Dublin-based Irish artist working in a variety of media including painting, drawing, sculpture, video and installation. She has collaborated with Irish composers, most notably Rhona Clarke, in creating works which can be realised in both concert performance and gallery situations.
In 1988, Hanlon became a member of WAAG – Women Artists Action Group (1987–1991). She exhibited with the group in their first and only show in Ireland, ''Art Beyond Barriers'' at the Irish Museum of Modern Art in 1989 (Cummins, 1989). Hanlon's first solo show was in Temple Bar Gallery in 1993. By now her works had begun to demonstrate a stylistic approach, which is simultaneously geometric and lyrical, their reduced elements tautly balanced and “characteristically subtle in the handling of tone, texture and composition.” (Finlay, 1997) “The paintings are like poems or pieces of music, at once tentative and sensual, yet highly structured.” (Benson, 2004)
“Forms are repeated in the paintings but rarely in exactly the same way. It is the repetition which gives the work its rhythm, a kind of pulse is established by stating and restating the idea. However, as soon as a pattern is set up it is quickly subverted and transformed, the beat changes as it were, giving the work greater complexity and interest.” (Clarke, 2009)
Critic Gavin Weston has described “works that are paradoxically structurally contained yet emotionally expansive.” (Weston, 2004)
Emma O’Halloran
''. The show occupied all three of Solstice’s upper galleries and in the foyer, an installation of thirty-eight drawings further explored links between music and line. Mary Cremin observes ‘The mark-making of notation usicaland its relationship to drawing is the beginning of exchange between composer and artist’. ''DIC TAT'' at Draíocht Centre for the Arts (2014) was a two-person show by Hanlon and composer Rhona Clarke. In this exhibition, a metronome provided basic pulse material from which sound and visual elements were derived. A group of drawings ‘dictated’ by various metronome beats were documented in real-time and shown on a two-channel video. ‘The narrow margin of space for deliberation remains confined to the intervals between beats.’ Rowan Sexton A further development of Hanlon’s collaborative practice is a video for live performance
Richard O’Donnell
an
The Royal Irish Academy Percussion Ensemble
commissioned ''Behind closed Doors'' (2016) for the Tambourimba Percussion Festival, Cali, Colombia; music by Rhona Clarke, video Marie Hanlon. In 2019 accordionis
Dermot Dunne
played live to a screening of ''The Small Hours'' (2019) Shatin Town Hall, Hong Kong, music Rhona Clarke, video Marie Hanlon. Hanlon’s exhibition (2019) ''It’s All About Books'', The Cregan Library, Dublin City University, explored the book as art object, Irish Times critic Aidan Dunne wrote ‘’Even when her approach is playful, as it often is, what we see is imbued with what might be described as a threat of nullity, the disappearance or cancellation of meaning.’ ‘''It's All About Books'' manifests the artist's ongoing exploration of the 'complexities of seeing', inviting viewers to variously consider: What kind of seeing occurs when we read.’ Material Knowledge: The Book as Artistic Device, Joanne Laws, ''It’s All About Books'', 2019.
Early life and education
Hanlon received her early education from the Brigidine Sisters, Goresbridge, County Kilkenny and later graduated from University College, Dublin (1977) with a BA in English and History of European Painting. In 2018 she received an MA from The National College of Art & Design, Dublin. Hanlon was elected to Aosdána in 2015; Aosdána is the cultural body which recognises major and sustained contributions to the arts in Ireland.Artistic practice
In 1988, Hanlon became a member of WAAG – Women Artists Action Group (1987–1991). She exhibited with the group in their first and only show in Ireland, ''Art Beyond Barriers'' at the Irish Museum of Modern Art in 1989 (Cummins, 1989). Hanlon's first solo show was in Temple Bar Gallery in 1993. By now her works had begun to demonstrate a stylistic approach, which is simultaneously geometric and lyrical, their reduced elements tautly balanced and “characteristically subtle in the handling of tone, texture and composition.” (Finlay, 1997) “The paintings are like poems or pieces of music, at once tentative and sensual, yet highly structured.” (Benson, 2004)
“Forms are repeated in the paintings but rarely in exactly the same way. It is the repetition which gives the work its rhythm, a kind of pulse is established by stating and restating the idea. However, as soon as a pattern is set up it is quickly subverted and transformed, the beat changes as it were, giving the work greater complexity and interest.” (Clarke, 2009)
Critic Gavin Weston has described “works that are paradoxically structurally contained yet emotionally expansive.” (Weston, 2004)
Collaborations and recent work
Affinities with music in Hanlon’s work led to new developments and an expanded practice. Two significant exhibitions in 2014 involved collaborations with several contemporary Irish composers; ''Everything we see…'' at Solstice Arts Centre (2014) included works made with composers, Grainne Mulvey, Jane O’ Leary,Rhona Clarke
Rhona Clarke (born 21 January 1958) is an Irish composer and pedagogue.
Biography
Rhona Clarke was born in Dublin and comes from a musical family. She sang in a women's choir from age 14 and was an outstanding piano pupil at the College of Musi ...
anEmma O’Halloran
''. The show occupied all three of Solstice’s upper galleries and in the foyer, an installation of thirty-eight drawings further explored links between music and line. Mary Cremin observes ‘The mark-making of notation usicaland its relationship to drawing is the beginning of exchange between composer and artist’. ''DIC TAT'' at Draíocht Centre for the Arts (2014) was a two-person show by Hanlon and composer Rhona Clarke. In this exhibition, a metronome provided basic pulse material from which sound and visual elements were derived. A group of drawings ‘dictated’ by various metronome beats were documented in real-time and shown on a two-channel video. ‘The narrow margin of space for deliberation remains confined to the intervals between beats.’ Rowan Sexton A further development of Hanlon’s collaborative practice is a video for live performance
Richard O’Donnell
an
The Royal Irish Academy Percussion Ensemble
commissioned ''Behind closed Doors'' (2016) for the Tambourimba Percussion Festival, Cali, Colombia; music by Rhona Clarke, video Marie Hanlon. In 2019 accordionis
Dermot Dunne
played live to a screening of ''The Small Hours'' (2019) Shatin Town Hall, Hong Kong, music Rhona Clarke, video Marie Hanlon. Hanlon’s exhibition (2019) ''It’s All About Books'', The Cregan Library, Dublin City University, explored the book as art object, Irish Times critic Aidan Dunne wrote ‘’Even when her approach is playful, as it often is, what we see is imbued with what might be described as a threat of nullity, the disappearance or cancellation of meaning.’ ‘''It's All About Books'' manifests the artist's ongoing exploration of the 'complexities of seeing', inviting viewers to variously consider: What kind of seeing occurs when we read.’ Material Knowledge: The Book as Artistic Device, Joanne Laws, ''It’s All About Books'', 2019.
Personal life
Hanlon lives in Sutton on the Howth peninsula on thenorthside
Northside or North Side may refer to:
Music
* Northside (band), a musical group from Manchester, England
* NorthSide, an American record label
* NorthSide Festival (Denmark), a music festival in Aarhus, Denmark
* "Norf Norf", a 2015 song by Vinc ...
of Dublin.
References
{{DEFAULTSORT:Hanlon, Marie 1948 births Living people Irish contemporary artists Aosdána members People from Goresbridge Irish women painters 20th-century Irish painters 21st-century Irish painters 20th-century Irish women artists 21st-century Irish women artists Alumni of University College Dublin Writers from County Kilkenny 20th-century women painters 21st-century women painters