Mariano Llinás
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Mariano Llinás is an Argentine film director, producer, screenwriter and actor. Llinás graduated from the Universidad del Cine de Argentina, where he currently works as a teacher. He is the son of writer, art critic, publicist and surrealist poet Julio Llinás and brother of renowned actress Verónica Llinás, who often appears in his films.


Career

Mariano Llinás's feature directorial debut was the 2002 mockumentary ''Balnearios'', which revolves around Argentine
balneario A balneario (Portuguese spelling: balneário) is an Iberian and Latin American resort town, typically a seaside resort, and less commonly along the shores of lakes and rivers or next to hot springs. In Spain, balneario typically only refers to spa ...
s, beachside vacation resorts dedicated to leisure. The mocumentary incorporates some fantasy elements such as mermaids as well as comedic and satirical elements. ''Balnearios'' was followed by the 2008 film ''Extraordinary Stories,'' a four-hour tapestry of various interwoven narratives. Mariano Llinás appears in the film as "X", one of the main characters. The film premiered at the
Buenos Aires International Festival of Independent Cinema The Buenos Aires International Festival of Independent Cinema (BAFICI, es, Buenos Aires Festival Internacional de Cine Independiente) is an international festival of independent films organized each year in the month of April, in the city of ...
where it won the Audience Award and the Special Jury Prize. The film was well received by Argentine critics, praising its originality, technical ability, and passion. Llinás' experiments with narrative continued with the 2018 film ''
La Flor ''La Flor'' (English: ''The Flower'') is a 2018 Argentine film written and directed by Mariano Llinás. With a length of 808 minutes excluding intermissions, it is the longest film in the history of Argentine cinema. The film is a joint projec ...
''. At 808 minutes long, ''La Flor'' is the third-longest narrative film and the longest film made in Argentine cinema history. The film is broken up into six separate episodes - the first four episodes end
in medias res A narrative work beginning ''in medias res'' (, "into the middle of things") opens in the midst of the plot (cf. ''ab ovo'', ''ab initio''). Often, exposition is bypassed and filled in gradually, through dialogue, flashbacks or description of pa ...
, the fifth episode proceeds from start to end, and the last episode is the conclusion of a story.


Style

Mariano Llinás has been known to incorporate
magical realism Magical is the adjective for magic. It may also refer to: * Magical (horse) (foaled 2015), Irish Thoroughbred racehorse * "Magical" (song), released in 1985 by John Parr * '' Magical: Disney's New Nighttime Spectacular of Magical Celebrations'', ...
,
postmodernism Postmodernism is an intellectual stance or Rhetorical modes, mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by philosophical skepticism, skepticis ...
,
maximalism In the arts, maximalism, a reaction against minimalism, is an aesthetic of excess. The philosophy can be summarized as "more is more", contrasting with the minimalist motto "less is more". Literature The term ''maximalism'' is sometimes associat ...
, and hyperlink cinema into his work. He has been praised by outlets such as The Harvard Film Archive for his unique and innovative take on traditional narrative storytelling. Llinás is often grouped into the New Argentine Cinema movement.


References

{{Authority control 1975 births Living people