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Maria Spezia-Aldighieri (1828–1907) was an Italian
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
tic
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
who had an active international career from 1849 up into the 1870s. She excelled in the
coloratura soprano A coloratura soprano is a type of operatic soprano voice that specializes in music that is distinguished by agile runs, leaps and trills. The term '' coloratura'' refers to the elaborate ornamentation of a melody, which is a typical component o ...
repertoire and was particularly admired for her portrayals in the operas of
Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
. Her performance of Violetta in Verdi's ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
'' at the
Teatro San Benedetto The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the t ...
in Venice in 1854 is credited with popularizing the opera after it had initially flopped at its premiere in 1853. She was married to
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
Gottardo Aldighieri and is the great grandmother of singer George Aaron.


Life and career

Born Maria Spezia in
Villafranca di Verona Villafranca di Verona is a town and '' comune'' in the province of Verona in the Veneto, Northern Italy. History The position on the ancient via Postumia and the perpendicular intersection structure of its roads suggests that the city had Roma ...
, Spezia-Aldighieri studied singing with Domenico Foroni in Verona. She made her professional opera debut at the
Teatro Filarmonico The Teatro Filarmonico is the main opera theater in Verona, Italy, and is one of the leading opera houses in Europe. The Teatro Filarmonico is property of the Accademia Filarmonica di Verona. Having been built in 1716, and later rebuilt after a ...
in 1849 in the title role of
Vincenzo Bellini Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giu ...
's '' Beatrice di Tenda''. She returned there soon after in the title roles of
Gaetano Donizetti Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
's ''
Maria Padilla ''Maria Padilla'' is a ''melodramma'', or opera, in three acts by Gaetano Donizetti. Gaetano Rossi and the composer wrote the Italian libretto after François Ancelot's play. It premiered on 26 December 1841 at La Scala, Milan. The plot is l ...
'' and Verdi's ''
Attila Attila (, ; ), frequently called Attila the Hun, was the ruler of the Huns The Huns were a nomadic people who lived in Central Asia, the Caucasus, and Eastern Europe between the 4th and 6th century AD. According to European traditio ...
''. In 1852–1853 she was committed to the
Mariinsky Theatre The Mariinsky Theatre ( rus, Мариинский театр, Mariinskiy teatr, also transcribed as Maryinsky or Mariyinsky) is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music th ...
in Saint Petersburg, Russia. She then spent the next two decades performing in the leading
opera house An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for o ...
s in Italy, including the
Teatro di San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent t ...
, the Teatro Regio di Turino, the
Teatro Costanzi The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat ''Costanzi Theatre'', it has undergone several changes of name as well modifications and improvements. The pre ...
, the
Teatro Apollo The Tor di Nona is a neighborhood in Rome's ''rione'' '' Ponte''. It lies in the heart of the city's historic center, between the ''Via dei Coronari'' and the Tiber River. Its name commemorates the Torre dell'Annona, a mediaeval tower which once s ...
, the Teatro alla Canobbiana, and
La Fenice Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice beca ...
. She also performed at the
Teatro Real The Teatro Real (Royal Theatre) is an opera house in Madrid, Spain. Located at the Plaza de Oriente, opposite the Royal Palace of Madrid, Royal Palace, and known colloquially as ''El Real'', it is considered the top institution of the performing a ...
in Madrid. In 1854 Spezia-Aldighieri was invited by Verdi to portray the role of Violetta in ''
La traviata ''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 18 ...
'' at the
Teatro San Benedetto The Teatro San Benedetto was a theatre in Venice, particularly prominent in the operatic life of the city in the 18th and early 19th centuries. It saw the premieres of over 140 operas, including Rossini's ''L'italiana in Algeri'', and was the t ...
in Venice. The work had previously been mounted only once, at La Fenice in March 1853, and had been a complete failure at its premiere. This second production was a complete triumph for both the opera and Spezia Aldighieri, whom Verdi and the critics credited with making the work a success. She later repeated the role of Violetta at the Théâtre-Italien in Paris and at many other Italian theatres, including
La Scala La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performan ...
. In his notes for his unfinished opera ''
Re Lear ' (; Italian for ''King Lear'') is an Italian operatic libretto in four acts written by Antonio Somma for the Italian opera composer Giuseppe Verdi. It was based on ''King Lear'', "the Shakespeare play with which Verdi struggled for so many ye ...
'', Verdi named Spezia Aldighieri as an ideal performer for the role of Cordelia. In 1855–1856 Spezia-Aldighieri was committed to the
Teatro Nacional de São Carlos The ''Teatro Nacional de São Carlos'' () (''National Theatre of Saint Charles'') is an opera house in Lisbon, Portugal. It was opened on June 30, 1793 by Queen Maria I as a replacement for the Tejo Opera House, which was destroyed in the 1755 L ...
where she was billed as Marietta Spezia. Among the roles she sang there were Abigaille, Bice in
Errico Petrella Errico Petrella (10 December 18137 April 1877) was an Italian opera composer. Life and career Petrella was born at Palermo, capital of the Kingdom of Sicily. A conservative of the Neapolitan school, he was the most successful Italian compose ...
's '' Marco Visconti'', Elvira in ''
Ernani ''Ernani'' is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the 1830 play ''Hernani (drama), Hernani'' by Victor Hugo. Verdi was commissioned by the Teatro La Fenice in V ...
'', Leila in Giuseppe Apolloni's ''L'ebreo'', Leonora in ''
Il trovatore ''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's mos ...
'', Rosina in ''
The Barber of Seville ''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was base ...
'', Violetta, and the title role in '' Maria di Rohan''. In 1857 she performed the role of Inez in Donizetti's ''
La favorita ''La favorite'' (''The Favourite'', sometimes referred to by its Italian title: ''La favorita'') is a grand opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play ''Le comt ...
'' at
Her Majesty's Theatre Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, ...
in London opposite
Antonio Giuglini Antonio Giuglini (16 or 17 January 1825 – 12 October 1865) was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic ...
. That same year she made her debut at La Scala as Valentine in Giacomo Meyerbeer's ''
Les Huguenots () is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ...
''. She returned to that house in 1858 to portray the role of Mathilde in the world premiere of
Stefano Ronchetti-Monteviti Stefano Ronchetti-Monteviti (1814–1882) was an Italian composer, music educator, and college administrator. Born in Asti, he joined the faculty of the Milan Conservatory in 1850 as a professor of counterpoint. He was appointed the school's direct ...
's ''Pergolese''. In 1861 Spezia-Aldighieri portrayed Abigaille opposite her husband in the title role of Verdi's ''
Nabucco ''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, ...
'' at both La Scala and the Teatro di San Carlo. In 1862 she sang Amelia to her husband's Renato in the Naples premiere of Verdi's ''
Un ballo in maschera ''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The ...
''. That same year she created roles in the world premieres of
Vincenzo Moscuzza Vincenzo Moscuzza (1827–1896) was an Italian composer. Born in Syracuse, Sicily, he was the son of composer Luigi Moscuzza, and his initial musical training was from his father. He later studied at the Naples Conservatory with Saverio Me ...
's ''Don Carlo'' (Elisabetta di Valois) and
Enrico Bevignani Enrico Modesto Bevignani (29 September 1841 – 29 August 1903) was an Italian conductor, harpsichordist, composer, and impresario. He studied in his native city with Giuseppe Albanese, Salvatore Lavigna, Giuseppe Lillo and Giuseppe Staffa. Al ...
's '' Caterina Blum'' at the Teatro di San Carlo. One of her last performances was at the
Teatro Comunale di Bologna The Teatro Comunale di Bologna is an opera house in Bologna, Italy. Typically, it presents eight operas with six performances during its November to April season. While there had been various theatres presenting opera in Bologna since the early 1 ...
in 1872 in the title role of Bellini's ''
Norma Norma may refer to: * Norma (given name), a given name (including a list of people with the name) Astronomy *Norma (constellation) * 555 Norma, a minor asteroid *Cygnus Arm or Norma Arm, a spiral arm in the Milky Way galaxy Geography *Norma, Lazi ...
''. Some of the other roles she sang on stage were Amalia in ''
I masnadieri ''I masnadieri'' (''The Bandits'' or ''The Robbers'') is an opera in four acts by Giuseppe Verdi to an Italian libretto by Andrea Maffei, based on the play ''Die Räuber'' by Friedrich von Schiller. As Verdi became more successful in Italy, he beg ...
'', Desdemona in ''
Otello ''Otello'' () is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play ''Othello''. It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887. Th ...
'', Gilda in ''
Rigoletto ''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
'', Giselda and Viclinda in Verdi's ''
I Lombardi alla prima crociata ''I Lombardi alla Prima Crociata'' (''The Lombards on the First Crusade'') is an operatic ''dramma lirico'' in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an epic poem by Tommaso Grossi, which was "very much a ...
'', Lady Macbeth in Verdi's ''
Macbeth ''Macbeth'' (, full title ''The Tragedie of Macbeth'') is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those w ...
'', Lucrezia in Verdi's '' I due Foscari'', Maria in Carlo Pedrotti's ''Mazeppa'', and the title roles in Donizetti's ''
Anna Bolena ''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', bo ...
'' and ''
Gemma di Vergy ''Gemma di Vergy'' is an 1834 ''tragedia lirica'' (tragic opera) in two acts by Gaetano Donizetti from a libretto by Giovanni Emanuele Bidera. It is based on the tragedy ''Charles VII chez ses grands vassaux'' ''(Charles VII and His Chief Vassal ...
'',
Achille Peri Achille Peri (20 December 1812 – 28 March 1880) was an Italian composer and conductor. He is best known for his operas which were strongly influenced by the music of Giuseppe Verdi. Life and career Born in Reggio Emilia, Peri began his musica ...
's ''Giuditta'', Verdi's ''
Luisa Miller ''Luisa Miller'' is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play ''Kabale und Liebe'' (''Intrigue and Love'') by the German dramatist Friedrich von Schiller. Verdi's initial idea for ...
'', and Pedrotti's ''Marion de Lorme''. She died in Colognola ai Colli in 1907.


Sources


The Musical world, Volume 35L'Italia musicale, Volume 2 By Francesco LuccaStudi verdiani edited by P. PetrobelliMaria Spezia Aldighieri at operissimo.com
{{DEFAULTSORT:Speziaaldighieri, Maria 1828 births 1907 deaths Italian operatic sopranos 19th-century Italian women opera singers People from the Province of Verona