Marcelo Koc
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Marcelo Koc (4 June 1918 in
Vitebsk Vitebsk or Viciebsk (russian: Витебск, ; be, Ві́цебск, ; , ''Vitebsk'', lt, Vitebskas, pl, Witebsk), is a city in Belarus. The capital of the Vitebsk Region, it has 366,299 inhabitants, making it the country's fourth-largest c ...
,
Belarus Belarus,, , ; alternatively and formerly known as Byelorussia (from Russian ). officially the Republic of Belarus,; rus, Республика Беларусь, Respublika Belarus. is a landlocked country in Eastern Europe. It is bordered by ...
– 26 October 2006 in
Buenos Aires Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South ...
) was an
Argentinian Argentines (mistakenly translated Argentineans in the past; in Spanish ( masculine) or ( feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, ...
composer. Koc studied at the Academy of Music in Łódź,
Poland Poland, officially the Republic of Poland, is a country in Central Europe. It is divided into 16 administrative provinces called voivodeships, covering an area of . Poland has a population of over 38 million and is the fifth-most populou ...
and in 1938 went to Buenos Aires where he continued his education with
Jacobo Ficher Jacobo Ficher (russian: Яков (Хакобо) Фишер; 15 January 1896 – 9 September 1978) was an Argentine composer, violinist, conductor, and music educator of Russian birth. Life Ficher was born in Odessa, Russia, to Alexander Ficher, ...
, and Juan Carlos Paz. His œuvre consists of more than 101 worksMarcelo Koc: Sus Obras
and includes orchestral and concertante works, chamber music, piano and vocal music.


Selected works

;Orchestral * ''Invención a 4 voces'' (Four-Part Invention), Op. 8 (1948) * ''Preludio, Intermezzo y Fuga'' for string orchestra, Op. 13 (1951) * ''Divertimento para Orquesta de Vientos'' (Divertimento for Wind Orchestra), Op 17 (1957) * ''Divertimento para Orquesta de Cuerdas'' (Divertimento for String Orchestra), Op 17b (1957) * ''3 Piezas'', Op. 18 (1958) * ''Estructuras Líricas'', Op. 23 (1966) * ''Núcleos'', Op. 25 (1970) * ''Música para cuerdas'' (Music for Strings), Op. 34 (1986) * ''Tríptico'', Op. 45 (1998) * ''Sonoridades'', Op. 61 (2000) * ''Tres Momentos Musicales'' for string orchestra, Op. 63 (2000) * ''Música para Conjunto de Cámara'' (Music for Chamber Ensemble), Op. 67 (1983) * ''Música 2001'' for string orchestra, Op. 74 (2001) ;Concertante * Concerto for violin and orchestra, Op. 26c (1974) * Concerto for viola and orchestra, Op. 35 (1986) * Concerto for piano and orchestra, Op. 37 (1989) * Concerto for viola and orchestra, Op. 40 (1989) * Concerto for cello and string orchestra, Op. 41 (1993) * ''Poema Lírico'' for flute and string orchestra, Op. 47 (1998) * Concertino for harpsichord and string orchestra, Op. 62 (2000) * Concertino for piano and string orchestra, Op. 65 (2001) * ''Poema Lírico'' for violin, cello and orchestra, Op. 73 (1997) * ''Canto Spinoza'' for flute and string orchestra, Op. 75 (2001) * Concerto for violin and string orchestra, Op. 79 (1974) * Concerto for bass clarinet and orchestra, Op. 80 (1986) ;Chamber music * ''Preludio'' for violin and piano, Op. 1 (1945) * Sonata for oboe and bassoon, Op. 20 (1960) * Quintet for flute, clarinet, violin, cello and piano, Op. 21 (1963) * Piano Quintet, Op. 22 (1965) * ''Diálogos'' for violin and piano, Op. 31 (1979); version for viola and piano (1980) * ''Música para 11 instrumentos'' (Music for 11 Instruments), Op. 32 (1982) * ''Música para 5 instrumentos'' (Music for 5 Instruments), Op. 33 (1983) * ''Música para 14 instrumentos'' (Music for 14 Instruments), Op. 36 (1986) * String Quartet No. 2, Op. 42 (1988) * ''Poema Lírico'' for flute (or violin) and piano, Op. 47b (1998) * Piano Trio, Op. 53 (2000) * ''Transparencias'' for percussion, Op. 58 (2000) * ''Líricas'' for percussion, Op. 59 (2000) * Septet, Op. 66 (1983) * Divertimento for recorders, Op. 68 (1990) * String Trio, Op. 69 (1988) * Piano Trio, Op. 70 (1990) * String Quartet, Op. 71 (1964) * Trio for flute, violin and piano, Op. 72 (2001) * ''Diálogos'' for clarinet and piano, Op. 78 (1960) ;Keyboard * ''Música para niños'' (Music for Children) for piano, Op. 2 (1946) * ''3 Canciones sin palabras'' (3 Songs without Words) for piano, Op. 3 (1946) * ''2 Invenciones a dos voces'' (2 Two-Part Inventions) for piano, Op. 4 (1946) * ''2 Invenciones'' for
bandoneón The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held ...
, Op. 5 (1946) * ''Preludio y Fuga a 4 voces'' (Prelude and Fugue in Four Voices) for piano, Op. 6 (1946) * ''10 Variaciones'' for piano, Op. 9 (1948) * ''Preludio, Coral y Fuga'' for piano, Op. 10 (1950) * ''Preludio y Allegro'' for piano or
bandoneón The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held ...
, Op. 11 (1950) * ''3 Preludios'' (3 Preludes) for piano, Op. 12 (1951) * Sonata for piano, Op. 15 (1953) * Sonata for piano, Op. 16 (1955) * ''Música para Piano'', Op. 19 (1960) * ''Variantes y Transparencias'' for piano, Op. 24 (1967) * ''Atmósferas Líricas'' for piano, Op. 26 (1972) * ''Homenaje a Franz Liszt'' for piano, Op.29 (1979) * ''Fantasia sobre Poemas de Borges'' for piano, Op. 30 (1979) * ''Impresiones Sonoras'' for piano, Op.39 (1986) * ''Dos Impromptus dedicados a Schubert'' for piano, Op. 43 (1988) * ''Tres Impromptus dedicados a Chopin'' for piano, Op. 44 (1999) * ''Tríptico'' for harpsichord, Op. 45b (1998) * ''Fantasia sobre Cantos a Spinoza 1'' for piano, Op. 49 (2000) * ''Homenaje a Borges'' for harpsichord, Op. 51c (2000) * ''Tres Sonoridades'' for harpsichord, Op. 54 (2000) * ''Fantasia sobre Spinoza 2'' for piano, Op. 57 (2000) * ''Allegro Agitato'' for harpsichord, Op. 76 (2001) ;Vocal * ''3 Canciones de Garcia Lorca'' for voice and piano, Op. 7 (1946); also for mixed chorus or children's chorus * ''5 Poemas Americanos'' for voice and piano, Op. 14 (1952) * ''Amor y Amar'' for voice and orchestra, Op. 28 (1979) * ''Imágenes Líricas'' for voice and chamber ensemble, Op. 38 (1989) * ''Dos Cantos a Spinoza'' for voice and piano, Op. 48 (1998); words from ''Cuaderno Spinoza'' by José Isaacson * ''Si todo se mide'' for voice and piano, Op. 50 (2000); words from ''Amor y Amar'' by José Isaacson * ''Dos Poemas de Borges'' for voice and piano, Op. 51 (2000) * ''Arte Poética de Borges'' for voice and piano, Op. 52 (2000) * ''Cerca y Lejos'' for voice and piano, Op. 55 (2000); words from ''Amor y Amar'' by José Isaacson * ''Dos Cantos sobre Spinoza'' for voice and piano, Op. 56 (2000) * ''Canto a Borges'' for 3 soloists and orchestra, Op. 60 (2000) * ''Imágenes Líricas 2'' for voice and chamber ensemble, Op. 64 (2000) * ''Poemas Americanos'' for voice and orchestra, Op. 77 (1952) ;Choral * ''3 Canciones de Garcia Lorca'' for mixed chorus, Op. 7b, or children's chorus, Op. 7c (1946) * ''Canto al Amor'' for mixed chorus, Op. 46 (1998); words by Juan Ferreyra Basso * ''3 Canciones de Diana Atchebaian'' for children's chorus


References


External links


Marcelo Koc website

List of works
(PDF format)
Classical Composers Database – Marcelo Koc
{{DEFAULTSORT:Koc, Marcelo Argentine composers 1918 births 2006 deaths 20th-century Argentine male artists 21st-century Argentine male artists 20th-century classical composers 21st-century classical composers Polish emigrants to Argentina