Maqam Al-Iraqi
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Iraqi Maqam ( ar, المقام العراقي) is a
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
of
Arabic maqam Arabic maqam ( ar, مقام, maqām, literally "rank"; ') is the system of melodic modes used in traditional Arabic music, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melo ...
music found in
Iraq Iraq,; ku, عێراق, translit=Êraq officially the Republic of Iraq, '; ku, کۆماری عێراق, translit=Komarî Êraq is a country in Western Asia. It is bordered by Turkey to Iraq–Turkey border, the north, Iran to Iran–Iraq ...
. The roots of modern
Iraqi maqam Iraqi Maqam ( ar, المقام العراقي) is a genre of Arabic maqam music found in Iraq. The roots of modern Iraqi maqam can be traced as far back as the Abbasid Caliphate, when that large empire was controlled from Baghdad. The ensemble of ...
can be traced as far back as the Abbasid Caliphate, when that large empire was controlled from Baghdad. The ensemble of instruments used in this genre, called ''Al Chalghi al Baghdadi'', includes a ''qari' '' (singer), ''
santur The santur (also ''santūr'', ''santour'', ''santoor'') ( fa, سنتور), is a hammered dulcimer of Iranian origins.--- Rashid, Subhi Anwar (1989). ''Al-ʼĀlāt al-musīqīyya al-muṣāhiba lil-Maqām al-ʻIrāqī''. Baghdad: Matbaʻat al-ʻU ...
'',
goblet drum The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-s ...
, joza, ''cello,'' and sometimes ''
oud , image=File:oud2.jpg , image_capt=Syrian oud made by Abdo Nahat in 1921 , background= , classification= * String instruments *Necked bowl lutes , hornbostel_sachs=321.321-6 , hornbostel_sachs_desc=Composite chordophone sounded with a plectrum , ...
'' and
naqqarat The ''naqareh'', ''naqqāra'', ''nagara'' or ''nagada'' is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety. The term ''naqqāra'' (), also ''naqqarat'', ...
. The focus is on the poem sung in classical Arabic or an Iraqi dialect (then called ''zuhayri''). A complete maqam concert is known as ''fasl'' (plural ''fusul'') and is named after the first maqam: Bayat, Hijaz, Rast, Nawa, or Husayni. A typical performance includes the following sections: *''tahrir'', sometimes ''badwah'' *''taslum'' *''finalis''
Maqama ''Maqāmah'' (مقامة, pl. ''maqāmāt'', مقامات, literally "assemblies") are an (originally) Arabic prosimetric literary genre which alternates the Arabic rhymed prose known as '' Saj‘'' with intervals of poetry in which rhetorical ...
texts are often derived from classical
Arabic poetry Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry ...
, such as by
al-Mutanabbi Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī ( ar, أبو الطيب أحمد بن الحسين المتنبّي الكندي; – 23 September 965 AD) from Kufa, Abbasid Caliphate, was a famous Abbasid-era Arab poet at th ...
, Jawahiri,
al-Mutanabbi Abū al-Ṭayyib Aḥmad ibn al-Ḥusayn al-Mutanabbī al-Kindī ( ar, أبو الطيب أحمد بن الحسين المتنبّي الكندي; – 23 September 965 AD) from Kufa, Abbasid Caliphate, was a famous Abbasid-era Arab poet at th ...
and
Abu Nuwas Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī (variant: Al-Ḥasan ibn Hānī 'Abd al-Awal al-Ṣabāḥ, Abū 'Alī (), known as Abū Nuwās al-Salamī () or just Abū Nuwās Garzanti ( ''Abū Nuwās''); 756814) was a classical Arabic poet, ...
. Some performers used traditional sources translated into the dialect of Baghdad, and still others use Arabic, Turkish, Armenian, Hebrew, Turkmen, Aramaic or Persian language lyrics. Due to Iraq's to diversity, different ethnic groups use this genre in their own language.


Famous maqam singers

There are many maqam iraqi singers including: * Ahmed Zaydan * Rashid Qundarchi * Mohammad Qubbanchi * Hussein al-A'dhami * Najm al-Shaykhli * Hassan Khaiwka * Hashim al-Rejab * Yusuf Omar * Farida Mohammad Ali * Abdulrahman Khidhr * Hamed al-Sa‘di *
Nazem Al-Ghazali Nazem al-Ghazali ( ar, ناظم الغزالي, given name also spelled ''Nazim'', ''Nadhim'', ''Nadhem'' or ''Nathem'') (1921 – 23 October 1963) was one of the most popular singers in the history of Iraq and his songs are still heard by man ...
* Filfel Gourgy *
Affifa Iskandar Afifa Iskandar Estefan ( ar, عفيفة إسكندر إصطيفان) was an Iraqi singer throughout the middle of the 20th century. She was born on 10 December 1921 in Mosul, Iraq. She was considered one of the best female singers in Iraqi hist ...
* Mulla Hasan al-Babujachi * Rahmat Allah Shiltagh * Khalil Rabbaz * Rahmain Niftar * Rubin Rajwan * Mulla Uthman al-Mawsili * Jamil al-Baghdadi * Salman Moshe * Yusuf Huresh * Abbas Kambir * Farida al-A‘dhami


See also

*
Music of Iraq The music of Iraq or Iraqi music, ( ar, موسيقى عراقية), also known as the music of Mesopotamia, encompasses the music of a number of ethnic groups and musical genres. Ethnically, it includes Mesopotamian Arabic, Assyrian, Kurdish and t ...


External links


Famous Iraqi Maqam SingersIraqi Maqam


References

{{UNESCO Oral and Intangible music Iraqi music Arabic music Masterpieces of the Oral and Intangible Heritage of Humanity Maqam-based music tradition