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''Mangaiyar Thilakam'' () is a 1955 Indian
Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...
-language
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-g ...
directed by
L. V. Prasad Akkineni Laxmi Vara Prasada Rao (17 January 1907 – 22 June 1994), known professionally as L. V. Prasad, was an Indian film director, producer, actor, and businessman. He was one of the pioneers of Indian cinema and is the recipient of the Dad ...
. The film, released on 26 August 1955, was a remake of the 1953
Marathi Marathi may refer to: *Marathi people, an Indo-Aryan ethnolinguistic group of Maharashtra, India *Marathi language, the Indo-Aryan language spoken by the Marathi people *Palaiosouda, also known as Marathi, a small island in Greece See also * * ...
film ''Vahinicha Bangadya.'' The film was produced by Sripadha Shankar under the banner of Vaidya films. It stars
Sivaji Ganesan Villupuram Chinnaiya Manrayar Ganesamoorthy, better known by his stage name Sivaji Ganesan, (1 October 1928 – 21 July 2001) was an Indian actor and producer. He was active in Tamil cinema during the latter half of the 20th century. Sivaji Ga ...
and Padmini, while M. N. Rajam, S. V. Subbaiah, K. A. Thangavelu and
K. Sarangapani Kumbakonam Sarangapani (1904-1984) was an Indian actor who worked mainly in Tamil cinema Tamil cinema, also known as Kollywood is a part of Indian Cinema; primarily engaged in production of motion pictures in the Tamil language. Based ou ...
play pivotal roles. The film's soundtrack and background score were composed by S. Dakshinamurthi, while the lyrics for the songs were written by
Kannadasan Kannadasan (; 24 June 1927 – 17 October 1981) was an Indian philosopher, poet, film song lyricist, producer, actor, script-writer, editor, philanthropist, and is heralded as one of the greatest and most important lyricists in India. Freq ...
, Puratchidasan and Maruthakasi. P. L. Rai and N. M. Shankar handled cinematography and editing respectively. The story was adapted by Sadasiva Brahmam and dialogues were written by
Valampuri Somanathan Valampuri Somanathan (c. 1928 – 21 June 2010) was a Tamil language, Tamil scholar and poet. He worked as a screenwriter in the Tamil film industry. In addition to screenwriting, he produced and directed a few films in Tamil. He was elected as ...
, G. Ramakrishnan and D. Nagalingam.


Plot

The story starts with the special birthday celebration of a girl. An unusual ceremony is performed, where the child goes to perform '' puja'' at the ''
samadhi ''Samadhi'' (Pali and sa, समाधि), in Buddhism, Hinduism, Jainism, Sikhism and yogic schools, is a state of meditative consciousness. In Buddhism, it is the last of the eight elements of the Noble Eightfold Path. In the Ashtanga Yoga ...
'' built over a cremation site, and which is usually built at the place where a ''pativratha'' or great lady has performed ''
sati Sati or SATI may refer to: Entertainment * ''Sati'' (film), a 1989 Bengali film by Aparna Sen and starring Shabana Azmi * ''Sati'' (novel), a 1990 novel by Christopher Pike *Sati (singer) (born 1976), Lithuanian singer *Sati, a character in ''Th ...
.'' A friend asks about the story of the ''sati,'' and Vasudevan narrates the story after telling that this not an ordinary ''Sati,'' but an ''Aajeeva Sati'' whose whole life was a sacrifice pleasing to God, and who died not actually as a ''Sati'' but as a ''Muttaida/Suhagan'' in the lifetime of her husband after dedicating her life to family. Vasudevan begins to narrate the story. Karunakaran and Vasudevan are brothers whose parents had died. They are very much loving and close to each other but Vasudevan longs for mother's love. Yielding to the relatives persuasion, Karunakaran accepts to marry Sulochana. Vasudevan gets upset as he is afraid of what will happen with new person and he only has got one brother, no mother no father. He sets off to the bride's house to see her and he likes her at the first glimpse because she is very nice to him. The wedding takes place and Sulochana becomes a loving wife and the perfect home-maker because she is very traditional and she builds the family including all the mother's love for Vasudevan. The house was like "house for ghosts" because there was no wife and mother until now, but now Sulochana starts everything perfectly, regular puja, Tulsi, rangoli, toranam above door, keeping two cows, cooking proper food at proper time, lunchbox for Vasudevan, waiting for each other to come home, celebrating all the small and big festivals, keeping all the Nomu (Vrath) with fasting and feasting, and everything like that. For Vasudevan, she is the only mother he ever knew and he fully accepts her as his own mother. Sulochana gets pregnant and delivers a baby boy, but the delivery is very difficult and the baby boy is born dead. The doctor tells Karunakaran that Sulochana will not have any more children because the delivery was complicated and he had to cut some organ to save her life. When Sulochana hears of this, she is very sad, but noble lady, and she says, "God gave me one sweet son. Why I should ask more?" and she pats Vasudevan lovingly on the head. Time rolls on and Vasudevan becomes as an adult and becomes a college professor, but unfortunately, Karunakaran and Sulochana was not blessed with children. Vasudevan presents Sulochana gold bangles from his first pay. Vasudevan was arranged to marry
Rao Bahadur __NOTOC__ Rao may refer to: Geography * Rao, West Sumatra, one of the districts of West Sumatra, Indonesia * Råö, a locality in Kungsbacka Municipality, Halland County, Sweden Transport * Dr. Leite Lopes–Ribeirão Preto State Airport , IAT ...
Ponnambalam's and Akilam's daughter Prabha. Comic relief was presented in a moral story of Ponnambalam's family. Ponnambalam listens too much to and often quarrels with Akilam. This drives Ponnambalam's son Kalamani ( K. A. Thangavelu) and his wife Neela ( Ragini) to hatch a drama in order for Ponnambalam and Akilam to be united and respect each other. Kalamani and Neela succeed in this. Prabha's character was the opposite of Sulochana's, but the latter hardly bothers about this and carries on her daily good deeds. Prabha gets pregnant and delivers a baby boy, Ravi (Master Ravi), but she does not care much for him. Sulochana picks up the tasks and takes care of Ravi as a mother should. As Ravi grows, Prabha does not like this and forbids Sulochana from raising Ravi. Ravi falls ill due to the separation and Sulochana takes care of him day and night, not bothering about her meals and health. Ravi becomes very serious for a month, till the doctor who treats him loses hope. Sulochana takes Ravi to a temple and pleads to Lord Shiva to take her life instead and spare Ravi's life. Prabha apologises to Sulochana, but the latter says that it was by the God's grace before collapsing due to being too weak. Even on her death bed, Sulochana enquires about Ravi's health. After thanking Karunakaran and Vasudevan for a good life as a daughter-in-law in the house and says that she would be reborn in this house, Sulochana dies. Sulochana's body was cremated, but Karunakaran and Vasudevan were surprised to see the gold bangles were not damaged during the process. A baby girl was born on the exact day after a year and she was accepted by the whole family as Sulochana reborn. The gold bangles would be worn to her on every birthday, thus the special occasion.


Cast

;Male cast *
Sivaji Ganesan Villupuram Chinnaiya Manrayar Ganesamoorthy, better known by his stage name Sivaji Ganesan, (1 October 1928 – 21 July 2001) was an Indian actor and producer. He was active in Tamil cinema during the latter half of the 20th century. Sivaji Ga ...
as Vasudevan * S. V. Subbaiah as Karunakaran * K. A. Thangavelu as Kalamani *
K. Sarangapani Kumbakonam Sarangapani (1904-1984) was an Indian actor who worked mainly in Tamil cinema Tamil cinema, also known as Kollywood is a part of Indian Cinema; primarily engaged in production of motion pictures in the Tamil language. Based ou ...
as
Rao Bahadur __NOTOC__ Rao may refer to: Geography * Rao, West Sumatra, one of the districts of West Sumatra, Indonesia * Råö, a locality in Kungsbacka Municipality, Halland County, Sweden Transport * Dr. Leite Lopes–Ribeirão Preto State Airport , IAT ...
Ponnambalam *Master Baji as young Vasudevan *Master Ravi as Ravi ;Female cast * Padmini as Sulochana * Ragini as Neela * M. N. Rajam as Prabha *K. N. Kamalam as Akilandam


Production

Actor Sripadha Shankar ventured into film production with ''Mangayar Thilakam'' being one of his ventures. Since he was not financially strong, he sought the help of an enterprising bank clerk, A. C. Pillai, who helped complete the film providing funds. This film was based on the Marathi film ''Vahininjiya Pangkadiya''. Valampuri Somanathan, G. Ramakrishnan and D. Nagarajan wrote the screenplay.


Soundtrack

Soundtrack was composed by
S. Dakshinamurthi Susarla Dakshinamurthi Jr. (Telugu: సుసర్ల దక్షిణామూర్తి; 1921 – 2012) was an Indian music composer, playback singer, record producer, Carnatic musician, multi-instrumentalist,Ilavelpu in Naati 101 Chitralu ...
, while The lyrics were by
Udumalai Narayana Kavi [https://idhatri.com/udumalai-narayana-kavi/ Udumalai Narayana KavUdumalai Narayana Kavi Udumalai Narayana Kavi (25 September 1899 – 23 May 1981) was an Indian poet and lyricist known for his work in Tamil films. Early life Udumalai Narayana wa ...
,
Kannadasan Kannadasan (; 24 June 1927 – 17 October 1981) was an Indian philosopher, poet, film song lyricist, producer, actor, script-writer, editor, philanthropist, and is heralded as one of the greatest and most important lyricists in India. Freq ...
, A. Maruthakasi and Puratchidasan. The song "Neela Vanna Kannaa Vaadaa" was initially to be written by Kannadasan. As Prasad did not like what he wrote, he was replaced by Maruthakasi. According to historian Randor Guy, the song "Ketta Penmani" took a dig at modern women.


Release and reception

''Mangaiyar Thilakam'' was released on 26 August 1955. '' Kalki (magazine), Kalki'' said it was a good film that could not be underestimated with regards to visual combinations, cinematography, sound recording and artistic technique.


References


External links

* {{National Film Award Best Feature Film Tamil 1950s Tamil-language films 1955 drama films 1955 films Films directed by L. V. Prasad Films scored by Susarla Dakshinamurthi Indian black-and-white films Indian drama films Tamil remakes of Marathi films