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''Manfred: A dramatic poem'' is a closet drama written in 1816–1817 by Lord Byron. It contains
supernatural Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings si ...
elements, in keeping with the popularity of the
ghost story A ghost story is any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them."Ghost Stories" in Margaret Drabble (ed.), ''Oxford Companion to English Literature'' ...
in England at the time. It is a typical example of a Gothic fiction. Byron commenced this work in late 1816, a few months after the famous ghost-story sessions with
Percy Bysshe Shelley Percy Bysshe Shelley ( ; 4 August 17928 July 1822) was one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achie ...
and Mary Shelley that provided the initial impetus for '' Frankenstein; or, The Modern Prometheus ''. The
supernatural Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings si ...
references are made clear throughout the poem. ''Manfred'' was adapted musically by
Robert Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ...
in 1852, in a composition entitled '' Manfred: Dramatic Poem with Music in Three Parts'', and in 1885 by Pyotr Ilyich Tchaikovsky in his '' Manfred Symphony''. Friedrich Nietzsche was inspired by the poem's depiction of a super-human being to compose a piano score in 1872 based on it, "Manfred Meditation".


Background

Byron wrote this "metaphysical drama", as he called it, after his marriage to Annabella Millbanke failed because of a scandal due to charges of sexual improprieties and an incestuous affair between Byron and his half-sister, Augusta Leigh. Attacked by the press and ostracised by London society, Byron fled England for Switzerland in 1816 and never returned. At the time, he was living at the Villa Diodati in Switzerland. Because ''Manfred'' was written immediately after this, and because it regards a main character tortured by his own sense of guilt for an unmentionable offence, some critics consider it to be autobiographical, or even confessional. The unnamed but forbidden nature of Manfred's relationship to Astarte is believed to represent Byron's relationship with his half-sister Augusta. Most of ''Manfred'' was written on a tour through the Bernese Alps in September 1816. The third act was rewritten in February 1817, since Byron was not happy with its first version.


Plot

Manfred is a Faustian noble living in the Bernese Alps. Internally tortured by some mysterious guilt, which has to do with the death of his most beloved, Astarte, he uses his mastery of language and spell-casting to summon seven spirits, from whom he seeks forgetfulness. The spirits, who rule the various components of the corporeal world, are unable to control past events and thus cannot grant Manfred's plea. For some time, fate prevents him from escaping his guilt through suicide. At the end, Manfred dies, defying religious temptations of redemption from sin. Throughout the poem he succeeds in challenging all of the authoritative powers he faces, and chooses death over submitting to the powerful spirits. Manfred directs his final words to the Abbot, remarking, "Old man! 'tis not so difficult to die". "The unconquerable individual to the end, Manfred gives his soul to neither heaven nor hell, only to death."


Critique

Published in June 1817, ''Manfred'' has as its epigraph the famous saying from Shakespeare's '' Hamlet'': "There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy." It seems to be strongly influenced by Goethe's '' Faust'', which Byron probably read in translation (although he claimed never to have read it). In September 1817,
John Neal John Neal may refer to: * John Neal (writer) (1793–1876), American writer, critic, and activist * John R. Neal (1836–1889), American politician * John Randolph Neal Jr. (1876–1959), American lawyer * John Neal (politician) (1889–1962), Br ...
accused Byron of "egotism, contradiction, and affection" in authoring ''Manfred'', claiming that "Byron was made for crime, not vice." Aside from pointing out the poem's absurdities, Neal nevertheless offered high praise and claimed of one verse that "our language does not furnish a more delicate, beautiful, mellow, and quiet picture." ''Manfred'' has as its theme defiant humanism, represented by the hero’s refusal to bow to supernatural authority. Peter L. Thorslev Jr. notes that Manfred conceals behind a Gothic exterior the tender heart of the Hero of Sensibility; but as a rebel, like Satan, Cain, and Prometheus, he embodies Romantic self-assertion.


Characters


In performance

''Manfred'' was not originally intended for stage performance; it was written to be a dramatic poem or, as Byron called it, a "metaphysical" drama. It has received much more attention on stage for its musical treatments by Tchaikovsky and Schumann than it has on its own dramatic terms. Nevertheless, ''Manfred'' was later famously played by Samuel Phelps. There are no recorded full stagings in Britain in the twentieth century, but readings are more popular, partly because of the difficulty of staging a play set in the Alps, partly because of the work's nature as a closet drama that was never actually intended for the stage in the first place. The exceptional size of the role of Manfred also makes the play difficult to cast. There was a production on
BBC Radio 3 BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, with jazz, world music, Radio drama, drama, High culture, culture and the arts ...
in 1988, however, which starred Ronald Pickup as Manfred. A new production, adapted and directed by Pauline Harris with original music composed and performed by Olly Fox and starring Joseph Millson as Manfred, was broadcast on
BBC Radio 3 BBC Radio 3 is a British national radio station owned and operated by the BBC. It replaced the BBC Third Programme in 1967 and broadcasts classical music and opera, with jazz, world music, Radio drama, drama, High culture, culture and the arts ...
on 8 January 2017 to celebrate the 200th anniversary of ''Manfred''s completion.


Scenes

* ACT I ** SCENE I: MANFRED alone. – Scene, a Gothic Gallery. – Time, Midnight. ** SCENE II: The Mountain of the Jungfrau. – Time, Morning.-- MANFRED alone upon the Cliffs * ACT II ** SCENE I: A Cottage amongst the Bernese Alps. MANFRED and the CHAMOIS HUNTER. ** SCENE II: A lower Valley in the Alps.-- A Cataract. ** SCENE III: The Summit of the Jungfrau Mountain. ** SCENE IV: The Hall of ARIMANES.-- ARIMANES on his Throne, a Globe of Fire, surrounded by the SPIRITS. * ACT III ** SCENE I: A Hall in the Castle of Manfred. ** SCENE II: Another Chamber. MANFRED and HERMAN. ** SCENE III: The Mountains.-- The Castle of MANFRED at some distance.-- A Terrace before a Tower.-- Time, Twilight. HERMAN, MANUEL, and other Dependants of MANFRED. ** SCENE IV: Interior of the Tower.


Manfred in literature

The character Manfred was mentioned by Alexandre Dumas, ''père'' in his novel ''
The Count of Monte Cristo ''The Count of Monte Cristo'' (french: Le Comte de Monte-Cristo) is an adventure novel written by French author Alexandre Dumas (''père'') completed in 1844. It is one of the author's more popular works, along with ''The Three Musketeers''. Li ...
'', where the Count declares: "No, no, I wish to do away with that mysterious reputation that you have given me, my dear viscount; it is tiresome to be always acting Manfred. I wish my life to be free and open." Indeed, the Count of Monte Cristo is quite similar to Manfred, in that he wants to keep his past a secret, feels superior to social conventions, and is following an agenda that runs counter to the social mores. Fyodor Dostoyevsky mentions the poem in '' Notes from Underground'' when the narrator states, "I received countless millions and immediately gave them away for the benefit of humanity, at the same moment confessing before the crowd all my infamies, which, of course, were not mere infamies, but also contained within them a wealth of 'the lofty and the beautiful' of something Manfred-like" (Dostoyevsky, page 57. Bantam Books 2005) Herman Melville references the poem twice in ''
Mardi ''Mardi: and a Voyage Thither'' is the third book by American writer Herman Melville, first published in London in 1849. Beginning as a travelogue in the vein of the author's two previous efforts, the adventure story gives way to a romance story ...
'' (1849): in Chapter 4 describing being up in the foremast-head: "Now this standing upon a bit of stick 100 feet aloft for hours at a time, swiftly sailing over the sea, is very much like crossing the Channel in a balloon. Manfred-like, you talk to the clouds: you have a fellow feeling for the sun."; and in Chapter 11 wondering at a character's gravity: "It was inconceivable, that his reveries were Manfred-like and exalted, reminiscent of unutterable deeds, too mysterious even to be indicated by the remotest of hints." The whale-boat used to escape in the beginning is named "Chamois," referring explicitly to the goat-antelope creature, and likely also alluding to the hunter in Manfred. On page 61 of '' The Crying of Lot 49'' by Thomas Pynchon, Di Presso seems to refer (perhaps by accident) to Metzger as Manfred. Manfred's oft-quoted speech from Act II Scene 1 which begins "Think'st thou existence doth depend on time?" is quoted on page 351 of '' The Masters of Solitude'' by Marvin Kaye and Parke Godwin. "In Memory of My Feelings", the poem by Frank O'Hara, includes the line "Manfred climbs to my nape,/ speaks, but I do not hear him,/ I'm too blue." In '' Jonathan Strange & Mr Norrell'' by
Susanna Clarke Susanna Mary Clarke (born 1 November 1959) is an English author known for her debut novel ''Jonathan Strange & Mr Norrell'' (2004), a Hugo Award-winning alternative history. Clarke began ''Jonathan Strange'' in 1993 and worked on it during her ...
, Byron is said to have written ''Manfred'' after meeting the magician Jonathan Strange and finding him most disagreeable. It is suggested that he wrote it because he was so disappointed with Strange that he created a magician more to his liking. The final scene of '' Daisy Miller'' by Henry James is set in the Colosseum of Rome. James mentions that, before entering the Colosseum, his protagonist Winterbourne loudly quotes Manfred's monologue on the Colosseum (Act III, Scene IV).


Other references to ''Manfred''

In the
Gilbert and Sullivan Gilbert and Sullivan was a Victorian era, Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900), who jointly created fourteen comic operas between 1871 and 1896, of which ...
comic opera '' Patience'' Manfred is referenced in Colonel Calverley's patter song "If you want a receipt for that popular mystery" (A Heavy Dragoon), listing one ingredient as "a little of Manfred but not very much of him". German
gothic metal Gothic metal (or goth metal) is a fusion genre combining the aggression of heavy metal with the dark atmospheres of gothic rock. The music of gothic metal is diverse with bands known to adopt the gothic approach to different styles of heavy met ...
band The Vision Bleak extensively quote from ''Manfred'' in their song "A Curse of the Grandest Kind", on their 2010 album ''
Set Sail to Mystery ''Set Sail to Mystery'' is the fourth studio album by German gothic metal band The Vision Bleak, released on 2 April 2010 through Prophecy Productions. A digipak edition containing seven bonus tracks was also released. It counted with a guest ...
'' Big Finish's '' Dark Shadows'' references the tale in an audio production, ''Dress Me in Dark Dreams''. Edith Collins seeks to re-read the poem after some lines are stuck in her head. Christopher Tin and Shoji Kameda (as
Stereo Alchemy
) used the text of Manfred as the basis for the lyrics to ''Monster of the Sky'' on their album

'


See also

* Robert Schumann's setting of ''Manfred'' * Tchaikovsky's ''Manfred'' Symphony *'' Manfred on the Jungfrau'' by Ford Madox Brown *'' Manfred on the Jungfrau'', by
John Martin John Martin may refer to: Business *John Martin (businessman) (1820–1905), American lumberman and flour miller *John Charles Martin (fl. 1913–1931), American newspaper publisher *John Martin (publisher) (born 1930), American founder of Black ...


References


External links


Official Foundation Rudolf Noureev site for the ballet
* ''Manfred et l'esprit'', oil on canvas by Durupt, Musée de la Vie romantique, Paris * {{Authority control Closet drama Poetry by Lord Byron Plays by Lord Byron Works based on the Faust legend 1817 poems 1817 plays Gothic fiction Alps in fiction