Man With The Broken Nose
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''Man with the Broken Nose'' is a sculpture by
Auguste Rodin François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a uniqu ...
created between 1863 and 1864 and approved by the
Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ...
in 1875. It is considered the first by Rodin in which life is represented over the grace pervading the academic circles and aesthetic of the time. Rodin made a first model of this piece on
plaster Plaster is a building material used for the protective or decorative coating of walls and ceilings and for Molding (decorative), moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of ...
in 1864, but lost the back of the bust. Later, in 1880, a second model, this time in bronze, was cast and is the surviving cast of the piece. A marble copy was made by Léon Fourquet.


History

In 1863, Rodin adapted a stable to become his atelier, where he worked with an amateur model by the name of "Bibi" to make his first model of the mask. According to
Rainer Maria Rilke René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926), shortened to Rainer Maria Rilke (), was an Austrian poet and novelist. He has been acclaimed as an idiosyncratic and expressive poet, and is widely recogni ...
the man before Rodin "a man with a calm demeanor and face. It had the face of a live man which, when explored, was full of agitation and disorder".


Description and influence

The sculpture was cast on
bronze Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such ...
with black, brown and green
patina Patina ( or ) is a thin layer that variously forms on the surface of copper, brass, bronze and similar metals and metal alloys (tarnish produced by oxidation or other chemical processes) or certain stones and wooden furniture (sheen produced b ...
. It has a 12.5 x 15.1 x 15.3 cm (3.1 x 3.8 x 3.8 in) base, where Rodin's signature can be found. Even though there is a clear influence by other works at the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central l ...
, this mask represents the fidelity on contours that is characteristic of Rodin, made clear in the profound wrinkles and severe facial expression. This work was crucial in Rodin's unique aesthetical development. According to the artist himself: "That mask determined all my future work; it's the first modeled piece I did. Ever since, I've tried to see my works from all possible points of view and to draw them in every one of their aspects. That mask has been on my mind in every thing I have done". His later portraits have a singular life and individuality, partly because Rodin stayed on his contour modeling principles.


Problems

The mask was originally titled ''Portrait of M. ***'' and was generally rejected because it presented a man with a broken nose and strong, sharp facial features; which was considered ugly to the eyes of most people.


See also

* List of sculptures by Auguste Rodin


References


External links

* {{Auguste Rodin Sculptures by Auguste Rodin Collection of the Neue Pinakothek 1860s sculptures Sculptures in the Museo Soumaya Bronze sculptures