''Lousadzak'' (The Coming of Light), Op. 48, is a 1944

concerto A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typi ...

for

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

and

string orchestra A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first ...

by the American-Armenian composer

Alan Hovhaness Alan Hovhaness (; March 8, 1911 – June 21, 2000) was an American-Armenian composer. He was one of the most prolific 20th-century composers, with his official catalog comprising 67 numbered symphonies (surviving manuscripts indicate over 70) and ...

. The work is known for its use of

aleatory Aleatoricism or aleatorism, the noun associated with the adjectival aleatory and aleatoric, is a term popularised by the musical composer Pierre Boulez, but also Witold Lutosławski and Franco Evangelisti, for compositions resulting from "actio ...

that is said to have impressed fellow composers

Lou Harrison Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer, music critic, music theorist, painter, and creator of unique musical instruments. Harrison initially wrote in a dissonant, ultramodernist style similar to his form ...

and

John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading fi ...

, and anticipated "many soon-to-be-hip" aleatory techniques.

Reception

Andrew Farach-Colton of ''

Gramophone A phonograph, in its later forms also called a gramophone (as a trademark since 1887, as a generic name in the UK since 1910) or since the 1940s called a record player, or more recently a turntable, is a device for the mechanical and analogu ...

'' lauded ''Lousadzak'', saying, "the music has a spare sensuality that’s ..delectable." The work was also praised by ''

BBC Music Magazine ''BBC Music Magazine'' is a British monthly magazine that focuses primarily on classical music. History The first issue appeared in September 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher toget ...

s Anthony Burton for its "Eastern emphasis on ornamented melody over a drone bass, and its almost complete absence of conventional harmony." On the other hand, John R. White, writing in the mid-1960s before the wider usage of minimalist and aleatoric devices in American art music, singled out the work's aleatory passages as a particular weakness, observing that even though the "delicious humming effect" they produce "may delight an audience that has never before seen an orchestra turned loose on chance music", such basic assumptions mean that "this easily playable work sounds static and after a while simply has to cease on a shimmering sound."John R. White, ntitled review ''Notes'', Second Series 22, no. 1 (Autumn, 1965): 822–23.

References

Compositions by Alan Hovhaness 1944 compositions Piano concertos 20th-century classical music {{concerto-stub

Reception

See also

References