Songs and arias by

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...

are compositions listed in Chapter 6 of the

Bach-Werke-Verzeichnis The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV ...

(BWV 439–524), which also includes the

Quodlibet A quodlibet (; Latin for "whatever you wish" from '' quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous m ...

. Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme. The best known of these, "

Bist du bei mir "" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera ''Diomedes'', which was first staged on 16 November 1718. The aria is best known as "," BWV 508, a version for voice and continuo found as No. 25 in t ...

", was however not composed by Bach. An aria by Bach was rediscovered in the 21st century, and was assigned the number BWV 1127. Further hymn settings and arias by Bach are included in his

cantatas A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of t ...

motets In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Marga ...

, masses, passions, oratorios and chorale harmonisations (BWV 1–438 and later additions). The second Anhang of the BWV catalogue also lists a few songs of doubtful authenticity.

Songs, arias and Quodlibet, BWV 439–524

, - style="background: #E3F6CE;" , data-sort-value="0439.000" , 439 , data-sort-value="304.003" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ach, dass nicht die letzte Stunde" ('' Schemelli'' #831; tune #56) , , V Bc , data-sort-value="000.39: 279a" , 39: 279 , data-sort-value="III/02 1: 256" , III/2.1: 210 , ↔ Z 6721; text by Neumeister , , - style="background: #E3F6CE;" , data-sort-value="0440.000" , 440 , data-sort-value="304.004" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Auf, auf! die rechte Zeit ist hier" ('' Schemelli'' #171; tune #11) , , V Bc , data-sort-value="000.39: 279b" , 39: 279 , data-sort-value="III/02 1: 211" , III/2.1: 123 , data-sort-value="↔ Z 0705" , ↔ Z 705; text by Opitz , , - style="background: #E3F6CE;" , data-sort-value="0441.000" rowspan="2" , 441 , data-sort-value="304.005" rowspan="2" , 6. , data-sort-value="1730-01-01" , or earlier , chorale setting "Auf, auf, mein Herz, mit Freuden" , rowspan="2" , F maj. , SATB , , data-sort-value="III/02 1: 095" , III/2.1: 67 , rowspan="2" , after Z 5243; text by Gerhardt , rowspan="2" , , - style="background: #E3F6CE;" , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Auf, auf, mein Herz, mit Freuden" ('' Schemelli'' #320; tune #27) , V Bc , data-sort-value="000.39: 279c" , 39: 279 , data-sort-value="III/02 1: 227" , III/2.1: 152 , - style="background: #E3F6CE;" , data-sort-value="0442.000" , 442 , data-sort-value="304.006" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Beglückter Stand getreuer Seelen" ('' Schemelli'' #570; tune #39) , , V Bc , data-sort-value="000.39: 280a" , 39: 280 , data-sort-value="III/02 1: 239" , III/2.1: 176 , after Z 5970; text by , , - style="background: #E3F6CE;" , data-sort-value="0443.000" , 443 , data-sort-value="304.007" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Beschränkt, ihr Weisen dieser Welt" ('' Schemelli'' #689; tune #47) , , V Bc , data-sort-value="000.39: 280b" , 39: 280 , data-sort-value="III/02 1: 247" , III/2.1: 192 , ↔ Z 7765; text by , , - style="background: #E3F6CE;" , data-sort-value="0444.000" , 444 , data-sort-value="304.008" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Brich entzwei, mein armes Herze" ('' Schemelli'' #303; tune #24) , , V Bc , data-sort-value="000.39: 280c" , 39: 280 , data-sort-value="III/02 1: 224" , III/2.1: 146 , after Z 7110–7111a; → Z 7111b; text by , , - style="background: #E3F6CE;" , data-sort-value="0445.000" , 445 , data-sort-value="304.009" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Brunnquell aller Güter" ('' Schemelli'' #335; tune #29) , , V Bc , data-sort-value="000.39: 281a" , 39: 281 , data-sort-value="III/02 1: 229" , III/2.1: 156 , after Z 6252b; text by Franck, J. , , - style="background: #E3F6CE;" , data-sort-value="0446.000" , 446 , data-sort-value="304.010" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Der lieben Sonnen Licht und Pracht" ('' Schemelli'' #39; tune #2) , , V Bc , data-sort-value="000.39: 281b" , 39: 281 , data-sort-value="III/02 1: 202" , III/2.1: 106 , after Z 5659; text by

Scriver Scriver is an occupational surname of German origin, which means a "scribe" or "writer." Alternative spellings include Schriver and Shriver. The name may refer to: *Charles Scriver (born 1930), Canadian pediatrician *Christian Scriver Christia ...

, , - style="background: #E3F6CE;" , data-sort-value="0447.000" , 447 , data-sort-value="304.011" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Der Tag ist hin, die Sonne gehet nieder" ('' Schemelli'' #40; tune #3) , , V Bc , data-sort-value="000.39: 281c" , 39: 281 , data-sort-value="III/02 1: 203" , III/2.1: 108 , data-sort-value="after Z 0923; ↔ BWV 297" , after Z 923; ↔

BWV 297 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; text by , , - style="background: #E3F6CE;" , data-sort-value="0448.000" , 448 , data-sort-value="304.012" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Der Tag mit seinem Lichte" ('' Schemelli'' #43; tune #4) , , V Bc , data-sort-value="000.39: 282a" , 39: 282 , data-sort-value="III/02 1: 204" , III/2.1: 110 , after Z 7512b; text by Gerhardt , , - style="background: #E3F6CE;" , data-sort-value="0449.000" , 449 , data-sort-value="305.001" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Dich bet ich an, mein höchster Gott" ('' Schemelli'' #396; tune #31) , , V Bc , data-sort-value="000.39: 282b" , 39: 282 , data-sort-value="III/02 1: 231" , III/2.1: 160 , ↔ Z 2437; text by , , - style="background: #E3F6CE;" , data-sort-value="0450.000" , 450 , data-sort-value="305.002" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Die bittre Leidenszeit beginnet abermal" ('' Schemelli'' #258; tune #17) , , V Bc , data-sort-value="000.39: 282c" , 39: 282 , data-sort-value="III/02 1: 217" , III/2.1: 134 , after Z 7429; text by , , - id="Schemellis Gesangbuch No. 13" style="background: #E3F6CE;" , data-sort-value="0451.000" , 451 , data-sort-value="305.003" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Die güldne Sonne" ('' Schemelli'' #13; tune #1) , , V Bc , data-sort-value="000.39: 283" , 39: 283 , data-sort-value="III/02 1: 201" , III/2.1: 104 , after Z 8015; text by Gerhardt , , - style="background: #E3F6CE;" , data-sort-value="0452.000" , 452 , data-sort-value="305.004" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "

Dir, dir, Jehova, will ich singen "" (To you, to you, Jehova, I want to sing) is a Lutheran hymn, with 1695 text by Bartholomäus Crasselius. A melody attributed to Johann Sebastian Bach appeared in Schemellis Gesangbuch. It was translated into English by Catherine Winkworth in 1 ...

" ('' Schemelli'' #397; tune #32) , , V Bc , data-sort-value="000.39: 284a" , 39: 284 , data-sort-value="III/02 1: 232" , III/2.1: 162 , data-sort-value="after BWV 0299" , after

BWV 299 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

; → Z 3068; text by Crasselius , , - style="background: #E3F6CE;" , data-sort-value="0453.000" , 453 , data-sort-value="305.005" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Eins ist not! ach Herr, dies Eine" ('' Schemelli'' #112; tune #7) , , V Bc , data-sort-value="000.39: 284b" , 39: 284 , data-sort-value="III/02 1: 207" , III/2.1: 116 , ↔ Z 7129; text by , , - style="background: #E3F6CE;" , data-sort-value="0454.000" , 454 , data-sort-value="305.006" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ermuntre dich, mein schwacher Geist" ('' Schemelli'' #187; tune #12) , , V Bc , data-sort-value="000.39: 284c" , 39: 284 , data-sort-value="III/02 1: 212" , III/2.1: 124 , after Z 5741; text by Rist , , - style="background: #E3F6CE;" , data-sort-value="0455.000" , 455 , data-sort-value="305.007" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Erwürgtes Lamm, das die verwahrten Siegel" ('' Schemelli'' #580; tune #43) , , V Bc , data-sort-value="000.39: 285a" , 39: 285 , data-sort-value="III/02 1: 243" , III/2.1: 184 , after Z 3138; text by , , - style="background: #E3F6CE;" , data-sort-value="0456.000" , 456 , data-sort-value="305.008" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Es glänzet der Christen inwendiges Leben" ('' Schemelli'' #572; tune #40) , , V Bc , data-sort-value="000.39: 285b" , 39: 285 , data-sort-value="III/02 1: 240" , III/2.1: 178 , after Z 6969; text by Richter , , - style="background: #E3F6CE;" , data-sort-value="0457.000" , 457 , data-sort-value="305.009" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Es ist nun aus mit meinem Leben" ('' Schemelli'' #847; tune #57) , , V Bc , data-sort-value="000.39: 286a" , 39: 286 , data-sort-value="III/02 1: 257" , III/2.1: 212 , after Z 6969; text by , , - style="background: #E3F6CE;" , data-sort-value="0458.000" , 458 , data-sort-value="305.010" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Es ist vollbracht! Vergiss ja nicht dies Wort" ('' Schemelli'' #306; tune #25) , , V Bc , data-sort-value="000.39: 286b" , 39: 286 , data-sort-value="III/02 1: 225" , III/2.1: 148 , after Z 2692; text by , , - style="background: #E3F6CE;" , data-sort-value="0459.000" , 459 , data-sort-value="305.011" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Es kostet viel, ein Christ zu sein" ('' Schemelli'' #522; tune #38) , , V Bc , data-sort-value="000.39: 286c" , 39: 286 , data-sort-value="III/02 1: 238" , III/2.1: 174 , after Z 2727; text by Richter , , - style="background: #E3F6CE;" , data-sort-value="0460.000" , 460 , data-sort-value="305.012" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Gib dich zufrieden und sei stille" ('' Schemelli'' #647; tune #45) , , V Bc , data-sort-value="000.39: 288a" , 39: 288 , data-sort-value="III/02 1: 245" , III/2.1: 188 , after Z 7415; text by Gerhardt , , - style="background: #E3F6CE;" , data-sort-value="0461.000" , 461 , data-sort-value="305.013" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Gott lebet noch" ('' Schemelli'' #488; tune #37) , , V Bc , data-sort-value="000.39: 288b" , 39: 288 , data-sort-value="III/02 1: 237" , III/2.1: 172 , after Z 7951; ↔

BWV 320 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; text by , , - style="background: #E3F6CE;" , data-sort-value="0462.000" , 462 , data-sort-value="305.014" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Gott wie groß ist deine Güte" ('' Schemelli'' #360; tune #30) , , V Bc , data-sort-value="000.39: 289a" , 39: 289 , data-sort-value="III/02 1: 230" , III/2.1: 158 , text by Schemelli; → Z 7937 , , - style="background: #E3F6CE;" , data-sort-value="0463.000" , 463 , data-sort-value="305.015" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Herr, nicht schicke deine Rache" ('' Schemelli'' #78; tune #5) , , V Bc , data-sort-value="000.39: 289b" , 39: 289 , data-sort-value="III/02 1: 205" , III/2.1: 112 , after Z 6863; text by Opitz , , - style="background: #E3F6CE;" , data-sort-value="0464.000" , 464 , data-sort-value="305.016" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich bin ja, Herr, in deiner Macht" ('' Schemelli'' #861; tune #58) , , V Bc , data-sort-value="000.39: 290a" , 39: 290 , data-sort-value="III/02 1: 258" , III/2.1: 214 , after Z 5869a; text by

Dach ''trans''-1,2-Diaminocyclohexane is an organic compound with the formula C6H10(NH2)2. This diamine is a building block for ''C''2-symmetric ligands that are useful in asymmetric catalysis. A mixture of all three stereoisomers of 1,2-diamin ...

, , - style="background: #E3F6CE;" , data-sort-value="0465.000" , 465 , data-sort-value="306.001" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich freue mich in dir" ('' Schemelli'' #194; tune #13) , , V Bc , data-sort-value="000.39: 290b" , 39: 290 , data-sort-value="III/02 1: 213" , III/2.1: 126 , after Z 5138; text by Ziegler, C. , , - style="background: #E3F6CE;" , data-sort-value="0466.000" , 466 , data-sort-value="306.002" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich halte treulich still" ('' Schemelli'' #657; tune #46) , , V Bc , data-sort-value="000.39: 290c" , 39: 290 , data-sort-value="III/02 1: 246" , III/2.1: 190 , text by ; → Z 5082 , , - style="background: #E3F6CE;" , data-sort-value="0467.000" , 467 , data-sort-value="306.003" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich lass dich nicht" ('' Schemelli'' #734; tune #51) , , V Bc , data-sort-value="000.39: 291a" , 39: 291 , data-sort-value="III/02 1: 251" , III/2.1: 200 , after Z 7455; text by , , - style="background: #E3F6CE;" , data-sort-value="0468.000" , 468 , data-sort-value="306.004" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich liebe Jesum alle Stund" ('' Schemelli'' #737; tune #52) , , V Bc , data-sort-value="000.39: 291b" , 39: 291 , data-sort-value="III/02 1: 252" , III/2.1: 202 , after Z 4731; → Z 4732 , , - style="background: #E3F6CE;" , data-sort-value="0469.000" , 469 , data-sort-value="306.005" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ich steh an deiner Krippen hier" ('' Schemelli'' #195; tune #14) , , V Bc , data-sort-value="000.39: 292a" , 39: 292 , data-sort-value="III/02 1: 214" , III/2.1: 128 , ↔ Z 4663; text by Gerhardt , , - style="background: #E3F6CE;" , data-sort-value="0476.000" , 476 , data-sort-value="306.016" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Ihr Gestirn, ihr hohlen Lüfte" ('' Schemelli'' #197; tune #15) , , V Bc , data-sort-value="000.39: 294b" , 39: 294 , data-sort-value="III/02 1: 215" , III/2.1: 130 , after Z 3703; text by Franck, J. , , - style="background: #E3F6CE;" , data-sort-value="0471.000" , 471 , data-sort-value="306.021" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesu, deine Liebeswunden" ('' Schemelli'' #139; tune #10) , , V Bc , data-sort-value="000.39: 292c" , 39: 292 , data-sort-value="III/02 1: 210" , III/2.1: 122 , text by ?; → Z 1302 , , - style="background: #E3F6CE;" , data-sort-value="0470.000" , 470 , data-sort-value="306.022" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesu, Jesu, du bist mein" ('' Schemelli'' #741; tune #53) , , V Bc , data-sort-value="000.39: 292b" , 39: 292 , data-sort-value="III/02 1: 253" , III/2.1: 204 , data-sort-value="↔ BWV 0357" , ↔

BWV 357 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; → Z 6446 , , - style="background: #E3F6CE;" , data-sort-value="0472.000" , 472 , data-sort-value="306.032" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesu, meines Glaubens Zier" ('' Schemelli'' #119; tune #8) , , V Bc , data-sort-value="000.39: 293a" , 39: 293 , data-sort-value="III/02 1: 208" , III/2.1: 118 , after Z 6453; text by Sacer , , - style="background: #E3F6CE;" , data-sort-value="0473.000" , 473 , data-sort-value="306.033" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesu, meines Herzens Freud" ('' Schemelli'' #696; tune #48) , , V Bc , data-sort-value="000.39: 293b" , 39: 293 , data-sort-value="III/02 1: 248" , III/2.1: 194 , after Z 4797–4798; text by , , - style="background: #E3F6CE;" , data-sort-value="0474.000" , 474 , data-sort-value="306.034" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesus ist das schönste Licht" ('' Schemelli'' #463; tune #33) , , V Bc , data-sort-value="000.39: 293c" , 39: 293 , data-sort-value="III/02 1: 233" , III/2.1: 164 , after Z 6412; text by Richter , , - style="background: #E3F6CE;" , data-sort-value="0475.000" , 475 , data-sort-value="306.035" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Jesus, unser Trost und Leben" ('' Schemelli'' #333; tune #28) , , V Bc , data-sort-value="000.39: 294a" , 39: 294 , data-sort-value="III/02 1: 228" , III/2.1: 154 , after Z 4918; text by , , - style="background: #E3F6CE;" , data-sort-value="0477.000" , 477 , data-sort-value="306.037" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Kein Stündlein geht dahin" ('' Schemelli'' #869; tune #60) , , V Bc , data-sort-value="000.39: 294c" , 39: 294 , data-sort-value="III/02 1: 260" , III/2.1: 218 , after 4243b; text by Franck, M.? , , - style="background: #E3F6CE;" , data-sort-value="0478.000" , 478 , data-sort-value="306.038" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Komm, süßer Tod" ('' Schemelli'' #868; tune #59) , , V Bc , data-sort-value="000.39: 295a" , 39: 295 , data-sort-value="III/02 1: 259" , III/2.1: 216 , → Z 4400 , , - style="background: #E3F6CE;" , data-sort-value="0479.000" , 479 , data-sort-value="306.039" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Kommt, Seelen, dieser Tag" ('' Schemelli'' #936; tune #67) , , V Bc , data-sort-value="000.39: 295b" , 39: 295 , data-sort-value="III/02 1: 267" , III/2.1: 232 , → Z 5185; text by Löscher , , - style="background: #E3F6CE;" , data-sort-value="0480.000" , 480 , data-sort-value="306.040" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Kommt wieder aus der finstern Gruft" ('' Schemelli'' #938; tune #68) , , V Bc , data-sort-value="000.39: 296a" , 39: 296 , data-sort-value="III/02 1: 268" , III/2.1: 234 , → Z 4709; text by Löscher , , - style="background: #E3F6CE;" , data-sort-value="0481.000" , 481 , data-sort-value="306.041" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Lasset uns mit Jesu ziehen" ('' Schemelli'' #281; tune #18) , , V Bc , data-sort-value="000.39: 296b" , 39: 296 , data-sort-value="III/02 1: 218" , III/2.1: 136 , after Z 7886b; ↔

BWV 413 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the ...

; text by Birken , , - style="background: #E3F6CE;" , data-sort-value="0482.000" , 482 , data-sort-value="307.002" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Liebes Herz, bedenke doch" ('' Schemelli'' #467; tune #34) , , V Bc , data-sort-value="000.39: 297a" , 39: 297 , data-sort-value="III/02 1: 234" , III/2.1: 166 , after Z 6434; text by , , - style="background: #E3F6CE;" , data-sort-value="0483.000" , 483 , data-sort-value="307.003" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Liebster Gott, wann werd ich sterben" ('' Schemelli'' #873; tune #61) , E♭ maj. , V Bc , data-sort-value="000.39: 297b" , 39: 297 , data-sort-value="III/02 1: 261" , III/2.1: 220 , after Z 6634; text by

Neumann Neumann is German and Yiddish for "new man", and one of the 20 most common German surnames. People * Von Neumann family, a Jewish Hungarian noble family A–G *Adam Neumann (born 1979), Israeli-born entrepreneur and founder of WeWork * Alfre ...

, , - style="background: #E3F6CE;" , data-sort-value="0484.000" , 484 , data-sort-value="307.004" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Liebster Herr Jesu, wo bleibst du so lange" ('' Schemelli'' #874; tune #62) , , V Bc , data-sort-value="000.39: 298a" , 39: 298 , data-sort-value="III/02 1: 262" , III/2.1: 222 , ↔ Z 3969; text by , , - style="background: #E3F6CE;" , data-sort-value="0485.000" , 485 , data-sort-value="307.005" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Liebster Immanuel, Herzog der Frommen" ('' Schemelli'' #761; tune #54) , , V Bc , data-sort-value="000.39: 298b" , 39: 298 , data-sort-value="III/02 1: 254" , III/2.1: 206 , after Z 4932c; text by Fritsch , , - style="background: #E3F6CE;" , data-sort-value="0488.000" , 488 , data-sort-value="307.008" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Meines Lebens letzte Zeit" ('' Schemelli'' #881; tune #63) , , V Bc , data-sort-value="000.39: 299b" , 39: 299 , data-sort-value="III/02 1: 263" , III/2.1: 224 , after Z 6380; ↔

BWV 381 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the ...

, , - style="background: #E3F6CE;" , data-sort-value="0486.000" , 486 , data-sort-value="307.016" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Mein Jesu, dem die Seraphinen" ('' Schemelli'' #121; tune #9) , , V Bc , data-sort-value="000.39: 298c" , 39: 298 , data-sort-value="III/02 1: 209" , III/2.1: 120 , after Z 5988; text by , , - style="background: #E3F6CE;" , data-sort-value="0487.000" , 487 , data-sort-value="307.017" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Mein Jesu! was vor Seelenweh" ('' Schemelli'' #283; tune #19) , , V Bc , data-sort-value="000.39: 299a" , 39: 299 , data-sort-value="III/02 1: 219" , III/2.1: 138 , text by Schemelli?; → Z 8383 , , - style="background: #E3F6CE;" , data-sort-value="0489.000" , 489 , data-sort-value="307.019" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Nicht so traurig, nicht so sehr" ('' Schemelli'' #574; tune #41) , , V Bc , data-sort-value="000.39: 300a" , 39: 300 , data-sort-value="III/02 1: 241" , III/2.1: 180 , after Z 3342; text by Gerhardt? , , - style="background: #E3F6CE;" , data-sort-value="0490.000" , 490 , data-sort-value="307.020" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Nur mein Jesus ist mein Leben" ('' Schemelli'' #700; tune #49) , , V Bc , data-sort-value="000.39: 300b" , 39: 300 , data-sort-value="III/02 1: 249" , III/2.1: 196 , after Z 8404c , , - style="background: #E3F6CE;" , data-sort-value="0491.000" , 491 , data-sort-value="307.021" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "O du Liebe meiner Liebe" ('' Schemelli'' #284; tune #20) , , V Bc , data-sort-value="000.39: 300c" , 39: 300 , data-sort-value="III/02 1: 220" , III/2.1: 140 , after Z 6693; text by , , - style="background: #E3F6CE;" , data-sort-value="0492.000" , 492 , data-sort-value="307.022" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "O finstre Nacht, wenn wirst du doch vergehen" ('' Schemelli'' #891; tune #64) , , V Bc , data-sort-value="000.39: 301b" , 39: 301 , data-sort-value="III/02 1: 264" , III/2.1: 226 , ↔ Z 6171; text by , , - style="background: #E3F6CE;" , data-sort-value="0493.000" , 493 , data-sort-value="307.023" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "O Jesulein süß, o Jesulein mild" ('' Schemelli'' #203; tune #16) , , V Bc , data-sort-value="000.39: 302a" , 39: 302 , data-sort-value="III/02 1: 216" , III/2.1: 132 , after Z 2016a; text by , , - style="background: #E3F6CE;" , data-sort-value="0494.000" , 494 , data-sort-value="307.024" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "O liebe Seele, zieh die Sinnen" ('' Schemelli'' #575; tune #42) , , V Bc , data-sort-value="000.39: 302b" , 39: 302 , data-sort-value="III/02 1: 242" , III/2.1: 182 , → Z 7787 , , - style="background: #E3F6CE;" , data-sort-value="0495.000" , 495 , data-sort-value="307.025" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "O wie selig seid ihr doch, ihr Frommen" ('' Schemelli'' #894; tune #65) , , V Bc , data-sort-value="000.39: 302c" , 39: 302 , data-sort-value="III/02 1: 265" , III/2.1: 228 , after Z 1583; ↔

BWV 405 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the ...

; text by

, , - style="background: #E3F6CE;" , data-sort-value="0496.000" , 496 , data-sort-value="307.026" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Seelenbräutigam" ('' Schemelli'' #472; tune #35) , , V Bc , data-sort-value="000.39: 303b" , 39: 303 , data-sort-value="III/02 1: 235" , III/2.1: 168 , after Z 3255a–b; ↔

BWV 409 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; text by Drese , , - style="background: #E3F6CE;" , data-sort-value="0497.000" , 497 , data-sort-value="307.027" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Seelenweide" ('' Schemelli'' #710; tune #50) , , V Bc , data-sort-value="000.39: 303c" , 39: 303 , data-sort-value="III/02 1: 250" , III/2.1: 198 , after Z 1286; text by Drese , , - style="background: #E3F6CE;" , data-sort-value="0499.000" , 499 , data-sort-value="308.002" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Sei gegrüßet, Jesu gütig" ('' Schemelli'' #293; tune #22) , , V Bc , data-sort-value="000.39: 304b" , 39: 304 , data-sort-value="III/02 1: 222" , III/2.1: 143 , after Z 3889b; ↔

BWV 410 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; text by Keymann , , - style="background: #E3F6CE;" , data-sort-value="0498.000" , 498 , data-sort-value="308.008" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Selig, wer an Jesum denkt" ('' Schemelli'' #292; tune #21) , , V Bc , data-sort-value="000.39: 304a" , 39: 304 , data-sort-value="III/02 1: 221" , III/2.1: 142 , → Z 4846 , , - style="background: #E3F6CE;" , data-sort-value="0500.000" , 500 , data-sort-value="308.010" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "So gehst du nun, mein Jesu hin" ('' Schemelli'' #296; tune #23) , , V Bc , data-sort-value="000.39: 304c" , 39: 304 , data-sort-value="III/02 1: 223" , III/2.1: 144 , after Z 7631b; ↔

BWV 500a ''Jesus Christus ist um unsrer Missetat willen verwundet'' is a St Mark Passion which originated in the early 18th century and is most often attributed to Reinhard Keiser. It may also have been composed by his father Gottfried or by Friedri ...

; text by , , - style="background: #E3F6CE;" , data-sort-value="0501.000" , 501 , data-sort-value="308.012" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "So gibst du nun, mein Jesu, gute Nacht" ('' Schemelli'' #315; tune #26) , , V Bc , data-sort-value="000.39: 304d" , 39: 304 , data-sort-value="III/02 1: 226" , III/2.1: 150 , data-sort-value="after Z 0849; ↔ BWV 412" , after Z 849; ↔

BWV 412 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the ...

; text by , , - style="background: #E3F6CE;" , data-sort-value="0502.000" , 502 , data-sort-value="308.013" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "So wünsch ich mir zu guter Letzt" ('' Schemelli'' #901; tune #66) , , V Bc , data-sort-value="000.39: 305a" , 39: 305 , data-sort-value="III/02 1: 266" , III/2.1: 230 , ↔ Z 5892; text by Rist , , - style="background: #E3F6CE;" , data-sort-value="0503.000" , 503 , data-sort-value="308.014" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Steh ich bei meinem Gott" ('' Schemelli'' #945; tune #69) , , V Bc , data-sort-value="000.39: 305b" , 39: 305 , data-sort-value="III/02 1: 269" , III/2.1: 236 , after Z 5207; text by , , - style="background: #E3F6CE;" , data-sort-value="0504.000" , 504 , data-sort-value="308.015" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Vergiss mein nicht, dass ich dein nicht vergesse" ('' Schemelli'' #475; tune #36) , , V Bc , data-sort-value="000.39: 306a" , 39: 306 , data-sort-value="III/02 1: 236" , III/2.1: 170 , after Z 4779; text by

Arnold Arnold may refer to: People * Arnold (given name), a masculine given name * Arnold (surname), a German and English surname Places Australia * Arnold, Victoria, a small town in the Australian state of Victoria Canada * Arnold, Nova Scotia U ...

, , - style="background: #E3F6CE;" , data-sort-value="0505.000" , 505 , data-sort-value="308.016" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Vergiss mein nicht, ..., Mein allerliebster Gott" ('' Schemelli'' #627; tune #44) , , V Bc , data-sort-value="000.39: 306b" , 39: 306 , data-sort-value="III/02 1: 244" , III/2.1: 186 , text by

; → Z 4233 , , - style="background: #E3F6CE;" , data-sort-value="0506.000" , 506 , data-sort-value="308.017" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Was bist du doch, o Seele, so betrübt" ('' Schemelli'' #779; tune #55) , A min. , V Bc , data-sort-value="000.39: 307b" , 39: 307 , data-sort-value="III/02 1: 255" , III/2.1: 208 , after Z 1837; ↔ BWV 424; text by , , - style="background: #E3F6CE;" , data-sort-value="0507.000" , 507 , data-sort-value="308.018" , 6. , data-sort-value="1735-12-31" , 1735–1736 or earlier , song "Wo ist mein Schäflein, das ich liebe" ('' Schemelli'' #108; tune #6) , , V Bc , data-sort-value="000.39: 308" , 39: 308 , data-sort-value="III/02 1: 206" , III/2.1: 114 , after Z 5958a; text by , , - style="background: #F5F6CE;" , data-sort-value="0508.000" , 508 , data-sort-value="309.001" , 6. , data-sort-value="1735-07-01" , 1718-11-16 (GHS)
after 1733–1734 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 25" , ''Notebook A. M. Bach'' (1725) No. 25: aria "

" , E♭ maj. , V Bc , data-sort-value="000.43 2: 036" , 43²: 36
39: 309 , data-sort-value="V/04: 102" , V/4: 102 , after Stölzel (''Diomedes'') , , - style="background: #F5F6CE;" , data-sort-value="0509.000" , 509 , data-sort-value="309.003" , 6. , data-sort-value="1728-07-01" , 1725–1733 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 41" , ''Notebook A. M. Bach'' (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" , , V Bc , data-sort-value="000.43 2: 052" , 43²: 52
39: 310 , data-sort-value="V/04: 128" , V/4: 128 , , , - , data-sort-value="0510.000" , 510 , data-sort-value="309.004" , 6. , data-sort-value="1728-07-01" , 1725–1733 , data-sort-value="Notebook A. M. Bach (1725) No. 12" , ''Notebook A. M. Bach'' (1725) No. 12: song "Gib dich zufrieden und sei stille" , F maj. , V Bc , data-sort-value="000.43 2: 030" , 43²: 30
39: 311 , data-sort-value="V/04: 091" , V/4: 91 , , , - style="background: #E3F6CE;" , data-sort-value="0511.000" , 511 , data-sort-value="309.005" , 6. , data-sort-value="1728-07-01" , 1725–1733 , data-sort-value="Notebook A. M. Bach (1725) No. 13a" , ''Notebook A. M. Bach'' (1725) No. 13a: song "Gib dich zufrieden und sei stille" , G min. , V Bc , data-sort-value="000.43 2: 031" , 43²: 31
39: 287 , data-sort-value="V/04: 091" , V/4: 91 , text by Gerhardt; →

BWV 512 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

, , - style="background: #E3F6CE;" , data-sort-value="0512.000" , 512 , data-sort-value="309.006" , 6. , data-sort-value="1728-07-01" , 1725–1733 , data-sort-value="Notebook A. M. Bach (1725) No. 13b" , ''Notebook A. M. Bach'' (1725) No. 13b: song "Gib dich zufrieden und sei stille" , E min. , V Bc , data-sort-value="000.43 2: 031" , 43²: 31
39: 287 , data-sort-value="V/04: 091" , V/4: 91 , data-sort-value="after BWV 0511; ↔ BWV 315" , after

BWV 511 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

; ↔

BWV 315 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

, Z 7417a; text by Gerhardt , , - style="background: #F5F6CE;" , data-sort-value="0513.000" , 513 , data-sort-value="309.007" , 6. , data-sort-value="1728-07-01" , 1725–1733 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 42" , ''Notebook A. M. Bach'' (1725) No. 42: song "O Ewigkeit, du Donnerwort" , , V Bc , data-sort-value="000.43 2: 052" , 43²: 52
39: 301 , data-sort-value="V/04: 129" , V/4: 129 , data-sort-value="↔ BWV 0397" , ↔

BWV 397 Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to ...

; text by Rist , , - style="background: #F5F6CE;" , data-sort-value="0514.000" , 514 , data-sort-value="309.008" , 6. , data-sort-value="1728-07-01" , 1725–1733 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 35 , ''Notebook A. M. Bach'' (1725) No. 35: song "Schaffs mit mir, Gott" , , V Bc , data-sort-value="000.43 2: 048" , 43²: 48
39: 303 , data-sort-value="V/04: 125" , V/4: 125 , text by Schmolck , , - , data-sort-value="0515.000" , 515 , data-sort-value="309.009" , 6. , data-sort-value="1735-07-01" , after 1733–1734 , data-sort-value="Notebook A. M. Bach (1725) No. 20a , ''Notebook A. M. Bach'' (1725) No. 20a: aria "So oft ich meine Tobackspfeife" , D min. , V Bc , data-sort-value="000.43 2: 034" , 43²: 34 , data-sort-value="V/04: 098" , V/4: 98 , by Bach, G. H.?; →

BWV 515a The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Key ...

, , - style="background: #E3F6CE;" , data-sort-value="0515.A00" , 515a , data-sort-value="309.010" , 6. , data-sort-value="1735-07-01" , after 1733–1734 , data-sort-value="Notebook A. M. Bach (1725) No. 20b , ''Notebook A. M. Bach'' (1725) No. 20b: aria "So oft ich meine Tobackspfeife" , G min. , V Bc , data-sort-value="000.43 2: 034" , 43²: 34
39: 309 , data-sort-value="V/04: 098" , V/4: 98 , data-sort-value="after BWV 0515" , after

BWV 515 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Key ...

, , - style="background: #F5F6CE;" , data-sort-value="0516.000" , 516 , data-sort-value="309.011" , 6. , data-sort-value="1735-07-01" , after 1733–1734 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 33 , ''Notebook A. M. Bach'' (1725) No. 33: aria "Warum betrübst du dich" , , V Bc , data-sort-value="000.43 2: 046" , 43²: 46
39: 307 , data-sort-value="V/04: 121" , V/4: 121 , , , - style="background: #F5F6CE;" , data-sort-value="0517.000" , 517 , data-sort-value="309.012" , 6. , data-sort-value="1735-07-01" , after 1733–1734 (AMB) , data-sort-value="Notebook A. M. Bach (1725) No. 40 , ''Notebook A. M. Bach'' (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" , , V Bc , data-sort-value="000.43 2: 051" , 43²: 51
39: 307 , data-sort-value="V/04: 128" , V/4: 128 , text by , , - , data-sort-value="0518.000" , 518 , data-sort-value="309.013" , 6. , data-sort-value="1738-12-31" , after 1725 , data-sort-value="Notebook A. M. Bach (1725) No. 37 , ''Notebook A. M. Bach'' (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" , , V Bc , data-sort-value="000.43 2: 049" , 43²: 49
39: 311 , data-sort-value="V/04: 126" , V/4: 126 , , , - style="background: #F6E3CE;" , data-sort-value="0519.000" , 519 , data-sort-value="310.002" , 6. , data-sort-value="1736-07-01" , 1736? , Five Hymns fro
SBB Bach ''P 802''
No. 1: "Hier lieg ich nun, o Vater aller Gnaden" , , V Bc , , , by Krebs, J. L.?; in Spitta III
pp. 401–403
, , - style="background: #F6E3CE;" , data-sort-value="0520.000" , 520 , data-sort-value="310.003" , 6. , data-sort-value="1736-07-01" , 1736? , Five Hymns fro
SBB Bach ''P 802''
No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" , , V Bc , , , by Krebs, J. L.?; in Spitta III
pp. 401–403
, , - style="background: #F6E3CE;" , data-sort-value="0521.000" , 521 , data-sort-value="310.004" , 6. , data-sort-value="1736-07-01" , 1736? , Five Hymns fro
SBB Bach ''P 802''
No. 3: "Gott, mein Herz dir Dank zusendet" , , V , , data-sort-value="III/03: 000" , III/3 , by Krebs, J. L.?; in Spitta III
pp. 401–403
, , - style="background: #F6E3CE;" , data-sort-value="0522.000" , 522 , data-sort-value="310.005" , 6. , data-sort-value="1736-07-01" , 1736? , Five Hymns fro
SBB Bach ''P 802''
No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" , , V , , , by Krebs, J. L.?; in Spitta III
pp. 401–403
, , - style="background: #F6E3CE;" , data-sort-value="0523.000" , 523 , data-sort-value="310.006" , 6. , data-sort-value="1736-07-01" , 1736? , Five Hymns fro
SBB Bach ''P 802''
No. 5: "Ich gnüge mich an meinem Stande" , , V , , , by Krebs, J. L.?; in Spitta III
pp. 401–403
, , - style="background: #E3F6CE;" , data-sort-value="0524.000" , 524 , data-sort-value="310.007" , 6. , data-sort-value="1707-09-15" , 1707 – July 1708 ,

(incomplete; wedding?) , , data-sort-value="SATB Bc" , SATB (SBBB) Bc , data-sort-value="000.82 2: 000" , NBG 32² , data-sort-value="I/41: 069" , I/41: 69 , ,

Sacred songs and arias from ''Schemelli's Songbook'' (BWV 439–507)

Musicalisches Gesang-Buch (Schemelli, Leipzig 1736)

The

hymnal A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). Hymnals are used in congregational singing. A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Chr ...

or song book known as

Schemellis Gesangbuch Schemellis Gesangbuch (Schemelli's hymnal) is the common name of a collection of sacred songs titled ''Musicalisches Gesang-Buch'' (Musical song book) published in Leipzig in 1736 by Georg Christian Schemelli, to which Johann Sebastian Bach contri ...

, published 1736 in Leipzig by Georg Christian Schemelli, contained 954 hymns; Georg Christian Schemelli, editor; Johann Sebastian Bach, composer and arranger
''Musicalisches Gesang-Buch, darinnen 954 geistreiche, sowohl alte als neue Lieder und Arien, mit wohlgesetzten Melodien, in Discont und Baß, befindlich sind: Vornehmlich denen Evangelischen Gemeinen im Stifte, Naumburg-Zeitz gewidmet''.
Leipzig: Bernhard Christoph Breitkopf, 1736 69 of these, listed here, were accompanied by a melody and a

figured bass Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsi ...

. * BWV 439 – Ach, dass nicht die letzte Stunde * BWV 440 – Auf, auf! die rechte Zeit ist hier * BWV 441 – * BWV 442 – Beglückter Stand getreuer Seelen * BWV 443 – Beschränkt, ihr Weisen dieser Welt * BWV 444 – Brich entzwei, mein armes Herze * BWV 445 – Brunnquell aller Güter * BWV 446 – Der lieben Sonnen Licht und Pracht * BWV 447 – Der Tag ist hin, die Sonne gehet nieder * BWV 448 – Der Tag mit seinem Lichte * BWV 449 – Dich bet' ich an, mein höchster Gott * BWV 450 – Die bittre Leidenszeit beginnet abermal * BWV 451 –

Die güldne Sonne voll Freud und Wonne "Die güldne Sonne voll Freud und Wonne" (The golden sun full of joy and delight) is a Lutheran hymn by Paul Gerhardt. It is a morning hymn which was first published in 1666, with a four-part setting by Johann Georg Ebeling. Gerhardt created an ...

* BWV 452 – Dir, dir Jehovah, will ich singen * BWV 453 – Eins ist Not! ach Herr, dies Eine * BWV 454 –

Ermuntre dich, mein schwacher Geist "Ermuntre dich, mein schwacher Geist" is a German Christmas carol with lyrics by Johann Rist and a melody by Johann Schop, first published in 1641. Historically it was contained in Protestant hymnals, but the current one, '' Evangelisches Gesangb ...

* BWV 455 – Erwürgtes Lamm, das die verwahrten Siegel * BWV 456 – Es glänzet der Christen * BWV 457 – Es ist nun aus mit meinem Leben * BWV 458 – Es ist vollbracht! vergiss ja nicht * BWV 459 – Es kostet viel, ein Christ zu sein * BWV 460 – Gib dich zufrieden und sei stille * BWV 461 – Gott lebet noch; Seele, was verzagst du doch? * BWV 462 – Gott, wie groß ist deine Güte * BWV 463 – Herr, nicht schicke deine Rache * BWV 464 – Ich bin ja, Herr, in deiner Macht * BWV 465 – Ich freue mich in dir * BWV 466 – Ich halte treulich still und liebe * BWV 467 – Ich lass' dich nicht * BWV 468 – Ich liebe Jesum alle Stund' * BWV 469 – Ich steh' an deiner Krippen hier * BWV 470 – Jesu, Jesu, du bist mein * BWV 471 – Jesu, deine Liebeswunden * BWV 472 – Jesu, meines Glaubens Zier * BWV 473 – Jesu, meines Herzens Freud * BWV 474 – Jesus ist das schönste Licht * BWV 475 – Jesus, unser Trost und Leben * BWV 476 – Ihr Gestirn', ihr hohen Lufte * BWV 477 – Kein Stündlein geht dahin * BWV 478 – Komm, süßer Tod, komm, selge Ruh * BWV 479 – Kommt, Seelen, dieser Tag * BWV 480 – Kommt wieder aus der finstern Gruft * BWV 481 – Lasset uns mit Jesu ziehen * BWV 482 – Liebes Herz, bedenke doch * BWV 483 – Liebster Gott, wann werd' ich sterben? * BWV 484 – Liebster Herr Jesu! wo bleibest du so lange? * BWV 485 – Liebster Immanuel, Herzog der Frommen * BWV 486 – Mein Jesu, dem die Seraphinen * BWV 487 – Mein Jesu! was für Seelenweh * BWV 488 – Meines Lebens letzte Zeit * BWV 489 – Nicht so traurig, nicht so sehr * BWV 490 – Nur mein Jesus ist mein Leben * BWV 491 – O du Liebe meiner Liebe * BWV 492 – O finstre Nacht * BWV 493 – O Jesulein süß, o Jesulein mild * BWV 494 – O liebe Seele, zieh' die Sinnen * BWV 495 – O wie selig seid ihr doch, ihr Frommen * BWV 496 – Seelen-Bräutigam, Jesu, Gottes Lamm * BWV 497 – Seelenweide, meine Freude * BWV 498 – Selig, wer an Jesum denkt * BWV 499 – Sei gegrüßet, Jesu gütig * BWV 500 – So gehst du nun, mein Jesu, hin * BWV 501 – So giebst du nun, mein Jesu, gute Nacht * BWV 502 – So wünsch' ich mir zu guter Letzt * BWV 503 – Steh' ich bei meinem Gott * BWV 504 – Vergiss mein nicht, dass ich dein nicht * BWV 505 – Vergiss mein nicht, vergiss mein nicht * BWV 506 – Was bist du doch, o Seele, so betrübet * BWV 507 – Wo ist mein Schäflein, das ich liebe

Songs and arias from the second ''Notebook for Anna Magdalena Bach'' (BWV 508–518)

BWV 508 "" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera ''Diomedes'', which was first staged on 16 November 1718. The aria is best known as "," BWV 508, a version for voice and continuo found as No. 25 in t ...

–

(on a melody by Gottfried Heinrich Stölzel) *

BWV 509 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

– Gedenke doch, mein Geist, aria * BWV 510 – Gib dich zufrieden, chorale *

– Gib dich zufrieden, chorale *

– Gib dich zufrieden, chorale * BWV 513 – O Ewigkeit, du Donnerwort, chorale *

BWV 514 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

– Schaffs mit mir, Gott, chorale *

– So oft ich meine Tobackspfeife, aria *

– So oft ich meine Tobackspfeife *

BWV 516 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. ...

– Warum betrübst du dich, aria * BWV 517 – Wie wohl ist mir, o Freund der Seelen *

BWV 518 The title ''Notebook for Anna Magdalena Bach'' (german: Notenbüchlein für Anna Magdalena Bach) refers to either of two manuscript notebooks that the German Baroque composer Johann Sebastian Bach presented to his second wife, Anna Magdalena. Key ...

– Willst du dein Herz mir schenken

Five hymns from a manuscript by Johann Ludwig Krebs (BWV 519–523)

' are five hymns as collected by

Johann Ludwig Krebs Johann Ludwig Krebs (baptized 12 October 1713 – 1 January 1780) was a German Baroque musician and composer for the pipe organ, harpsichord, other instruments and orchestras. His output also included chamber music, choral works and concertos. ...

(1713–1780) and published by

Breitkopf & Härtel Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on ...

in 1917. * BWV 519 – Hier lieg ich nun * BWV 520 – Das walt' mein Gott * BWV 521 – Gott mein Herz dir Dank * BWV 522 – Meine Seele, lass es gehen * BWV 523 – Ich gnüge mich an meinem Stande

Quodlibet (BWV 524)

* BWV 524 – Wedding Quodlibet (fragment)

Added to the BWV catalogue in the 21st century (BWV 1127)

* BWV 1127 – " Alles mit Gott und nichts ohn' ihn" (

strophic Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, ...

aria composed in Weimar in 1713, rediscovered in 2005)

Doubtful works from BWV Anh. II (BWV Anh. 32–41)

BWV Anh. II lists eight songs in

Christian Hofmann von Hofmannswaldau Christian Hoffmann von Hoffmannswaldau (baptised 25 December 1616 – 4 April 1679) was a German poet of the Baroque era. He was born and died in Breslau (Wrocław) in Silesia. During his education in Danzig (Gdańsk) and Leiden, he befrien ...

's ''Deutsche Übersetzungen und Gedichte'' and two in

Sperontes Johann Sigismund Scholze alias Sperontes (20 March 1705 in Lobendau bei Liegnitz (today Lubiatów near Złotoryja) 28 September 1750 in Leipzig) was a Silesian music anthologist and poet. Life Little is known about the life of Scholze. He was ...

' ''Singende Muse an der Pleiße'' as possibly composed by Bach.

From ''Deutsche Übersetzungen und Gedichte''

* BWV Anh. 32 – Sacred Song "Getrost mein Geist, wenn Wind und Wetter krachen" (doubtful) * BWV Anh. 33 – Sacred song "Mein Jesus, spare nicht" (doubtful) * BWV Anh. 34 – Sacred Song "Kann ich mit einem Tone" (doubtful) * BWV Anh. 35 – Sacred Song "Meine Seele lass die Flügel" (doubtful) * BWV Anh. 36 – Sacred song "Ich stimm' itzund ein Straff-Lied an" (doubtful) * BWV Anh. 37 – Sacred song "Der schwarze Flügel trüber Nacht" (doubtful) * BWV Anh. 38 – Sacred song "Das Finsterniß tritt ein" (doubtful) * BWV Anh. 39 – Song "Ach was wollt ihr trüben Sinnen" (doubtful)

From ''Singende Muse an der Pleiße''

* BWV Anh. 40 – Song (Text lost; doubtful) * BWV Anh. 41 – Song (doubtful)

Spurious work from BWV Anh. III (BWV Anh. 158)

* BWV Anh. 158 – Aria "Andro dall' colle al prato", by

Johann Christian Bach Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for several years, Bach move ...

Other BWV numbers referring to a single aria

In the

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Stölzel, Telemann, Graupn ...

range of BWV numbers (BWV 1–200): *

BWV 53 The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a ...

– "Schlage doch, gewünschte Stunde" (probably spurious, by Melchior Hoffmann) *

BWV 200 ''Bekennen will ich seinen Namen'' (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of an aria from Gottfried Heinrich Stölzel's passion-oratorio '' Die leidende und am Kreuz sterbende Liebe''. He scored it for ...

– "Bekennen will ich seinen Namen" (based on an aria included in ''Ein Lämmlein geht und trägt die Schuld'', a passion-oratorio by Gottfried Heinrich Stölzel)

References

External links

*
Schemellis Gesangbuch BWV 439–507
with scores and videos for each song
(MP3) Bach Solo Songs, 27 November 2016: Devotional songs, as well as their counterparts in chorus, and classic Bach instrumentals
a
lottelehmannleague.org/singing-sins-archive
(

Hawaii Public Radio Hawaiʻi Public Radio (HPR), is a network of commercial and listener-supported stations broadcasting two streams on fifteen frequencies across the state of Hawaii. It is the statewide member of National Public Radio (NPR). The stations originate ...

broadcast) {{Johann Sebastian Bach

Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the ''Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wor ...

Songs and Arias by Johann Sebastian Bach, List of