Lateralus (song)
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"Lateralus" is a song by American
progressive metal Progressive metal (sometimes shortened to prog metal) is a broad :Fusion music genres, fusion music genre melding heavy metal music, heavy metal and progressive rock, combining the loud "aggression" and amplified electric guitar, guitar-driven s ...
band
Tool A tool is an object that can extend an individual's ability to modify features of the surrounding environment or help them accomplish a particular task. Although many animals use simple tools, only human beings, whose use of stone tools dates ba ...
. The song is the third single and title track of their third studio album ''
Lateralus ''Lateralus'' () is the third studio album by American rock band Tool. It was released on May 15, 2001, through Volcano Entertainment. The album was recorded at Cello Studios in Hollywood and The Hook, Big Empty Space, and The Lodge, in North ...
''.


Overview and background

The song is known for its distinct
time signatures The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...
and corresponding lyrical patterns. The time signatures of the chorus of the song change from 9/8 to 8/8 to 7/8; as drummer
Danny Carey Daniel Edwin Carey (born May 10, 1961) is an American musician and songwriter. He is the drummer for the American rock band Tool. He has also contributed to albums by artists such as Zaum, Green Jellö, Pigface, Skinny Puppy, Adrian Belew, Carol ...
says, "It was originally titled 9-8-7. For the time signatures. Then it turned out that 987 was the 16th number of the
Fibonacci sequence In mathematics, the Fibonacci numbers, commonly denoted , form a integer sequence, sequence, the Fibonacci sequence, in which each number is the sum of the two preceding ones. The sequence commonly starts from 0 and 1, although some authors start ...
. So that was cool."


Interpretation

In a 2001 interview, singer
Maynard James Keenan Maynard James Keenan (born James Herbert Keenan; April 17, 1964) is an American singer, songwriter, record producer, actor, and winemaker. He is best known as the singer and primary lyricist of the rock bands Tool, A Perfect Circle, and Pusci ...
commented on the lyric mentioning black, white, red and yellow: "I use the archetype stories of North American aboriginals and the themes or colors which appear over and over again in the oral stories handed down through generations. Black, white, red, and yellow play very heavily in aboriginal stories of creation." The line " As below so above and beyond, I imagine" is a reference to
Hermeticism Hermeticism, or Hermetism, is a philosophical system that is primarily based on the purported teachings of Hermes Trismegistus (a legendary Hellenistic combination of the Greek god Hermes and the Egyptian god Thoth). These teachings are containe ...
and the ''
Emerald Tablet The ''Emerald Tablet'', also known as the ''Smaragdine Tablet'' or the ''Tabula Smaragdina'' (Latin, from the Arabic: , ''Lawḥ al-zumurrudh''), is a compact and cryptic Hermetic text. It was highly regarded by Islamic and European alchemists a ...
''.


Mathematical significance

In July 2017, Maynard's friend
Joe Rogan Joseph James Rogan (born August 11, 1967) is an American UFC The Ultimate Fighting Championship (UFC) is an American mixed martial arts (MMA) promotion company based in Las Vegas, Nevada. It is owned and operated by Zuffa, a wholly ...
described his writing process in his podcast; "He wrote a song to the Fibonacci sequence. The Fibonacci sequence is a mathematical sequence. It starts from one, the next number is one, and the next number being two, creates the 2+1 which is three, continuing in this mathematical progression. That's how they found the chord progression. It began linking up to the Fibonacci sequence." The syllables Maynard sings in the first verse follow the first six numbers in the pattern, ascending and descending in the sequence 1-1-2-3-5-8-5-3. "Black (1), then (1), white are (2), all I see (3), in my infancy (5). Red and yellow then came to be (8), reaching out to me (5). Lets me see (3)." In the next verse, Maynard begins with the seventh number of the Fibonacci sequence (13), implying a missing verse in between. He descends back down with the following pattern; 13-8-5-3. "As below so above and beyond I imagine (13). Drawn beyond the lines of reason (8). Push the envelope (5). Watch it bend (3)." The second verse adds the missing line to complete the sequence; "There is (2), so (1), much (1), more that (2), beckons me (3), to look through to these (5), infinite possibilities (8)." 1-1-2-3-5-8-5-3-2-1-1-2-3-5-8-13-8-5-3.


Reception

''
Loudwire ''Loudwire'' is an American online media magazine that covers news of hard rock and heavy metal artists. It is owned by media and entertainment business Townsquare Media. Since its launch in August of 2011, ''Loudwire'' has secured exclusive ...
'' listed "Lateralus" as number one on their list of the Top 50 Metal Songs of the 21st Century.Hartmann, Graham
"No. 1: Tool, 'Lateralus' – Top 21st Century Metal Songs"
''
Loudwire ''Loudwire'' is an American online media magazine that covers news of hard rock and heavy metal artists. It is owned by media and entertainment business Townsquare Media. Since its launch in August of 2011, ''Loudwire'' has secured exclusive ...
''. Retrieved on 05 September 2012.


Chart performance


References

{{authority control 2001 singles Tool (band) songs Volcano Entertainment singles 2001 songs Songs written by Maynard James Keenan Songs written by Danny Carey Songs written by Justin Chancellor Songs written by Adam Jones (musician)