History
The New Oxford Theatre was designed by architect Samuel B. Rosenthal and constructed by E.A. Allwood. Rosenthal was a significant architect in Western Australia in the inter-war period, known primarily for his cinema designs. The New Oxford Theatre was opened in March 1927 by the Minister for Works, Mr. Alex C. McCallum, before a capacity audience of 1,286. The opening programme included vaudeville, music by the New Oxford Orchestra, a short play, some comedy, and a special appearance by Miss Australia, Beryl Mills. Its first managers were William Bellion and Mr Cunningham. Silent movies were originally shown to the accompaniment of a piano or organ. During a second anniversary screening in 1929, hundreds were turned away because there were no seats left. This was the first suburban theatre to install sound, which was installed in September 1929. A 3,000 seat picture garden was opened on the southern corner of the same intersection in 1935, the largest of its kind at the time, and was named 'New Oxford Beautiful'. As time went on, the gardens capacity shrunk to just under 2,000. The theatre was then owned by the Ampol Oil Company and Ralph Stewart was the operator until August 1959. Evelyn and Bob Manorgan owned the theatre from 1959 to October 1966. The picture gardens closed in 1964 and an Ampol service station was built on the site by the owners. After Ampol sold it, the theatre was closed for two months in 1966 and then re-opened as the 'Nickelodeon'. Then in 1972 it was renamed the 'Olympia' and for the next seven years showed mainly Greek and Italian films, reflecting the changing local community. Cyril Watson was the next to take over the lease of the theatre in Oxford Street and together with partner Roger Hunt and his wife Christine, they upgraded the theatre. It then re-opened as the 'New Oxford' on 18 August 1979 showing family-type films. The response was not as good as expected and Watson tried 'R'-rated films to boost attendances. This had the desired effect and new fittings and carpets were purchased. A coffee bar was also opened upstairs. In 1981 a new roof was installed and a large 13-metre screen, new projection equipment and new seating were purchased. The coffee bar and upstairs lounge were turned into a small cinema, which seated around 150 people and it was named 'Star Theatre'. In 1980, the cinema underwent a renovation and two years later, the lounge was converted into a second cinema. Watson began providing live music on Sunday afternoons and it was around that time that he was offered ''Architectural character
The Luna Leederville is a representative example of a suburban cinema in the Interwar Art Deco style. The two storey facade is embellished with stucco decoration. Its façade is styled in Art Deco rather than the moderne used in theatres of a similar period such as the Astor,Heritage value
The Luna Leederville was included on the Town of Vincent's Municipal Heritage Inventory in November 1995 and is listed in the Town's Town Planning Scheme The building is not currently listed on the State Register of Heritage Places, but is recommended to be included on the register and is currently awaiting determination by theFurther reading
* ''A Pictorial Guide to Identifying Australian Architecture: Styles and Terms from 1788 to the Present'' Apperly, R., Irving, R. and Reynolds (1989) North Ryde, Angus and Robertson * ''Perth: A Cinema History'' Bell, M.D (1986) Sussex, The Book Guild Ltd * ''Essays on Art and Architecture in Western Australia'' Geneve, V. ` William Thomas Leighton: Cinema Architect of the 1930s` in Bromfield, D. (ed.) 1988, University of Western Australia Press, Nedlands * ''Pioneer Modernist architect'', Geneve, V. 'Samuel Rosenthal (1888–1967)' in Art Deco Society Newsletter, March 1992References
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