Luis de Riaño (1596–c. 1667) was a Peruvian

criollo Criollo or criolla (Spanish for creole) may refer to: People * Criollo people, a social class in the Spanish race-based colonial caste system (the European descendants) Animals * Criollo duck, a species of duck native to Central and South Ameri ...

painter, active in the 17th-century. His work is an important representation of

Cusco School The Cusco School (''Escuela cuzqueña'') or Cuzco School, was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries. It was not limited to ...

, the Peruvian colonial painting style.

Biography

Luis de Riaño was born in 1596 in

Lima Lima ( ; ), originally founded as Ciudad de Los Reyes (City of The Kings) is the capital and the largest city of Peru. It is located in the valleys of the Chillón, Rímac and Lurín Rivers, in the desert zone of the central coastal part of ...

Viceroyalty of Peru The Viceroyalty of Peru ( es, Virreinato del Perú, links=no) was a Spanish imperial provincial administrative district, created in 1542, that originally contained modern-day Peru and most of the Spanish Empire in South America, governed fro ...

. He was the son of Ana de Cáceres, and Spanish captain Juan de Riaño. He studied

Counter-Maniera Counter-''Maniera'' or Counter-Mannerism (variously capitalized and part-italicized) is a term in art history for a trend identified by some art historians in 16th-century Italian painting that forms a sub-category or phase of Mannerism, the dom ...

style painting under

Angelino Medoro Angelino Medoro (1567–1631) was an Italian painter during the 17th-century, active in Latin America. His work in the Viceroyalty of Peru was greatly influential on the Cuzco School art movement. Biography Angelino Medoro was born in 1567 in p ...

from 1611 to 1618. Another student of Medoro who started a few years earlier in 1604 was Pedro de Loayza, an Indigenous Andean painter. Medoro's painting "Inmaculada Concepción" (1618) in Lima was copied by de Riaño at the Recoleta Monastery in Cusco. De Riaño is best known for his frescos painted in the 1620s at the Church of San Pedro de Andahuaylillas in the Andahuaylillas District in Cusco, nicknamed the "Sistine Chapel of the Americas". The painting depicts the roads to heaven and to hell. He remained an active painter until the 1640s. He is thought to have had financial problems later in life. He died after 1667.

Works

* ''Inmaculada Concepción'', Recoleta Monastery (), Cusco * Various frescos, paintings, and murals, Church of San Pedro de Andahuaylillas (), Cusco ** ''Bautismo de Cristo'', Church of San Pedro de Andahuaylillas (), Cusco ** ''San Miguel arcángel'', Church of San Pedro de Andahuaylillas (), Cusco ** Four canvases related to the life of Saint Peter, Church of San Pedro de Andahuaylillas (), Cusco ** Two canvases related to the life of Saint Paul, Church of San Pedro de Andahuaylillas (), Cusco * ''Inmaculada'' (1638), , Cusco * ''Santa Catalina de Alejandría'', private collection, Cusco * ''Anunciación de la Virgen por Arcángel Miguel'' (1632), Museo Pedro de Osma, Lima * ''Los desposorios de la Virgen'' * ''Bautismo de Cristo''

References

{{DEFAULTSORT:Riaño, Luis de 1596 births Peruvian painters 17th-century Peruvian people People from Lima Cusco School