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Lucia Cormani was a 19th and early 20th-century Italian
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
dancer and one of the founders of the
Royal Academy of Dance "Health and happiness" , predecessor = , successor = , formation = 1920 , extinction = , type = NGO , status = Registered charity , purpose = Examination board – dance education and training , headquarters = 36 Battersea SquareSW11 3 ...
. Lucia's life is not well documented, in part because she never danced in the most famous female roles. She was probably born about 1854 and died shortly after 1934. Her name appears on posters of ballet performances in
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,
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,
St Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
,
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,
Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- mo ...
(1883) and
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(1884). In 1889 she appeared as the Premiere Danseuse Assoluta in ''Cinderella; Or, Ladybird, Ladybird, Fly Away Home'' at Her Majesty's Theatre, Londo

and in 1900 she danced the role of Canio in a Metropolitan Opera production of Pagliacci (Philadelphia

Because of her tall muscular frame, Lucia was several times cast as a "travesty dancer" (a woman dressed as a man) -- for example as a male pirate chief in the ballet "Algeria" in 1887, and as a sorcerer in "Enchantment." Such roles were sometimes added for effect in ballets without being properly integrated into the plot. Lucia's greatest success was as a
choreographer Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who cr ...
from about 1893 to 1911. In 1903 she choreographed a production of ''
Carmen ''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first perfo ...
'' for the
Alhambra Theatre The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts opening on 18 March 1854. It was closed after two yea ...
in London. She also taught, using the stage of the Alhambra since she had no studio of her own. In 1920, she collaborated with four other great dancers --
Adeline Genée Dame Adeline Genée DBE (born Anina Kirstina Margarete Petra Jensen; 6 January 1878  – 23 April 1970) was a Danish-British ballet dancer. Early years Anina Kirstina Margarete Petra Jensen was born in Hinnerup north of Aarhus, Denmark. ...
,
Tamara Karsavina Tamara Platonovna Karsavina (russian: Тамара Платоновна Карсавина; 10 March 1885 – 26 May 1978) was a Russian prima ballerina, renowned for her beauty, who was a principal artist of the Imperial Russian Ballet and lat ...
,
Edouard Espinosa Edouard Espinosa (1871–1950) was a British ballet dancer and teacher. He was also the co-founder of the Royal Academy of Dancing and established the British Ballet Organization. Personal life Espinosa was born in Moscow in 1872 to Spanish Jew ...
, and
Phyllis Bedells Phyllis Bedells (9 August 1893 – 2 May 1985) was a British ballerina and dance teacher. Early life Ethel Phyllis Bedells was born in Knowle, Bristol. Her father was a clerk for the Bristol Gas Company; both parents were musical. Her fat ...
—to form the Association of Teachers of Operatic Dancing, which was later to become the Royal Academy of Dance. Between them, the five represented the principal dance training methods of the time - Genée the Danish school, Karsavina the Russian school, Cormani the Italian school, Espinosa the French school, and Bedells the English school. In 1923 the Association began a series of Annual Matinées; ten of Cormani's students participated in the premier performance, dancing a tarantella. Her collected letters are in the London Theatre Museum and there are dozens of photographs of Cormani in the
National Portrait Gallery National Portrait Gallery may refer to: *National Portrait Gallery (Australia), in Canberra *National Portrait Gallery (Sweden), in Mariefred *National Portrait Gallery (United States), in Washington, D.C. *National Portrait Gallery, London, with s ...
.


References


Cinderalla bibliographyOpera in Philadelphia (pdf)
Italian ballerinas Ballet choreographers Italian choreographers 19th-century Italian ballet dancers 1850s births 1930s deaths Year of birth uncertain Year of death uncertain {{Dance-bio-stub