Loÿs Delteil
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Henri Loÿs Delteil, also known as Léo Delteil (7 May 1869,
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...
– 11 November 1927, Paris) was a French engraver,
lithographer Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...
, illustrator, and
art historian Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today ...
.


Biography

His father was a librarian. He began as a student of the sculptor and engraver, François Théodore Devaulx. At the age of thirteen, he started collecting prints, with advice from the print merchant, Victor Prouté (1854–1918). At sixteen, he became an apprentice to the lithographer, Charles Pipard (1832–1916), as well as learning engraving techniques from, among others,
Henri Boutet Henri Boutet is a French engraver and illustrator. He was born in Sainte-Hermine (Vendée) in 1851, and died in Paris on 9 June 1919. He was nicknamed the "little master of corset" or the "painter of the midinette" Biography Boutet specializ ...
. In 1889, he held his first exhibition of etchings at the
Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ...
, and would continue to have regular showings there until 1913.René Édouard-Joseph, ''Dictionnaire biographique des artistes contemporains'', Vol.1, A-E, Art & Édition, 1930, pg.380 During his military service, from 1889 to 1892, he wrote some occasional articles about engravers; mostly in defense of his contemporaries, and critical of the government, which appeared to have little interest in acquiring prints. To ensure his future livelihood, he consulted with the relevant merchants and wrote their catalogues. In 1895, he founded a magazine, ''L'Estampe Moderne'', featuring prints from amateurs as well as professionals, but it folded after only five issues. This was during a time when photographic means of reproduction were replacing traditional engraving. In 1897, he founded a society for artists, "La Liane", which focused on prints created with manual processes, and organized exhibitions.Brief article on "La Liane"
from ''L'Estampe et l'affiche'', October 1897, pg.15 @ the International Advertising & Design DataBase He also joined the editorial staff at ', a neo-traditionalist magazine, founded by
André Mellerio André Mellerio (1862–1943)"Mellerio, André." ''Grove Art Online, Oxford Art Online'', Oxford University Press. Retrieved 18 June 2014. was a French art critic who promoted the cause of Symbolism and "idealist" art and appeared in two p ...
and
Noël Clément-Janin Hilaire Noël Sébastien Clément, known as Clément-Janin (1862–1947) was a French writer and art critic, specializing in the modern history of printmaking. Biography His father, Michel-Hilaire Clément (1831–1885), was the author of sever ...
. Later, during the 1920s, he collaborated with ', a similar magazine edited by the engraver,
Pierre Gusman Pierre Gustave Adolphe Gusman, born Gusmand (6 December 1862, Paris18 December 1941, Grosrouvre) was a French engraver, illustrator, and art historian, specializing in wood engraving techniques and Roman architecture. Biography He was born to th ...
. He was awarded a bronze medal at the Exposition Universelle of 1900. In 1906, the income he had earned as a professional consultant enabled him to publish an
historiographic Historiography is the study of the methods of historians in developing history as an academic discipline, and by extension is any body of historical work on a particular subject. The historiography of a specific topic covers how historians hav ...
inventory series, ''Le Peintre-graveur illustré'', which he produced until his death.


References


Further reading

* Blandine Bouret, "L'Estampe moderne de Loÿs Delteil", In: ''Nouvelles de l'estampe'', #96, December 1987, pp.4-12 *
Le peintre-graveur illustré
' – Loÿs Delteil (31 vols., 1906–1926 Paris)


External links



by Sophie Bobet-Mezzasalma @ the Institut National d'Histoire de l'Art __NOTOC__ French engravers French lithographic artists French art historians 1869 births 1927 deaths 19th-century engravers 20th-century engravers French male non-fiction writers 20th-century French printmakers {{France-engraver-stub