Love And The Maiden
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''Love and the Maiden'' is an
oil painting Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
(previously mistaken for
tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
) on canvas by English
Pre-Raphaelite The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James ...
artist
John Roddam Spencer Stanhope John Roddam Spencer Stanhope (20 January 1829 – 2 August 1908) was an English artist associated with Edward Burne-Jones and George Frederic Watts and often regarded as a second-wave pre-Raphaelite. His work is also studied within the context o ...
(executed in 1877) that is currently housed at the
Fine Arts Museums of San Francisco The Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in the city of San Francisco. The permanent collection of the ...
.


History

Known as one of the "second-generation" of
Pre-Raphaelites The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James ...
, Stanhope was among
Dante Gabriel Rossetti Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhoo ...
's mural-painting party at the
Oxford Union The Oxford Union Society, commonly referred to simply as the Oxford Union, is a debating society in the city of Oxford England, whose membership is drawn primarily from the University of Oxford. Founded in 1823, it is one of Britain's oldest ...
in 1857, together with Arthur Hughes, John Hungerford Pollen,
Valentine Prinsep Valentine Cameron "Val" Prinsep (14 February 18384 November 1904) was a British painter of the Pre-Raphaelite school. Early life Born in Calcutta, India, he was the second child of Henry Thoby Prinsep, a civil servant of the British Raj, and ...
,
Edward Burne-Jones Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hun ...
and
William Morris William Morris (24 March 1834 – 3 October 1896) was a British textile designer, poet, artist, novelist, architectural conservationist, printer, translator and socialist activist associated with the British Arts and Crafts Movement. He ...
. He was a founder member of the
Hogarth Club The Hogarth Club was an exhibition society of artists, based at 84 Charlotte Street, Fitzrovia, London, UK, which existed between 1858 and 1861. It was founded by former members of the Pre-Raphaelite Brotherhood after the original PRB had been d ...
, a direct descendant of the
Pre-Raphaelite Brotherhood The Pre-Raphaelite Brotherhood (later known as the Pre-Raphaelites) was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James ...
. This painting is considered one of Stanhope's best, and represents two radically different artistic phases of his life. Although he began as fervently Pre-Raphaelite in outlook, Stanhope was deeply attracted by the
Aesthetic movement Aestheticism (also the Aesthetic movement) was an art movement in the late 19th century which privileged the aesthetic value of literature, music and the arts over their socio-political functions. According to Aestheticism, art should be prod ...
during the 1860s. ''Love and the Maiden'' is a succinct mingling of these two equally formative phases in his career. Its presence in the 1877 exhibition at the
Grosvenor Gallery The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided ...
Aestheticism Aestheticism (also the Aesthetic movement) was an art movement in the late 19th century which privileged the aesthetic value of literature, music and the arts over their socio-political functions. According to Aestheticism, art should be pro ...
's most famous exposé — demonstrates his adherence to the latter movement, whereas the painting's similarity to the work of
Edward Burne-Jones Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hun ...
and
Dante Gabriel Rossetti Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhoo ...
- the group of dancing women in the background are similar to those portrayed by Rossetti in ''The Bower Meadow'' (1871–72) - betray Stanhope's Pre-Raphaelite background. During his time in
Oxford Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ...
in 1857, Stanhope wrote that he spent most days painting with
Burne-Jones The Burne-Jones Baronetcy, of Rottingdean in the County of Sussex, and of The Grange in the Parish of Fulham in the County of London, was a title in the Baronetage of the United Kingdom. It was created on 4 May 1894 for the artist and designer ...
; possibly as a result of this, a great deal of Burne-Jones' influence can be seen in his work - although it could be argued that Burne-Jones also drew ideas from Stanhope's work. The
androgynous Androgyny is the possession of both masculine and feminine characteristics. Androgyny may be expressed with regard to biological sex, gender identity, or gender expression. When ''androgyny'' refers to mixed biological sex characteristics i ...
physiques, Grecian-style draperies and facial expressions depicted in ''Love and the Maiden'' are classic Burne-Jones hallmarks, even though the facial similarities probably also arose from use of the same models.T. Hilto, ''The Pre-Raphelites'', Thames and Hudson (1970).


See also

*
English art English art is the body of visual arts made in England. England has Europe's earliest and northernmost ice-age cave art. Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Sax ...
*
List of Pre-Raphaelite paintings This is a list of paintings produced by members of the Pre-Raphaelite Brotherhood and other artists associated with the Pre-Raphaelite style. The term "Pre-Raphaelite" is used here in a loose and inclusive fashion. PRB members James Collinson ...


References


Further reading

* Hilto, Timoth, ''The Pre-Raphelites'', Thames and Hudson (1970). * Robinson, Michael, ''The Pre-Raphaelites'', Flame Tree Publishing (2007). * Todd, Pamela, ''Pre-Raphaelites at Home'', Watson-Giptill Publications, (2001).


External links


''Art sales: Stanhope's maiden tells a tale'' article on The Telegraph
27 January 2003

(Victorian Art in Britain)
John Roddam Spencer Stanhope by Lewis Carroll (National Portrait Gallery)
{{DEFAULTSORT:Love and the Maiden Pre-Raphaelite paintings 1877 paintings Paintings in the Fine Arts Museums of San Francisco Dance in art