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Louis Royer (1793–1868), also Lodewyk Royer, was a Flemish
sculptor Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...
who worked in the Netherlands where he received many commissions from the royal family and for public statues.


Life


Apprenticeship

He was born in
Mechelen Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical contex ...
where he first studied at the local Academy and from 1810 in the studio of Jan Frans van Geel. After studying in Paris for a year, he went to live in Amsterdam in 1820. At the time what is now Belgium and the Netherlands were united in one kingdom under the rule of the Dutch. In 1823 he was the first sculptor to win the Dutch version of the Dutch Prix de Rome, a prize that was re-instituted by King William I in 1817.Louis Royer
at Hadrianus
Louis Royer
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
The Prix allowed Royer to study in
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
where he came under classicist influences. He worked in an area close to the
Spanish Steps The Spanish Steps ( it, Scalinata di Trinità dei Monti) in Rome, Italy, climb a steep slope between the Piazza di Spagna at the base and Piazza Trinità dei Monti, dominated by the Trinità dei Monti church, at the top. The monumental stairway ...
where he must have been in contact with
Bertel Thorvaldsen Bertel Thorvaldsen (; 19 November 1770 – 24 March 1844) was a Danes, Danish and Icelanders, Icelandic Sculpture, sculptor medallist, medalist of international fame, who spent most of his life (1797–1838) in Italy. Thorvaldsen was born in ...
and the studio of
Antonio Canova Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the cl ...
, who was already deceased but whose workshop with his pupils was still operational. While in Rome, Royers experienced financial difficulties because of the problems of the commission which awarded him the Dutch Prix de Rome and the bankruptcy of his patron, the Amsterdam stockbroker A.B. Roothaan. Despite these problems, Royer remained very productive, and only found time to travel once, to
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
. In Rome he sculpted a portrait of his friend, the painter
Cornelis Kruseman Cornelis Kruseman (; 25 September 1797 – 14 November 1857) was a Dutch painter, draughtsman, etcher, lithographer, silhouettist, paper-cut artist, and art collector.Pope Leo XII Pope Leo XII ( it, Leone XII; born Annibale Francesco Clemente Melchiorre Girolamo Nicola della Genga (; 2 August 1760 – 10 February 1829), was head of the Catholic Church and ruler of the Papal States from 28 September 1823 to his death ...
, whom he portrayed from life.


Return to the Netherlands

In 1827 Royer returned from Rome and settled in The Hague, an important artistic centre after the royal family had moved there from Amsterdam. He was soon appointed court sculptor and he made portraits of all members of the royal family in busts of marble. Shortly afterwards he was also appointed director of the Royal Academy of Art in Amsterdam. After moving to Amsterdam in 1837, Royer received many public commissions for statues of leading personalities from Dutch history, such as the statues of
Rembrandt Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally consid ...
and
Joost van den Vondel Joost van den Vondel (; 17 November 1587 – 5 February 1679) was a Dutch poet, writer and playwright. He is considered the most prominent Dutch poet and playwright of the 17th century. His plays are the ones from that period that are still most ...
in Amsterdam,
William the Silent William the Silent (24 April 153310 July 1584), also known as William the Taciturn (translated from nl, Willem de Zwijger), or, more commonly in the Netherlands, William of Orange ( nl, Willem van Oranje), was the main leader of the Dutch Re ...
in The Hague and
Michiel de Ruyter Michiel Adriaenszoon de Ruyter (; 24 March 1607 – 29 April 1676) was a Dutch admiral. Widely celebrated and regarded as one of the most skilled admirals in history, De Ruyter is arguably most famous for his achievements with the Dutch N ...
in Vlissingen.K. Middelhoff, ''Louis Royer - De Vlaamse beeldhouwer die De Zwijger deed spreken''
in: Neerlandia. Jaargang 98. Algemeen Nederlands Verbond, Den Haag / Putte 1994, p. 3-7
His monumental sculptures of Dutch national heroes gave form to the rising nationalism in the country that had recently recovered its independence after French occupation and wanted to be reminded of its glorious past.Sheila D. Muller, ''Dutch Art: An Encyclopedia'', Routledge, 4 Jul, 2013, p. 338 Royer was in 1839 one of the founders of the artist society
Arti et Amicitiae Arti et Amicitiae (lat .: For Art and Friendship) is a Dutch artist's society founded in 1839, and located on the Rokin in Amsterdam. The Society (also called Arti for short) has played a key role in the Netherlands art scene and in particular i ...
in Amsterdam. Royer's work received wide public recognition and he was given a Royal award three times. After his death in Amsterdam in 1868, Royer's widow offered the estate of her husband to the Dutch State. The refusal of the offer was communicated by politician
Thorbecke Johan Rudolph Thorbecke (14 January 1798 – 4 June 1872) was a Dutch liberal statesman, one of the most important Dutch politicians of the 19th century. Thorbecke is best known for heading the commission that drafted the revision of the Consti ...
whose bust Royer had previously made. The estate was subsequently auctioned and an important part of it was bought by intimates and friends of the artist.Kees Fens, ''Een dodenmasker als enige persoonlijke schepping''
in de Volkskrant of 19 December 1994


Work

Royer was during his lifetime the most important sculptor in the Netherlands. He was known as the "Canova of the Netherlands" and later he was simply referred to as "the sculptor." He had virtually no competition. In addition to monumental works, he made many salon portraits, allegorical representations and works with religious subjects including reliefs for the St. Francis Xavier Church in Amsterdam. He worked principally in marble, terracotta, earthenware and plaster. He was trained in the Flemish
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
style and later came under the influence of
Classicism Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aestheti ...
while studying in Paris and Rome. His works were inspired by classical sculpture and have an idealising character. He is thus close to the French and Flemish academism that he was familiar with through his training. Many of his drawings have been preserved. After Classicism had fallen out of fashion, Royer was quickly forgotten by the general public. In an attempt to save him from oblivion the
Museum Amstelkring Ons' Lieve Heer op Solder (OLHOS; en, Our Lord in the Attic) is a 17th-century canal house, house church, and museum in the city center of Amsterdam, The Netherlands. The Catholic Church was built on the top three floors of the canal house during ...
in Amsterdam organized in 1994 a retrospective of his work, which coincided with an exhibition of contemporary photos of his statues in the Flemish cultural centre De Brakke Grond in Amsterdam. He trained many pupils including August Allebé, David Adolph Constant Artz, Hein Burgers, Gottlob Christoph Jacob Fischer, Eduard François Georges, S. van der Goen,
Jozef Israëls Jozef Israëls (27 January 1824 – 12 August 1911) was a Dutch painter. He was a leading member of the group of landscape painters referred to as the Hague School and, during his lifetime, "the most respected Dutch artist of the second half of ...
, Cornelis Nicolaas Looman, Johan Philip Menger, Eduard Roskam, Theo Simons, Hendrik D. Jzn Sluyter, Johan Hendrik Stöver, Joseph Tuerlinckx and Elisabeth Verwoert.


References


Further reading

* Hout, Guus van den; Langendijk, Eugène (ed.), ''Louis Royer 1793-1868 : een Vlaamse beeldhouwer in Amsterdam'', Amsterdam : Van Soeren, 1994 * Langendijk, Eugène, ''Louis Royer en de eerste Groote Prijs voor de Beeldhouwkunst in Nederland'', In: Bulletin van het Rijksmuseum 39(1991), p. 120-131 {{DEFAULTSORT:Royer, Louis 1793 births 1868 deaths Artists from Mechelen Flemish sculptors (before 1830) Dutch sculptors Dutch male sculptors Prix de Rome (Netherlands) winners