''Long Pants'' (also known as ''Johnny Newcomer'') is a 1927

American American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, pe ...

silent comedy film directed by

Frank Capra Frank Russell Capra (born Francesco Rosario Capra; May 18, 1897 – September 3, 1991) was an Italian-born American film director, producer and writer who became the creative force behind some of the major award-winning films of the 1930s ...

and starring Harry Langdon. Additional cast members include Gladys Brockwell,

Alan Roscoe Alan Roscoe (born John Albert Rascoe; August 23, 1888 – March 8, 1933) was an American film actor of the silent and early talking film eras. He appeared in more than 100 films between 1915 and 1933. Roscoe was born John Albert Rascoe ...

, and

Priscilla Bonner Priscilla Bonner (February 17, 1899 – February 21, 1996) was an American silent film actress who specialized in portraying virginal, innocent heroines. Early years Priscilla Bonner was born in Washington, D.C. on February 17, 1899. Her ...

Plot

The silent tells the story of Harry Shelby (Langdon) who has been kept in knee-pants for years by his mother. One day, however, Harry finally gets his first pair of long pants. Immediately, his family expects him to marry his childhood sweetheart Priscilla (Priscilla Bonner). Yet, Harry soon falls for Bebe Blair (

Alma Bennett Alma Bennett (born Alma Long; April 9, 1904 – September 16, 1958) was an American film actress of the silent era. She appeared in more than 60 films between 1919 and 1931. Early years Alma Bennett was born Alma Long on April 9, 1904 in Se ...

), a ''

femme fatale A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of ...

'' from the big city who has a boyfriend in the mob. Harry thinks that Bebe is interested in him as well, so he risks everything when Bebe ends up in jail. This leads to a lot of trouble for Harry. Throughout the whole ordeal Priscilla waits for Harry to face reality.

Cast

Critical reception

When it was released, film critic Mordaunt Hall gave the film a positive review. He wrote, "Some hilarious passages enliven Harry Langdon's latest film oddity, ''Long' Pants''...Although these incidents are acted with consummate skill, except for an occasional repetition, it is quite obvious to any male who has made the decisive change from short to long trousers that the idea offers possibilities far greater and more genuine than those that greet the eye. The answer is that Mr. Langdon has once again capitulated to his omnipotent band of gag-men. It may be all very well for Harold Lloyd to rely on mechanical twists, but Langdon possesses a cherubic countenance, which offers him a chance in other directions...Mr. Langdon is still Charles Spencer Chaplin's sincerest flatterer. His short coat reminds one of Chaplin, and now and again his footwork is like that of the great screen comedian." Film historian David Kalat reports that

Buster Keaton Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression ...

, a long-time fan of Langdon's known for his own morbid jokes about death and killings, criticized a scene in which Langdon's character tries to kill Priscilla as "going too far" in making light of murder. More recently, critic Maria Schneider reviewed Langdon's work and wrote, "''Long Pants'' (1927), also directed by Capra, was a peculiar change of pace for Langdon, and possibly an attempt to poke fun at his baby-faced image by casting him as a would-be lady-killer; sporting little of the ingenuity of ''The Strong Man,'' it was a box-office failure that set off the comedian's quick decline into obscurity. An acquired taste, Harry Langdon's gentle absurdities and slow rhythms take some getting used to, but patient viewers will be rewarded." Film critic Hal Erikson wrote of the film, "Few comedies of the 1920s were as bizarre and surreal as Harry Langdon's ''Long Pants''... Written by future director Arthur Ripley, ''Long Pants'' is as kinky as any of Ripley's

film noir Film noir (; ) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American ' ...

s of the 1940s. ''Long Pants'' represents the second and final collaboration between star Harry Langdon and director Frank Capra, who was fired when Langdon wrong-headedly decided to become his own director, resulting in a series of career-destroying flops."Erikson, Hal. .

References

External links

*. * *.
Stills
at silentsaregolden.com

at silenthollywood.com * {{Frank Capra 1927 films 1927 comedy films American black comedy films American silent feature films American coming-of-age films American black-and-white films First National Pictures films Films directed by Frank Capra 1920s American films Silent comedy-drama films Silent American drama films Silent American comedy films

Plot

Cast

Critical reception

See also

References

External links