Lois Weaver (born 1949,
Roanoke, Virginia
Roanoke ( ) is an independent city in the U.S. state of Virginia. At the 2020 census, the population was 100,011, making it the 8th most populous city in the Commonwealth of Virginia and the largest city in Virginia west of Richmond. It is ...
) is a
Guggenheim-winning artist, activist, writer, director, and Professor of Contemporary Performance at
Queen Mary University of London
, mottoeng = With united powers
, established = 1785 – The London Hospital Medical College1843 – St Bartholomew's Hospital Medical College1882 – Westfield College1887 – East London College/Queen Mary College
, type = Public researc ...
. She is currently a Wellcome Trust Fellow in Engaging Science. Her work centers on feminism, human rights and possibilities for public participation. Active for over four decades she is the founding member of significant New York theatre companies Spiderwoman (1975),
Split Britches (1980) and
WOW (Women's One World Cafe) (1980). Weaver came to London to take on the role of artistic director for Gay Sweatshop Theatre Company in 1992.
She lives in New York and London.
Early life
Weaver was born in Roanoke, Virginia. As a child she began performing with the Mount Pleasant Southern Baptist Church. She graduated with degrees in theatre and education from the all women's college Radford College (later Radford University) in 1972. After graduating Weaver began involved in activism against the Vietnam War, moving to Baltimore to work for a peace and justice center. While in Baltimore, Weaver began working with the Baltimore Free Theatre and was exposed to a range of experimental theatre practices. In the mid 1970s, Weaver moved to New York where she worked in a fish market and in Special Education in public schools while pursuing a performance career.
Performance
Weaver's theatre and performance practice spans collaborative and solo work. In 1974 Weaver met
Muriel Miguel, who had worked with
the Open Theatre, at the
Theater for the New City
Theater for the New City, founded in 1971 and known familiarly as "TNC", is one of New York City's leading off-off-Broadway theaters, known for radical political plays and community commitment. Productions at TNC have won 43 Obie Awards and the P ...
. In 1975 Weaver, with Miguel and Miguel's sisters Lisa Mayo and Gloria Miguel, was a co-founder of feminist theatre company
Spiderwoman Theatre, whose members focused on using their own stories to address gender roles, economic realities and violence in women's lives. Weaver helped develop the signature Spiderwoman approach to performance creation which they called 'storyweaving', combining improvisational techniques from the Open Theatre, the Hopi goddess of creation's lessons on weaving, movement, and personal stories. While on tour with Spiderwoman in Europe, Weaver and
Peggy Shaw met in Amsterdam. Shaw was touring with
Hot Peaches throughout Europe.
In 1980 Weaver, along with
Peggy Shaw and
Deb Margolin, founded
Split Britches, an award-winning company who use theatricality to create work that centers on lesbian and queer identities. Weaver has had productive collaborative relationships with theatre and performance artists
Holly Hughes,
Bloolips founded by
Bette Bourne, Curious, and
Stacy Makishi Stacy Makishi is a Hawaiian-born performance artist, physical theatre and live art specialist. Her work often involves combining autobiographical experience and comedy with inspiration from fictional sources, such as Hollywood movies or novels. She ...
.
Weaver's work, both in her solo performances and her work with Split Britches, is known for its imaginative use of text and image, which are juxtaposed for both serious and comic ends. She mixes fact and fiction to create ambiguous forms of autobiography.
Public engagement
Weaver's practice has a focus on
public engagement
Public engagement or public participation is a term that has recently been used to describe "the practice of involving members of the public in the agenda-setting, decision-making, and policy-forming activities of organizations/institutions respons ...
, and performance as a means for public dialogue. Weaver was awarded a Wellcome Trust Engaging Science Fellowship to continue this work in 2016. This practice is part of a larger trend in
live art toward social engagement, and created a website www.split-britches.com/lois
Performance
Through her solo performance work and her work as the Artistic Director of Split Britches, Weaver's performance practice incorporates public engagement as both a method of creation and performance. Dialogic methods are incorporated into the creation process, through extensive workshops and conversations with target groups. Recent performances like Weaver's solo show ''What Tammy Needs to Know About Getting Old and Having Sex'' and the Split Britches performance ''Unexploded Ordnances (UXO)'' involve audience participation as an integral component. Recent engagement and performance work has focused on elders and age related issues.
Curation
Weaver's curatorial work focuses on feminist practice and non-hierarchical alternatives to existing social structures. This work includes expanded opportunities to emerging artists and under-represented groups in the arts, and has resulted in projects like the AiR Project and Peopling the Palace Festival at Queen Mary, University of London.
Social Design
Weaver's social design work is housed in the
Public Address Systems
A public address system (or PA system) is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound sou ...
project, which creates hospitable spaces for open conversation. This project has three strands, Performance, Place, and the Everyday, and has many forms including the
Long Table, the Porch Sitting, the Care Café, Domestic Terrorism, the Card Table, the Library of Performing Rights, FeMUSEum, the Manifesto Room, Performing the Issue, Performing the Persona, and Performing as Methodology. All of Weaver's public engagement practice is considered open-source, and protocols are published on the Public Address Systems website.
Additionally, Weaver has developed several projects like Democratizing Technology and Staging Human Rights.
Filmography
* ''
She Must Be Seeing Things
''She Must Be Seeing Things'' is a 1987 lesbian feminist film directed by Sheila McLaughlin and starring Lois Weaver and Sheila Dabney. It was the film debut of both Lois Weaver and Peggy Shaw. It was controversial when first released.
Plot
The ...
'' (1987), as Jo
References
{{DEFAULTSORT:Weaver, Lois
1949 births
Living people
American lesbian actresses
Lesbian artists
Academics of Queen Mary University of London
Artists from Roanoke, Virginia
American film actresses
20th-century American actresses
American expatriates in England
Writers from Roanoke, Virginia
American women academics
21st-century American women