Library Of Babel

"The Library of Babel" ( es, La biblioteca de Babel) is a short story by Argentine author and librarian Jorge Luis Borges (1899–1986), conceiving of a universe in the form of a vast library containing all possible 410-page books of a certain format and character set.

The story was originally published in Spanish in Borges' 1941 collection of stories '' El jardín de senderos que se bifurcan'' (''The Garden of Forking Paths''). That entire book was, in turn, included within his much-reprinted '' Ficciones'' (1944). Two English-language translations appeared approximately simultaneously in 1962, one by James E. Irby in a diverse collection of Borges's works titled ''Labyrinths'' and the other by Anthony Kerrigan as part of a collaborative translation of the entirety of ''Ficciones''.

Plot

Borges' narrator describes how his universe consists of an enormous expanse of adjacent hexagonal rooms. In each room, there is an entrance on one wall, the bare necessities for human survival on another wall, and four walls of bookshelves. Though the order and content of the books are random and apparently completely meaningless, the inhabitants believe that the books contain every possible ordering of just 25 basic characters (22 letters, the period, the comma, and space). Though the vast majority of the books in this universe are pure gibberish, the library also must contain, somewhere, every coherent book ever written, or that might ever be written, and every possible permutation or slightly erroneous version of every one of those books. The narrator notes that the library must contain all useful information, including predictions of the future, biographies of any person, and translations of every book in all languages. Conversely, for many of the texts, some language could be devised that would make it readable with any of a vast number of different contents.

Despite—indeed, because of—this glut of information, all books are totally useless to the reader, leaving the librarians in a state of suicidal despair. This leads some librarians to superstitious and cult-like behaviors, such as the "Purifiers", who arbitrarily destroy books they deem nonsense as they scour through the library seeking the "Crimson Hexagon" and its illustrated, magical books. Others believe that since all books exist in the library, somewhere one of the books must be a perfect index of the library's contents; some even believe that a messianic figure known as the "Man of the Book" has read it, and they travel through the library seeking him.

Themes

The story repeats the theme of Borges' 1939 essay " The Total Library" ("La Biblioteca Total"), which in turn acknowledges the earlier development of this theme by Kurd Lasswitz in his 1901 story "The Universal Library" ("Die Universalbibliothek"):

Certain examples that Aristotle attributes to Democritus and Leucippus clearly prefigure it, but its belated inventor is Gustav Theodor Fechner, and its first exponent, Kurd Lasswitz. ..In his book ''The Race with the Tortoise'' (Berlin, 1919), Dr Theodor Wolff suggests that it is a derivation from, or a parody of, Ramón Llull's thinking machine ..The elements of his game are the universal orthographic symbols, not the words of a language ..Lasswitz arrives at twenty-five symbols (twenty-two letters, the space, the period, the comma), whose recombinations and repetitions encompass everything possible to express in all languages. The totality of such variations would form a Total Library of astronomical size. Lasswitz urges mankind to construct that inhuman library, which chance would organize and which would eliminate intelligence. (Wolff's ''The Race with the Tortoise'' expounds the execution and the dimensions of that impossible enterprise.)

Many of Borges' signature motifs are featured in the story, including infinity, reality, cabalistic reasoning, and labyrinths. The concept of the library is often compared to Borel's dactylographic monkey theorem. There is no reference to monkeys or typewriters in "The Library of Babel", although Borges had mentioned that analogy in "The Total Library": " half-dozen monkeys provided with typewriters would, in a few eternities, produce all the books in the British Museum." In this story, the closest equivalent is the line, "A blasphemous sect suggested ..that all men should juggle letters and symbols until they constructed, by an improbable gift of chance, these canonical books." Borges makes an oblique reference to reproducing Shakespeare, as the only decipherable sentence in the library "O time thy pyramids" is surely taken from Shakespeare's Sonnet 123 which opens with the lines "No Time, thou shalt not boast that I do change, Thy pyramids...".

Borges would examine a similar idea in his 1976 story, "The Book of Sand", in which there is an infinite book (or book with an indefinite number of pages) rather than an infinite library. Moreover, the story's ''Book of Sand'' is said to be written in an unknown alphabet and its content is not obviously random. In The Library of Babel, Borges interpolates Italian mathematician Bonaventura Cavalieri's suggestion that any solid body could be conceptualized as the superimposition of an infinite number of planes.

The concept of the library is also overtly analogous to the view of the universe as a sphere having its center everywhere and its circumference nowhere. The mathematician and philosopher Blaise Pascal employed this metaphor, and in an earlier essay Borges noted that Pascal's manuscript called the sphere ''effroyable,'' or "frightful".

In any case, a library containing ''all'' possible books, arranged at random, might as well be a library containing ''zero'' books, as any true information would be buried in, and rendered indistinguishable from, all possible forms of false information; the experience of opening to any page of any of the library's books has been simulated by websites which create screenfuls of random letters.

The quote at the beginning of the story, "By this you may contemplate the variation of the twenty-four letters," is from Robert Burton's 1621 '' The Anatomy of Melancholy''.

Philosophical implications

Infinite extent

In mainstream theories of natural language syntax, every syntactically-valid utterance can be extended to produce a new, longer one, because of recursion. However, the books in the Library of Babel are of bounded length ("each book is of four hundred and ten pages; each page, of forty lines, each line, of some eighty letters"), so the Library can only contain a finite number of distinct strings. Borges' narrator notes this fact, but believes that the Library is nevertheless infinite; he speculates that it repeats itself periodically, giving an eventual "order" to the "disorder" of the seemingly random arrangement of books. Mathematics professor William Goldbloom Bloch confirms the narrator's intuition, deducing in his popular mathematics book ''The Unimaginable Mathematics of Borges' Library of Babel'' that the library's structure necessarily has at least one room whose shelves are not full (because the number of books per room does not divide the total number of books evenly), and the rooms on each floor of the library must either be connected into a single Hamiltonian cycle, or possibly be disconnected into subsets that cannot reach each other.

Quine's reduction

W. V. O. Quine notes that the Library of Babel is finite, and that any text that does not fit in a single book can be reconstructed by finding a second book with the continuation. The size of the alphabet can be reduced by using Morse code even though it makes the books more verbose; the size of the books can also be reduced by splitting each into multiple volumes and discarding the duplicates. Writes Quine, "The ultimate absurdity is now staring us in the face: a universal library of two volumes, one containing a single dot and the other a dash. Persistent repetition and alternation of the two are sufficient, we well know, for spelling out any and every truth. The miracle of the finite but universal library is a mere inflation of the miracle of binary notation: everything worth saying, and everything else as well, can be said with two characters."

Comparison with biology

The full possible set of protein sequences ( protein sequence space) has been compared to the Library of Babel. In the ''Library of Babel'', finding any book that made sense was almost impossible due to the sheer number and lack of order. The same would be true of protein sequences if it were not for natural selection, which has picked out only protein sequences that make sense. Additionally, each protein sequence is surrounded by a set of neighbors (point mutants) that are likely to have at least some function. Daniel Dennett's 1995 book '' Darwin's Dangerous Idea'' includes an elaboration of the Library of Babel concept to imagine the set of all possible genetic sequences, which he calls the Library of Mendel, in order to illustrate the mathematics of genetic variation. Dennett uses this concept again later in the book to imagine all possible algorithms that can be included in his Toshiba computer, which he calls the Library of Toshiba. He describes the Library of Mendel and the Library of Toshiba as subsets within the Library of Babel.

Influence on later writers

* Umberto Eco's postmodern novel '' The Name of the Rose'' (1980) features a labyrinthine library, presided over by a blind monk named Jorge of Burgos. The room is, however, octagonal in shape.
*In "The Net of Babel", published in '' Interzone'' in 1995, David Langford imagines the Library becoming computerized for easy access. This aids the librarians in searching for specific text while also highlighting the futility of such searches as they can find anything, but nothing of meaning as such. The sequel continues many of Borges's themes, while also highlighting the difference between data and information, and satirizing the Internet.
* Russell Standish's ''Theory of Nothing'' uses the concept of the Library of Babel to illustrate how an ultimate ensemble containing all possible descriptions would in sum contain zero information and would thus be the simplest possible explanation for the existence of the universe. This theory, therefore, implies the reality of all universes.
* Michael Ende reused the idea of a universe of hexagonal rooms in the ''Temple of a Thousand Doors'' from '' The Neverending Story'', which contained all the possible characteristics of doors in the fantastic realm. A later chapter features the infinite monkey theorem.
* Terry Pratchett uses the concept of the infinite library in his '' Discworld'' novels. The knowledgeable librarian is a human wizard transformed into an orangutan.
*''The Unimaginable Mathematics of Borges' Library of Babel'' (2008) by William Goldbloom Bloch explores the short story from a mathematical perspective. Bloch analyzes the hypothetical library presented by Borges using the ideas of topology, information theory, and geometry.
*In Greg Bear's novel ''City at the End of Time'' (2008), the sum-runners carried by the protagonists are intended by their creator to be combined to form a 'Babel', an infinite library containing every possible permutation of every possible character in every possible language. Bear has stated that this was inspired by Borges, who is also namechecked in the novel. Borges is described as an unknown Argentinian who commissioned an encyclopedia of impossible things, a reference to either "Tlön, Uqbar, Orbis Tertius" or the '' Book of Imaginary Beings''.
*''Fone'', a short comic novel drawn by Milo Manara, features a human astronaut and his alien partner stranded on a planet named Borges Profeta. The planet is overflowed by books containing all the possible permutations of letters.
*Steven L. Peck wrote a novella entitled ''A Short Stay in Hell'' (2012) in which the protagonist must find the book containing his life story in an afterlife replica of Borges' Library of Babel.
*The third season of ''Carmilla'', a Canadian single-frame web series based on the novella by J. Sheridan Le Fanu, is set in a mystical library described as "non-Euclidean" and omnipotent. It contains a door that, depending on the knocking pattern on its panels, can be opened into any universe. It also creates a temporary parallel universe and is able to shift a character between the parallel and the original. As the parallel universe collapses, darkness falls, and a character perishes in the void after uttering the words, "O time thy pyramids," which are contained on the second-to-last page of a book in the Library of Babel.
*In Christopher Nolan's film ''Interstellar'', the protagonist, Cooper, played by Matthew McConaughey, becomes trapped in a black hole which mirrors the Library of Babel; Cooper's universe consists of an infinitely extended tesseract consisting of the back-side of a specific bookshelf full of books in his former family home in all directions, but at different times in the bookshelf's history. This scene has been compared to the Library of Babel, and Nolan cites Borges as an artistic influence.
* The Library of Babel, a website created by Jonathan Basile, emulates an English-language version of Borges' library. An algorithm he created generates a "book" by iterating every permutation of 29 characters: the 26 English letters, space, comma, and period. Each book is marked by a coordinate, corresponding to its place on the hexagonal library (hexagon name, wall number, shelf number, and book name) so that every book can be found at the same place every time. The website is said to contain "all possible pages of 3200 characters, about 10⁴⁶⁷⁷ books".
*''The Library of Babel'' is a video game, based on the story, developed and published by Spanish Tanuki Game Studio, with no announced release date. It is described as “a tale revolving around a dark futuristic world, unfolding through platformer elements, stealth and graphic adventure.

See also

* ''Encyclopedia Galactica'' (Asimov)
* Akashic Records
* Infinite monkey theorem
* Law of truly large numbers
* Normal number
*The Library of Babel (website)
* Universal library
* World Brain

References

{{DEFAULTSORT:Library of Babel, The
1941 short stories
Mathematics fiction books
Short stories by Jorge Luis Borges
Fictional libraries
Fictional universes
Thought experiments
Works set in libraries
Argentine speculative fiction works