Leïla Sfez ( ar, ليلى سفاز), (born 1874–1944) was a Jewish Tunisian singer and composer who became a celebrated café-concert performer in

Tunis ''Tounsi'' french: Tunisois , population_note = , population_urban = , population_metro = 2658816 , population_density_km2 = , timezone1 = CET , utc_offset1 ...

in the 1920s. She sang music in both the ''

ma'luf ''Ma'luf'' ( ar, مألوف, acquainted, familiar ''Ma'lūf'') is a genre of art music in the Andalusian classical music tradition of Algeria, Libya, and Tunisia. It is of Iberian origin and was introduced to the Maghreb The Maghreb (; a ...

'' and ''charqui'' genres.

Biography

Born into a Jewish Tunisian family in 1874, Leïla Sfez became a celebrated performer, singing songs in the classical Andalusian style in a concert hall in the

Bab Souika , demolition_date=1861, coordinates= Bab Souika ( ar, باب سويقة) is one of the gates of the medina of Tunis. It was demolished in 1861. Its situation was between Bab El Khadra and Bab Saadoun Bab Saadoun ( ar, باب سعدون) is on ...

district of Tunis. In addition to her performances of established music, she went on to compose songs herself. She is also remembered for introducing her niece Habiba Msika to her style of music. She taught her to sing and to play the piano. Sfez's music was first recorded in 1910 by the Gramophone Company which had begun recording Jewish women vocalists in Tunisia. Their catalogue features Sfez performing ''ma'luf'' and Middle Eastern songs. In 1929, Pathé-Marconi recorded her songs, including "Hbibi ghab", "Jani el marsoul" et "Emta narja fik". As time went by, the Chemmâma Sisters became increasingly popular, Sfez withdrew from the stage, devoting more and time to training her niece Habbiba Msika who also gained popularity. Other popular Jewish singers of the period included Banat Chamama and .

References

{{DEFAULTSORT:Sfez, Leila 1874 births 1944 deaths Tunisian Jews Musicians from Tunis Tunisian women composers 20th-century Tunisian women singers 20th-century women composers