Leuchtturm Des Chaos
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''Leuchtturm des Chaos'' ( en, Pharos of Chaos or ''Lighthouse of Chaos'') is a 1983 documentary profile of the American actor Sterling Hayden (1916–1986).


Synopsis

The film features discussions with Hayden concerning his life and career, intercut with clips and stills from his films. It follows the actor through several long and digressive afternoon conversations with the German filmmakers aboard the barge in France on which he was living. Hayden smokes
hashish Hashish ( ar, حشيش, ()), also known as hash, "dry herb, hay" is a drug made by compressing and processing parts of the cannabis plant, typically focusing on flowering buds (female flowers) containing the most trichomes. European Monitorin ...
and drinks heavily throughout, telling the filmmakers that they "have a record of exactly what alcoholism is". Hayden recounts his shame at having co-operated with the
House Un-American Activities Committee The House Committee on Un-American Activities (HCUA), popularly dubbed the House Un-American Activities Committee (HUAC), was an investigative committee of the United States House of Representatives, created in 1938 to investigate alleged disloy ...
during the Second Red Scare, his pride in his achievements as a sailor, and adopts a scornful attitude toward his illustrious career as a Hollywood film icon.


Critical reception

The film was shown at the 1983
Edinburgh Film Festival The Edinburgh International Film Festival (EIFF) is a film festival that runs for two weeks in June each year. Established in 1947, it is the world's oldest continually running film festival. EIFF presents both UK and international films (all ti ...
, where it was one of a few
independent film An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system, in addition to being produced and distributed by independent entertainment companies (or, i ...
s singled out for praise by critic Steve McIntyre in an otherwise disappointing event. In a review for '' The New York Times'', critic Janet Maslin cited the film as an example of "documentary film making ... at its most laissez faire", lamenting that "Every discussion is allowed to proceed far beyond its natural conclusion". She criticised the filmmakers' reluctance to rein in Hayden's "diffuseness of thought", "stilted" cinematography, inclusion of trivial and uninteresting details from the interviews, and their nonchalant and distanced attitude toward the actor. Maslin's review concludes:


References


External links

*{{IMDb title, id=0085835 1983 films 1983 documentary films German documentary films West German films Documentary films about actors 1980s English-language films 1980s German films