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''Les Nouveaux Messieurs'' ("the new men") is a 1929 French silent film directed by
Jacques Feyder Jacques Feyder (; 21 July 1885 – 24 May 1948) was a Belgian actor, screenwriter and film director who worked principally in France, but also in the US, Britain and Germany. He was a director of silent films during the 1920s, and in the 1930 ...
. It is a satirical comedy, whose initial release in France was delayed for several months because of objections to its portrayal of the French parliament.


Cast

*
Gaby Morlay Gaby Morlay (born Blanche Pauline Fumoleau; 8 June 1893 – 4 July 1964) was a film actress from France.
as Suzanne Verrier * Albert Préjean as Jacques Gaillac *
Henry Roussel Henry Roussel (1875–1946), also known as Henry Roussell, was a French silent film actor, film director and screenwriter best known for his silent films of the 1910s and 1920s. He starred in well over 40 films between 1912 and 1939. Selecte ...
l as the Comte de Montoire-Grandpré


Plot

Suzanne Verrier, a dancer of mediocre talent at the Paris Opéra, is the mistress of an elderly aristocrat and conservative politician, the Comte de Montoire-Grandpré, who uses his influence to assist her career. She begins a romance with Jacques Gaillac, a young, left-wing electrician who is also a committed union organiser. Gaillac is elected to Parliament and become a minister, leaving him little time for his relationship with Suzanne. When the leftist government abruptly falls, Montoire-Grandpré's party returns to power, and he arranges to have Gaillac appointed to a post abroad. Suzanne reluctantly returns to the protection of Montoire-Grandpré.


Production

The success of Jacques Feyder's adaptation of ''
Thérèse Raquin ''Thérèse Raquin'' is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine ''L'Artiste'' in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder ...
'' brought him an invitation from
MGM Metro-Goldwyn-Mayer Studios Inc., also known as Metro-Goldwyn-Mayer Pictures and abbreviated as MGM, is an American film, television production, distribution and media company owned by Amazon through MGM Holdings, founded on April 17, 1924 a ...
to work in Hollywood, but before he left, he agreed to one further film in France for Alexandre Kamenka's Albatros company which was in economic difficulties. Feyder was offered complete artistic freedom on the project and chose to adapt a recent stage comedy which combined romantic drama with political satire.Lenny Borger, ''The Russian Emigrés in Paris: 1923-1928''; otes accompanying the 2013 DVD set by Flicker Alley pp. 24-27. ''Les Nouveaux Messieurs'' by Robert de Flers and
Francis de Croisset Francis de Croisset (; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist. Early life Born as Franz Wiener, he was educated in Brussels on 28 January 1877 into a prominent Jewish-Bel ...
had opened in Paris in February 1925, with Gaby Morlay in the leading role, and it became the biggest success of the season, running for over 500 performances. Feyder and
Charles Spaak Charles Spaak (25 May 1903 – 4 March 1975) was a Belgian screenwriter who was noted particularly for his work in the French cinema during the 1930s. He was the son of the dramatist and poet Paul Spaak, the brother of the politician Paul-Henri ...
made an adaptation which sought to dispense with the verbal humour of the play but to translate it into visual terms. The film uses relatively few intertitles and those are employed mainly to convey information. A number of technical devices are used (superimposition of images, "flous" or blurring of the image, undercranking or speeded-up motion) often to achieve comic effect. In one scene the delegates in parliament are arranged in a semicircle, and on them is superimposed a translucent filter which recedes like a fan closing, which is used to signify that more and more of the delegates are agreeing with the speaker. The production was filmed principally at the Billancourt studios during the summer of 1928, and it features some elaborate set designs by
Lazare Meerson Lazare Meerson (1900–1938) was a Russian-born cinema art director. After emigrating to France in the early 1920s, he worked on French films of the late silent cinema and the early 1930s, particularly those directed by René Clair and Jacques F ...
(including a reconstruction of the Chambre des Deputés, a stylish Parisian town house, and rehearsal areas at the
Opéra This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...
). One of the assistant cameramen working with Georges Périnal was the 22-year-old Marcel Carné.


Reception

The film was ready for a press screening at the end of November 1928 and it met with a mainly favourable reaction from the critics.Dimitri Vezyroglou, "Le politique et son image: les ''Nouveaux Messieurs'', le cinéma français et le politique à la fin des années 20", in ''Jacques Feyder'' (''1895'': numéro hors série). Paris: 1998. pp. 136-137. One review commented that it was a likable satire of the world of politics which was so amusing that nobody could take offense at it. However members of the government rapidly became anxious about the film, not so much because of its satire which was actually more restrained than the successful stage play had been, but rather for its portrayal of the Parliament. Some politicians felt that their fictional equivalents were made up to resemble them rather too realistically; and in one scene a député falls asleep during a debate in the Chamber and dreams happily that the other members have all been transformed into ballerinas in tutus. In this climate of controversy before the end of December the film was refused a distribution licence, for "damaging the dignity of Parliament and ministers". By this time Jacques Feyder had left France to take up his job in the United States, and protracted negotiation about the film's future continued for several months between the production company and the government. Eventually some cuts were agreed and the film was finally released in Paris in April 1929. It enjoyed some success in France and was then distributed also in a number of European countries. (A Berlin newspaper voted it the best film of 1929.) However this success, limited also by the arrival of talking pictures, came too late to save the fortunes of the Albatros company which was forced to cease production. A correspondent for ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid d ...
'' later in the year explained the persistent sensitivities in France: "The fall of the Briand Government last month perhaps gave an extra fillip, in the mind of Paris, to 'Les Nouveau Messieurs', since the story concerns the collapse of a Cabinet and the substitution of an extreme Radical Ministry. At the houses where it is showing now a careful foreword is thrown on the screen, asserting that no characters are drawn from life and even explaining that the interior of the Chamber of Deputies, where some of the drama and much of the comedy of the picture occur, was constructed at the Feyder studios." He went on to give a warm appraisal of the film's qualities: "Any audience might find the film amusing, but it is so Parisian and so appropriate to these recent days of political crisis here that it is having an exceptional welcome.... With this story actors and director have done remarkably well. It is brightly told and excellently filmed. The photography is modernistic in tone, but always successfully so.... Gaby Morlay, rowdy and dainty by turn, serious and merry, has a picture well to her taste and capacities, which are infinite."Morris Gilbert. "''Les Nouveaux Messieurs'' (1929): Screen Notes from the French Capital: an Ironical Divertissement", i
''The New York Times''
15 December 1929. Retrieved 19 June 2014.


References


External links

* {{DEFAULTSORT:Nouveaux Messieurs, Les 1929 films 1929 comedy-drama films French comedy-drama films Films directed by Jacques Feyder French films based on plays Films based on works by Francis de Croisset French silent feature films French black-and-white films Silent comedy-drama films 1920s French films