''Les Grandes Baigneuses'', or ''The Large Bathers'', is a painting by
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "R ...
made between 1884 and 1887. The painting is in the
Philadelphia Museum of Art
The Philadelphia Museum of Art (PMoA) is an art museum originally chartered in 1876 for the Centennial Exposition in Philadelphia. The main museum building was completed in 1928 on Fairmount, a hill located at the northwest end of the Benjamin Fr ...
, in
Philadelphia
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Sinc ...
.
The painting depicts a scene of nude women bathing. In the foreground, two women are seated beside the water, and a third is standing in the water near them. In the background, two others are bathing. The one standing in the water in the foreground appears to be about to splash one of the women seated on the shore with water. That woman leans back to avoid the expected splash of water.
The figures have a sculptural quality, while the landscape behind them shimmers with impressionistic light. With this new style, Renoir's intention was to reconcile the modern forms of painting with the painting traditions of the 17th and 18th centuries, particularly those of
Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic ...
and
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...
. Renoir also admired
Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
and
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), ...
's works, and he tried to find a compromise between the styles of these old masters and the new
impressionist style.
Painting
It is inspired at least in part by a sculpture by
François Girardon
François Girardon (10 March 1628 – 1 September 1715) was a French sculptor of the Louis XIV style or French Baroque, best known for his statues and busts of Louis XIV and for his statuary in the gardens of the Palace of Versailles.
Biography ...
, ''The Bath of the Nymphs'' (1672), a low lead relief realized for a fountain park of Versailles. It also reflects the influence of the works of Ingres, and particularly the frescoes of Raphael, whose style he had absorbed during his trip to Italy. These two great artists influenced Renoir's entire way of painting and drawing: he began to paint in a more disciplined and more conventional manner, gave up painting outdoors, and made the female nude – until then only an occasional subject– his main focus.
Renoir worked on ''The Bathers'' for three years until he was content with its
composition
Composition or Compositions may refer to:
Arts and literature
*Composition (dance), practice and teaching of choreography
*Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include v ...
. During that time, he made numerous studies and sketches, including at least two full-sized figure drawings of the theme.
''The Bathers'' may also be regarded as Renoir's pictorial testament. The models for the three bathers included two of his favorites:
Aline Charigot
Aline Victorine Charigot (23 May 1859 – 27 June 1915) was a model for Auguste Renoir and later became his wife while continuing to model for him and then caring for him when he became disabled. She is pictured in many of his paintings over ver ...
, the blonde sitting behind, whom Renoir married in 1890, and
Suzanne Valadon
Suzanne Valadon (23 September 18657 April 1938) was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des B ...
, herself a painter and the mother of
Maurice Utrillo
Maurice Utrillo (), born Maurice Valadon; 26 December 1883 – 5 November 1955), was a French painter of the School of Paris who specialized in cityscapes. Born in the Montmartre quarter of Paris, France, Utrillo is one of the few famous painte ...
.
After completing ''The Large Bathers'', Renoir received severe criticism because of his new style. Tired and disillusioned, he never again created paintings of this caliber.
A similar subject later appeared in
a series of paintings by
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a ...
.
References
{{DEFAULTSORT:Grandes Baigneuses
Paintings by Pierre-Auguste Renoir
1880s paintings
Paintings in the collection of the Philadelphia Museum of Art
Nude art
Bathing in art