Le Flibustier (opera)
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''Le flibustier'' is a ''comédie lyrique'' (lyric comedy) in three acts, composed by
César Cui César Antonovich Cui ( rus, Це́зарь Анто́нович Кюи́, , ˈt͡sjezərʲ ɐnˈtonəvʲɪt͡ɕ kʲʊˈi, links=no, Ru-Tsezar-Antonovich-Kyui.ogg; french: Cesarius Benjaminus Cui, links=no, italic=no; 13 March 1918) was a Ru ...
during 1888–1889. Although the title can translate as ''The Pirate'' or ''The Buccaneer'', this is no swashbuckling action-drama, but an idyllic domestic comedy of mistaken identity. The
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
is based on the like-named play by
Jean Richepin Jean Richepin (; 4 February 1849 – 12 December 1926) was a French poet, novelist and dramatist. Biography Son of an army doctor, Jean Richepin was born 4 February 1849 at Médéa, French Algeria. At school and at the École Normale Supér ...
, who wrote the
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
, and is dedicated to La Comtesse de Mercy-Argenteau. It premiered at the
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
in
Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...
on 22 February 1894, and played for four performances. It was revived in 1908 in a production by students at the
Moscow Conservatory The Moscow Conservatory, also officially Moscow State Tchaikovsky Conservatory (russian: Московская государственная консерватория им. П. И. Чайковского, link=no) is a musical educational inst ...
under the conductorship of
Mikhail Ippolitov-Ivanov Mikhail Mikhailovich Ippolitov-Ivanov (russian: Михаи́л Миха́йлович Ипполи́тов-Ива́нов; 28 January 1935) was a Russian and Soviet composer, conductor and teacher. His music ranged from the late-Romantic era ...
, and a Russian edition of the piano-vocal score was printed under the title ''У моря'' (''U morja'' = ''By the Sea''). Nevertheless, despite the composer's own special fondness for this work, ''Le Flibustier'' seems never to have been performed again and never became part of the standard operatic repertoire. In the year of its premiere, the composer contributed a rare biographical article entitled "''Flibustier'' in Paris" about his experiences with this opera published in the Russian periodical ''Knizhki nedeli''. The composer extracted an orchestral suite from this work consisting of the initial Prelude, the Dances that close Act I, and the March in Act III. The French title of the opera has been transliterated into Cyrillic variously as ''Флибустьер'' or ''Флибюстье''. Russian renderings of the French title include ''Морской разбойник'' (''Morskoj razbojnik'') and ''Пират'' (''Pirat''), both meaning "pirate."


Characters and setting

*François Legoëz, old sailor: ''
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
'' *Pierre, his son, a former flibustier: '' bass'' *Jacquemin, a flibustier: ''
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
'' *Janik, granddaughter of François Legoëz: ''
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
'' *Marie-Anne, daughter-in-law of François Legoëz: ''
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
/
contralto A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically b ...
'' *Fishermen, wives of fishermen, girls: ''
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
'' The action takes place in
Saint-Malo Saint-Malo (, , ; Gallo: ; ) is a historic French port in Ille-et-Vilaine, Brittany, on the English Channel coast. The walled city had a long history of piracy, earning much wealth from local extortion and overseas adventures. In 1944, the Alli ...
, at the end of the 17th century, in the dwelling of Legoëz, which overlooks the sea.


Synopsis

Act I. Eight years ago, Pierre left home at the age of ten to be a pirate. His grandfather Legoëz and cousin Janik—who loves him—have long hoped that he would return. One day, while only Marie-Anne is in the house, the stranger Jacquemin, who was Pierre's comrade years ago but does not know what has happened to him, stops by to inquire about him, bringing along some of his things. Both he and Marie-Anne are convinced that Pierre perished, and to spare old Legoëz the bad news, she hides Jacquemin, but a misunderstanding occurs when Legoëz enters and notices the bundle of Pierre's things. He discovers the hidden Jacquemin and mistakes him for Pierre. Before any correction can be made, there is rejoicing and dancing. Act II. At a celebratory feast Jacquemin recounts his adventures; Janik, thinking he is her cousin, is even more in love with him. Legoëz, sensing that the two of them are being shy, asks the guests to leave them alone for a while. With the two of them alone, Jacquemin, who likewise has fallen in love with Janik, tells her the truth. The deception does not matter to her: she loves him, even though he is not the Pierre from her childhood. Jacquemin leaves Janik alone; her aunt Marie-Anne enters, and the two of them reconcile the deception. At this moment, by a great coincidence, the long-lost Pierre enters and identifies himself. Then Legoëz enters with Jacquemin from outside, and the latter tries to embrace his friend, but Pierre rejects the traitor, and the deception is revealed to Legoëz, who angrily sends Jacquemin away. Act III. Pierre recounts his adventures with Spanish and English ships, resulting in wealth that allowed him to leave the seafaring life to be a land-dweller. He invites Legoëz to come live in his new country away from the fog of the sea-side. Legoëz feels alienated from Pierre now—they have become so different. Meanwhile, Janik is still in love with the banished Jacquemin, but Legoëz will not hear of it, and there is no joy in the house, despite Pierre's return. Pierre finds out from Marie-Anne about the accidental nature of the mistaken identity (without knowing of Janik's feelings for Jacquemin, however), and outside on the street he relates this to Legoëz, who decides to forgive Jacquemin. In the meantime, though, Jacquemin drops by the house to bid a reluctant final farewell to Janik and Marie-Anne. Pierre enters and reconciles with Jacquemin. But when it is clear that the latter has Janik's love, Pierre at first is furious, but eventually realizes that a physical contest can make no difference, and so he relents. Legoëz enters, and, after learning what has transpired, consents to his granddaughter's marriage to Jacquemin and leads all in an homage to the sea.


Bibliography

César Cui César Antonovich Cui ( rus, Це́зарь Анто́нович Кюи́, , ˈt͡sjezərʲ ɐnˈtonəvʲɪt͡ɕ kʲʊˈi, links=no, Ru-Tsezar-Antonovich-Kyui.ogg; french: Cesarius Benjaminus Cui, links=no, italic=no; 13 March 1918) was a Ru ...
. ''Le Flibustier'': comédie lyrique in trois actes. Paris: Au Ménestrel, Heugel, 1893. _______. "''Flibustier'' в Париже (Письмо к редактору)" ''Flibustier'' in Paris (Letter to the editor)" ''Книжки недели'', апр. 1894, pp. 180–198. _______. ''У моря'' (''Le Flibustier''): лирическая комедия в трех действиях, текст Ж. Ришпена 'By the Sea'' (''Le Flibustier''): a lyric comedy in three acts, text by J. Richepin Москва: А Гутхейль, 1912.


External links


The libretto in French.

Musical score
{{DEFAULTSORT:Flibustier, Le Operas by César Cui French-language operas 1894 operas Operas Opera world premieres at the Opéra-Comique