Lamentation Of Christ (Master Of The Žebrák Lamentation Of Christ)
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''Lamentation of Christ'' from Žebrák is a lime wood relief of the common subject of the Lamentation of Christ, from about 1510. It ranks among the finest works of
Late Gothic International Gothic is a period of Gothic art which began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by t ...
sculpture in
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
. The anonymous artist, who is called the "Master of the Žebrák Lamentation of Christ" after this work, probably had his workshop in České Budějovice and could have been the same person as the woodcarver Alexandr (Alexandr Schniczer) who was in charge of that town's guild between 1503 and 1516. The relief is now part of the permanent collection of medieval art at the National Gallery in Prague.


History of the work

The original location of the relief, which was created around 1510 and probably formed the central part of an altarpiece with side wings, is not known (possibly the castle chapel of
Žebrák Žebrák () is a town in Beroun District in the Central Bohemian Region of the Czech Republic. It has about 2,200 inhabitants. Administrative parts The village of Sedlec is an administrative part of Žebrák. Geography Žebrák is located about ...
?). As recently as 1904 the relief was bought from a private owner in the village of Žebrák for the Prague City Museum. It was the art historian V.V. Štech who, in 1913, first mentioned the sculpture in literature. It was in the collection of the
National Museum A national museum is a museum maintained and funded by a national government. In many countries it denotes a museum run by the central government, while other museums are run by regional or local governments. In other countries a much greater numb ...
until 1922, and from 1957 it has been part of the collection of the National Gallery in Prague. It was there that Jiří Tesář restored it in 1965.


Description and context

The relief was carved out of lime wood; it measures 126 x 121 x 15 cm and features traces of original polychromy. Portraying nine figures, the scene is arranged in two spatial planes. In the foreground, Mary holds the body of the dead Christ in her arms. She is accompanied on her left by St. John, who is taking the crown of thorns from Christ's head, and
Mary Magdalene Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his cru ...
who brings a vessel containing balsam. In the background there probably stands one of the Jews mentioned in the
Gospel of Nicodemus Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words an ...
together with one of the Marys (
Mary of Clopas According to the Gospel of John, Mary of Clopas ( grc, Μαρία ἡ τοῦ Κλωπᾶ, ''María hē tou Clōpá'') was one of the women present at the crucifixion of Jesus and bringing supplies for his funeral. The expression ''Mary of Clop ...
?); on the right there is a weeping woman, probably
Salome Salome (; he, שְלוֹמִית, Shlomit, related to , "peace"; el, Σαλώμη), also known as Salome III, was a Jewish princess, the daughter of Herod II, son of Herod the Great, and princess Herodias, granddaughter of Herod the Great, an ...
, with Nicodemus and
Joseph of Arimathaea Joseph of Arimathea was, according to all four canonical gospels, the man who assumed responsibility for the burial of Jesus after his crucifixion. The historical location of Arimathea is uncertain, although it has been identified with several t ...
who is holding the cloth for wrapping the body. The gestures of Mary, who is holding Christ's limp body in her arms, and St John, who turns away in pain, are restrained and free of pathos. The weeping woman standing on the right behind the Virgin Mary, modelled on a figure in the ''Descent from the Cross'' by Rogier van der Weyden, is executed in careful and detailed carving. The pleating of most of the figures’ garments is subordinated to the overall composition and their decorative effect is suppressed. The dramatic aspect is created by the chaotic crumpling of the drapery under Christ’s body and the naturalistic depiction of his body with its wounds and sources of blood that refer to his human nature. The expressive effect is reinforced by the striking way Christ's head hangs down; John's crossed arms draw attention to his thorn crown. Christ's body is long and bony, and resembles another work by the Master of the Žebrák Lamentation – the Group Sculpture of the
Holy Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...
at the South Bohemian Museum in České Budějovice. The types of faces in both works also correspond with each other – God the Father and Joseph of Arimathaea. The face of
Mary Magdalene Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his cru ...
also matches the free-standing sculpture of the same
saint In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denominat ...
at the Museum in České Budějovice. The central Pietà is modelled on the work by a Brussels master from the circle of Rogier van der Weyden (1448). The diagonal of Christ's body with its hanging arms and the head of Mary Magdalene form a triangular composition. The diagonals of the main characters (Mary Magdalene, Christ and John) with their slender limbs form an X-shape in the centre of the relief along with another triangle whose top is formed by Joseph of Arimathaea's head. The motif of the scene is derived from paintings by the Netherlandish artist Rogier van der Weyden (Descent from the Cross, 1435, Miraflores Altarpiece, 1445) and Dürer's woodcut depicting the Lamentation of Christ (1496). Earlier literature mentioned a relationship between the Master of the Žebrák Lamentation and the Kefermarkt Altarpiece; however more recent works have highlighted the Swabian influence (the ''Velhartice retable'',
Gregor Erhart Gregor Erhart (c. 1470? – 1540) was a German sculptor who was born at Ulm, the son of sculptor Michel Erhart. Gregor spent his working career at Augsburg, where he was made master in 1496, and where he died. Attributions of sculpture to his wo ...
) as well as that of Danube-region sculptures and the Viennese work of
Nicolaus Gerhaert Nikolaus Gerhaert (c.1420 – 28 June 1473), also known as Nikolaus Gerhaert van Leyden, was a Dutch sculptor, although aside from his sculptures, few details are known of his life. He worked in both stone and wood. Biography Gerhaert is consi ...
and Erasmus Grasser. The Master of the Žebrák Lamentation followed on from the tradition of late 15th-century woodcarving represented by the ''Velhartice retable''. In his work, the excited pathos and intensity of emotional experience dominates over the physical essence of the figures that are characterised by small heads and elongated bodies. The lyrical element, whose Mannerist proportional arbitrariness recalls echoes of the International Gothic style, mingles here with detailed realistic carving of the faces and the expressive modelling of drapery characteristic of the Late Gothic ''crumpled folds'' period.


Other known works by Master of the Žebrák Lamentation

* 1510 Mourning Mary of Kralovice * 1510–1520 Holy Trinity, České BudějovicePeter Kováč, Die Heilige Dreifaltigkeit von České Budějovice des Meisters der Žebráker Beweinung – Zusammenfassung
/ref> * 1510–1520 Suffering of Christ, České Budějovice * 1510–1520 Stigmatisation of St. Francis, České Budějovice * 1510–1520
Mary Magdalene Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to crucifixion of Jesus, his cru ...
of Malý Bor * 1510–1520 Madonna of Malšín, National Gallery in Prague * 1510–1520 Adoration of the Magi of Vodňany * 1520 Crucified Christ, Dominican convent in České Budějovice


Notes


References

* Fajt Jiří, Chlumská Štěpánka, Čechy a střední Evropa 1200–1550, Národní galerie v Praze 2014, pp. 129–131 * Jindra P, Ottová M, (ed.), Obrazy krásy a spásy, Gotika v jihozápadních Čechách, pp. 402–405 Arbor Vitae, a Západočeská galerie v Plzni 2013, * Albert Kutal, České gotické umění, Obelisk Artia, Praha 1972, p. 168, 193 * Jaromír Homolka, K některým otázkám středoevropské plastiky 15. století, Umění XVII, 1969, pp. 539–573 * Jiří Kropáček, Ukřižovaný z bývalého dominikánského kláštera v Českých Budějovicích, Umění VIII, 1960, pp. 160–175 * Josef Opitz, Mistr reliefu Oplakávání Krista ze Žebráku, Dílo XVII, 935/36, pp. 88–9
On line


External links


Encyclopaedia of České Budějovice (in Czech)
{{DEFAULTSORT:Lamentation of Christ (Master of the Zebrak Lamentation of Christ) Bohemian Gothic sculptures Sculptures of the National Gallery Prague Master of the Žebrák Lamentation