Labia Family
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The Labia family was a noble family of
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
. Originally
merchant A merchant is a person who trades in commodities produced by other people, especially one who trades with foreign countries. Historically, a merchant is anyone who is involved in business or trade. Merchants have operated for as long as indust ...
s of
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origin, they bought their
title A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the f ...
s from the Venetian Republic in 1646. In the beginning of the 18th century the family built the
Palazzo Labia Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giova ...
on the Cannaregio Canal in Venice. It is the members of the Labia family of the mid 18th century to whom the palazzo owes its notability today, it was inhabited by two brothers with their wives, children and mother. The brothers Angelo Maria Labia and his brother Paolo Antonio Labia employed
Giovanni Battista Tiepolo Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an impo ...
at the height of his powers to decorate the ballroom which was decorated by ''
The Banquet of Cleopatra ''The Banquet of Cleopatra'' is the title of several paintings showing the culmination of a wager between Cleopatra and Mark Antony as to which one could provide the most expensive feast. As recounted in Pliny the Elder's '' Natural History'' Cl ...
''. Employing Tiepolo seems to have been the most remarkable thing the brothers ever achieved. Angelo Maria became an Abbé, merely in order to escape the political obligations of an aristocrat of the Republic. Curiously his holy employment did not prevent him marrying. His wife however was a commoner, which indicates an almost morganatic status to the marriage. Angelo's chief interests were constructing a marionette theatre, which concealed real singers behind its scenes. The marionettes often performed satirical plays which Angelo wrote himself. In later life he failed to endear himself to Venetian society by becoming an informer to the dreaded inquisition. His younger brother Paolo, married conventionally into the old Venetian aristocracy, a class prepared to accept the Labia's money and hospitality if not equality. Paolo too never assumed any public duties. It appears that it was their mother, Maria Labia, who was the intellectual driving force of the family, in her youth a great beauty, she was painted by Rosalba Carriera. The French traveller and social commentator Charles de Brosses reported that in old age she had a lively wit, flirtatious nature and possessed the finest collection of jewels in Europe. This collection was also portrayed in some of Tiepolo's work in the palazzo. {{DEFAULTSORT:Family, Labia Republic of Venice families