Labhshankar Thakar

Labhshankar Jadavji Thakar, also known by his pen names Lagharo and Vaidya Punarvasu (14 January 1935 – 6 January 2016), was a Gujarati poet, playwright and story writer from India. Educated in languages and Ayurveda, he taught at colleges before starting practice of Ayurveda. He had a modernist approach in literature and was heavily influenced by absurd theatre and the traditions of experimental literature. He chiefly wrote plays and poetry.

Life

Thakar was born on 14 January 1935 in Sedla village near Surendranagar, Gujarat. He was a native of Patdi village of Surendranagar district. He completed Bachelor of Arts in Gujarati in 1957, Master of Arts in 1959 from Gujarat University. He taught at various colleges in Ahmedabad for seven years and simultaneously studied Ayurveda. He received Diploma in Suddha Ayurveda in 1964. Later he started an Ayurvedic clinic ''Kayachikitsa'' and continued his practice.

He died on 6 January 2016 at Ahmedabad after prolonged illness.

Works

Thakar was a modernist author of Gujarati literature. He, along with Madhu Rye, belongs to the Re School, a modernist tradition of Gujarati literature under the influence of existentialism challenging traditional literature styles.

He had written nearly 56 books of different genres as well as 21 books on Ayurvedic treatments.

Poetry

Thakar initially wrote poetry in traditional metres and gradually shifted to more experimental one. He emphasized the process of poetry rather than final piece of poetry. He was more interested in the absurdism than the realism.

His ''Vahi Jati Pachhal Ramya Ghosha'' (1965) was in traditional metres but soon he wrote modern long poem ''Manasni Vaat'' (1968) exploring new styles. His ''Mara Namne Darwaje'' (1972) and ''Boom Kagalma Kora'' (1974) deal with absurdity and illogicality of life. ''Pravahan'' (1986) is long poem about process of poetry formation paralleled with excretion of feces. ''Kalagranthi'' (1987) is the collection of six poems. ''Tola Avaj Ghonghat'' (1990) is his acclaimed work. His other collections of poetry are ''Kalpayan'' (1999), ''Kichud Kichud'' (1999), ''Hathiyar Vagarno Gha'' (2000), ''Samay Samay'' (1999), ''Tev'', ''Chhe Pratiksha'', ''I Don't Know, Sir'', ''Chhe'', ''Kathakno Ka'', ''Aav'', ''Me Commit Karyu Chhe Shu?'' and ''Ramat''.

Plays

Thakar was heavily influenced by Theatre of the Absurd and Samuel Beckett. He along with playwright Subhash Shah, wrote ''Ek Undar ane Jadunath'' based on Beckett's '' Waiting for Godot'' in 1966. ''Ek Undar ane Jadunath'' is considered to be the first absurd play in Gujarati. His first one-act play ''Asatyakumar Ekagrani Dharpakad'' was published in collection of one-act plays, ''Make Believe'' (1967) with five other Re School writers. His collection of seven one-act plays, ''Mari Jawani Maza'' (1973) is in absurd style. ''Bathtub ma Machhali'' (1982), a collection of seven one-act plays, has an overtone of satire and irony. His ''Pilu Gulab ane Hu'' (1985) is two-act play about the agony of an actress who is craving true love. It was directed by Kanti Madia. It was originally improvised work for Darpana Academy of Performing Arts. ''Kahe Koyal Shor Machaye Re'' (1993) was originally a scene from ''Pilu Gulab ane Hu'' (1985) and later produced as one-act play. It was later turned into three-act play. ''Mansukhlal Majithiya'' (1993) is six scene play.

He was active in workshops for playwrights called ''Aakanth Sabarmati''.

Other

''Akasmat'' (1968) and ''Kon?'' (1968) are his novels. His humour novels include ''Hasyayan'' (1993), ''Champak Chalisa'' (1994), ''Anapsanap'' (1994), ''Pivari'' (1996). He also wrote some more novels later ''Maro Driver'' (2002), ''Bako Chhe, Kalpo'' (2006) and ''Kuhoo Kuhoo Bole Koyaliya'' (2008).

''Malela Jeevni Samiksha'' and ''Inner Life'' (1969) are his works of criticism. ''Inner Life'' was written with Dinesh Kothari. ''Malela Jeevni Samiksha'' is a criticism, written with Chinu Modi and Manhar Modi, of '' Malela Jeev'' by Pannalal Patel. His works of journalism and other essays are collected in ''Ek Minute'' (1986), ''Kshana Tatkshana'' (1989), ''Sooraj Ugyo Kevadiayani Fanase'' (1993), ''Aa Howana Sandarbho'', ''Nisbat'', ''Manjal Thambh Thayelu'', ''Hamari Salam'', ''Vinimayvriksha'', ''Dholi Gaya Je Tadko'', ''Thodo Amasto Tadko'', ''Kagalni Punchhadi'' and ''Zakalno Za''. ''Maari Ba'' (1989) and ''Bapa Vishe'' (1993) is a biographical work about his mother and father respectively. He also wrote several books on Ayurveda.

He wrote five children's stories in 1994; ''Mumbaini Kidi'', ''Kagada Uncle Mamaravala'', ''Nadi-Kanthe Drau Drau'', ''Tadkano Papad'' and ''Kanpau Rakshash''. ''Sarva Mitra'' (1986) is collection of essays on Ayurveda published in his column in ''Liksatta'' under pen name Punarvasu. He had edited three akhyanas with Prasad Brahmabhatt; ''Nalakhyan'', ''Kunwarbai nu Mameru'' and ''Sudamacharitra''. He published several magazines including ''Kriti'' and ''Unmoolan''.

Awards

He received Kumar Chandrak in 1962 and Narmad Suvarna Chandrak also. He was also awarded Ranjitram Suvarna Chandrak in 1980 which he returned due to personal reasons and later accepted it in 1994. He was awarded Sahitya Akademi award in 1991 for his poetry, ''Tola Avaaj Ghonghat''. He also received Sahitya Gaurav Puraskar from Gujarati Sahitya Akademi in 2002.

See also

* List of Gujarati-language writers

References

Further reading

*

External links

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{{DEFAULTSORT:Thakar, Labhshankar
1935 births
2016 deaths
Dramatists and playwrights from Gujarat
20th-century Indian dramatists and playwrights
Gujarati-language writers
Indian male poets
Indian male dramatists and playwrights
Gujarati-language poets
Recipients of the Sahitya Akademi Award in Gujarati
Recipients of the Ranjitram Suvarna Chandrak
Novelists from Gujarat
Poets from Gujarat
Journalists from Gujarat
20th-century Indian novelists
20th-century Indian poets
20th-century Indian male writers