Laamb Wrestling

Senegalese wrestling (''Njom'' in Serer, ''Lutte sénégalaise'' or simply ''Lutte avec frappe'' in French, ''Laamb'' in Wolof, ''Siɲɛta'' in Bambara) is a type of folk wrestling traditionally performed by the Serer people and now a national sport in Senegal and parts of The Gambia, and is part of a larger West African form of traditional wrestling (fr. ''Lutte Traditionnelle''). The Senegalese form traditionally allows blows with the hands (''frappe''), the only one of the West African traditions to do so. As a larger confederation and championship around Lutte Traditionnelle has developed since the 1990s, Senegalese fighters now practice both forms, called officially ''Lutte Traditionnelle sans frappe'' (for the international version) and ''Lutte Traditionnelle avec frappe'' for the striking version.

History

It takes its root from the wrestling tradition of the Serer people - formally a preparatory exercise for war among the warrior classes depending on the technique. In Serer tradition, wrestling is divided into different techniques with ''mbapate'' being one of them. It was also an initiation rite among the Serers, the word ''Njom'' derives from the Serer principle of Jom (from Serer religion), meaning heart or honour in the Serer language. Gravrand, Henry
''"L’HERITAGE SPIRITUEL SEREER : VALEUR TRADITIONNELLE D’HIER, D’AUJOURD’HUI ET DE DEMAIN"''
nEthiopiques, numéro 31, révue socialiste de culture négro-africaine, 3e trimestre 1982 The ''Jom'' principle covers a huge range of values and beliefs including economic, ecological, personal and social values. Wrestling stems from the branch of ''personal values'' of the Jom principle. One of the oldest known and recorded wrestler in present-day Senegal was Boukar Djilak Faye (a Serer) who lived in the 14th century in the Kingdom of Sine. He was the ancestor of the Faye Paternal Dynasty of Sine and Saloum (both Kingdoms in present-day Senegal). The ''njom'' wrestling spectacle was usually accompanied by the ''kim njom'' - the chants made by young Serer women in order to reveal their gift of ''"poetry"'' (''ciid'' in Serer ). The Wolof word for wrestling - ''Laamb'', derives from the Serer language ''Fara-Lamb Siin'' (''Fara'' of Mandinka origin whilst ''Lamb'' of Serer origin) the chief griot who used to beat the ''tam-tam'' of Sine called ''Lamb'' or ''Laamb'' in Serer. The ''lamb'' was part of the music accompaniment of wrestling in pre-colonial times as well as after Senegal's independence. It was also part of the ''Njuup'' tradition (a conservative Serer music repertoire, the progenitor of Mbalax).

Transcending ethnic groups, the sport enjoys the status of national sport. Traditionally, young men also used to fight as a distraction, to court wives, prove their manliness, and bring honor to their villages. Usually each wrestler (called mbër) performed a bàkk before the start of the combat.

In general, ''bàkk'' (which could also be spelled as baku, bakku, bakkous) is an oral art performance that is used to boast about oneself in order to instill a sense of fear or reverence in the audience or rivals. Bàkk is not only used in the context of wrestling but can also be used in political speeches or other encounters in which someone feels the need to brag about his accomplishments to receive admiration. Not only is bàkk used to brag about oneself, but it can also be used to offer respect to one's elders. The performance of bàkk can be in narratives, praise songs, or poems. Bàkk is used to complement the wrestler's physical presence by adding artistic elegance and verbal cleverness. Wolof wrestlers use the bàakk to present themselves as exceptional and impressive.

The oral art of the bàkk, used by the Senegalese wrestlers, has its history in ''griots''. Historically, Wolof griots and griottes were singers tasked with relaying the eulogies of heroes and heroines who overcame hardships. Griots were used to sing praises to kings, wrestlers, and nobles in general. Griots usually came from lower castes and their task of singing praise was unique. They would accompany wrestlers, who usually came from upper castes, to the arenas. In more contemporary times, Wolof wrestlers will now sing their own praises, which challenges the societal norm of praises only being sung by griots.

In the 1980s Senegalese wrestler, Mame Gorgui (called “The Darling Child of Dakar”) performed a notable bàkk, which made him popular among the Senegalese people. This famous bàkk was repeated often by children in Senegal and sang on the national radio on weekends during which combats took place.

Today bàkk is very popular in the country as an indication of male athletic strength and ability. Presently, wrestling is arranged by business-promoters who offer prizes for the winners. The 20,000-capacity Arene Nationale de Lutte in Dakar is the largest wrestling stadium by capacity in Senegal.

The popularity of Senegalese wrestling has grown so big that TV stations have started picking up popular athletes to act in series due to their massive popularity.

Goal

One of the main objectives is to throw the opponent to the ground by lifting him up and over, usually outside a given area.

Training

Senegalese wrestlers train extremely hard and may perform press ups and various difficult physical exercises throughout the day to build up their strength. However, while they believe strength is important they also believe that there is an element of luck in the winner, and may perform rituals before a match to increase their chances. Common to Senegalese wrestlers is rubbing a foot on a stone or rubbing themselves with lotions or oils to increase "good luck".

Senegalese wrestlers, youth in specific, struggle with dropping out of school to pursue wrestling as well, prompting notable names in the sport to speak out against the issue saying their education is more important.

Media

In April 2008 a BBC documentary entitled ''Last Man Standing'' covered the lives of a group of British and American hopefuls at a boot camp in Senegal who took on Senegalese opponents. Laamb was featured in the 2005 film ''L'Appel des arènes'' (English title ''Wrestling Grounds''). The documentary ''Laamb'' directed by Kristoffer Hegnsvad follows young wrestlers in Dakar during a major tournament, the film was narrated by Jørgen Leth and premiered at Copenhagen International Documentary Film Festival - CPH:DOX in 2013.

Etymology

Laamb is the Wolof word for wrestling which is borrowed from Serer ''Fara-Lamb Siin''. The Serer word for wrestling is ''njom'' which derives from the Serer word ''jom'' (''heart'' or ''honour'').

Champions

Since the 1950s, Senegalese Wrestling, like its counterparts in other areas of West Africa, has become a major spectator sport and cultural event. The champions of traditional wrestling events are celebrities in Senegal, with fighters such as Balla Gaye 2, Yékini (Yakhya Diop), Tyson (Mohamed Ndao), and Bombardier (Serigne Ousmane Dia) the best known.For example, see this article on the private life of Yekini
LUTTE TRADITIONNELLE - 15e ANNIVERSAIRE DE YEKINI : Mbagnick, digne fils de Mohamed Ndiaye Robert Diouf
Le Soleil
, 3 March 2008.
Pathe Mbeurou Askanewi Boye, also known as Big Pato, is the first ever Senegalese wrestler who is also a police officer.

References

Bibliography

* Senghor, Léopold Sédar, Brunel, Pierre, ''"Poésie complète,"'' CNRS éditions, 2007,
*Tang, Patricia, ''Masters of the sabar: Wolof griot percussionists of Senegal,'' p144. Temple University Press, 2007.
* Gravrand, Henry : ''"L’HERITAGE SPIRITUEL SEREER : VALEUR TRADITIONNELLE D’HIER, D’AUJOURD’HUI ET DE DEMAIN"'' nEthiopiques, numéro 31, révue socialiste de culture négro-africaine, 3e trimestre 1982
*Gravrand, Henry, ''"La Civilisation Sereer, Pangool.'"' Les Nouvelles Edition Africaines. 1990.
*Diouf, Niokhobaye. ''"Chronique du royaume du Sine."'' Suivie de notes sur les traditions orales et les sources écrites concernant le royaume du Sine par Charles Becker et Victor Martin. (1972). Bulletin de l'Ifan, Tome 34, Série B, n° 4, (1972)
* Faye, Louis Diène, ''"Mort et Naissance Le Monde Sereer,"'' Les Nouvelles Edition Africaines (1983),
*Geels, Jolijn. Niger. Bradt London and Globe Pequot New York (2006).

External links

*
www.arenebi.com
Senegalese wrestling news
Sénégal LUTTE : 2007, année d’innovations, surprises et sacre
La Sentinelle (Dakar), 27 December 2007

{{DEFAULTSORT:Senegalese Wrestling
Senegalese culture
Serer culture
Sport in Serer country
Wrestling in Africa
Sports originating in Senegal
Folk wrestling styles
African martial arts
Martial arts in Senegal