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''La Voie lactée'' (; "The Milky Way") is a public artwork by the Canadian artist Geneviève Cadieux. Since its unveiling in 1992, it has stood on the roof of the Musée d'art contemporain de Montréal (MACM), in the Quartier des spectacles district of Montreal. It consists of a billboard-style light panel depicting, in extreme close-up, female lips wearing red lipstick. The lips, which show signs of aging, are those of Cadieux's mother.
Cadieux was asked to create ''La Voie lactée'' by the MACM on the occasion of the museum's 1992 relocation in a new building on the Place des Arts. Her choice to depict a pair of giant red lips in the sky was inspired by the Man Ray surrealist painting ''À l’heure de l’observatoire – Les Amoureux''. The photograph itself is a detail from one of Cadieux's earlier works. Upon its unveiling, ''La Voie lactée'' received critical acclaim. It was gifted by Cadieux to the MACM in 1995, along with a Color transparency film, colour transparency allowing for new prints.
"La Voie lactée" is French language, French for "The Milky Way", but many interpretations of the artwork argue that the title is a double entendre. Its homophone "La Voix lactée" translates to "The Milky Voice". Cadieux herself associated her artwork with the themes of voice, language and motherhood. Sexuality has also often been perceived as a theme. In 2011, Cadieux unveiled a companion piece of ''La Voie lactée'' in a station of the Paris Métro and titled it ''La Voix lactée''. It is a mosaic reproducing the same photograph of her mother's lips.
''La Voie lactée'' is a symbol of the MACM and one of the key artworks in its collection. As one of the most well-known public artworks in Montreal, it is also considered an icon of the city.
Many interpretations of ''La Voie lactée'' revolve around the artwork's title, which is French language, French for "the Milky Way", potentially evoking its placement against the Montreal sky. However, many perceive a double entendre; if the word "voie" is replaced with its homophone "voix", the title could translate to "The Milky Voice". Cadieux herself said that using the image of her mother's lips was akin to "claiming [her mother's] voice". She further said that her decision was inspired by the phrase "mother tongue" and the transmission of language from mother to child, as well as "the idea of the feminine voice on top of an institution". In 2011, Cadieux created a French companion piece to ''La Voie lactée'', a mosaic of the same pair of lips in Paris, and titled it ''La Voix lactée''.
The art historian Julie Lavigne interpreted the title of ''La Voie lactée'' as evoking two symbols of motherhood: Mother Nature and lactation. She wrote that the theme of mother-daughter relationships coexists in the artwork with that of sexuality, associated with the image of female lips wearing red lipstick. An ''ARTnews'' critic referred to those lips as "an erotic come-on". Many interpretors further compared them to vaginal lips, but also to a scar; Cadieux herself once described her artwork as "like a wound in the sky". According to the curator Josée Bélisle, the superimposition of a mother's lips over the natural landscape evokes "a symbol of language, creative power and the origin of existence." Lavigne summarized her own interpretation of ''La Voie lactée'' by describing it as "a cultural, political, and public manifestation of the intimate".
Description
''La Voie lactée'' is a light panel measuring , closely resembling a billboard in its format, installation and visibility. It depicts a woman's parted lips in a tightly framed extreme close-up. The lips, which are wearing red lipstick and show signs of aging, are those of Geneviève Cadieux's mother. ''La Voie lactée'' is an intentional homage to the Man Ray surrealist painting ''À l’heure de l’observatoire – Les Amoureux'', which similarly shows a giant pair of disembodied red lips floating in the sky over a city. The image in ''La Voie lactée'' is produced through inkjet printing on a translucent and flexible canvas. The canvas is framed in an aluminum casing and exposed on the rooftop of the Musée d'art contemporain de Montréal (MACM), which owns the artwork. It is visible from street level on Montreal's Place des Arts, near the intersection of Saint Catherine Street, Rue Sainte-Catherine and Rue Jeanne-Mance, in the Quartier des spectacles. The panel is Neon lighting, neon-lit at night.Conception, unveiling and preservation
In 1992, Geneviève Cadieux was asked by the MACM to create an artwork marking its relocation in a new building on the Place des Arts, as well as the 350th anniversary of the city of Montreal. The artwork was to be part of ''Pour la suite du monde'' ( "So the World May Go On"), one of two inaugural exhibitions planned by the MACM. Cadieux's first idea for the project consisted of two large-scale photographic panels, one depicting a cloud and the other, a bruise. This evolved into ''La Voie lactée''. The photograph she chose is a detail from a bust-length portrait of her mother, used in her 1991 installation ''Portrait de famille'' ( "Family Portrait"). Upon its unveiling, the artwork was critically acclaimed and received substantive news coverage. One ''Voir'' critic wrote that it "shines in the sky of Montreal, as if it had always belonged there". In 1995, Cadieux gifted ''La Voie lactée'' to the MACM, making it her sixth artwork in the museum's collection. She included a Color transparency film, colour transparency to allow the MACM to create new prints, since each print has a longevity of only one to three years (with adequate UV protection). ''La Voie lactée'' was loaned only once, in 2001, to the Beaverbrook Art Gallery in Fredericton, New Brunswick.Interpretations
Many interpretations of ''La Voie lactée'' revolve around the artwork's title, which is French language, French for "the Milky Way", potentially evoking its placement against the Montreal sky. However, many perceive a double entendre; if the word "voie" is replaced with its homophone "voix", the title could translate to "The Milky Voice". Cadieux herself said that using the image of her mother's lips was akin to "claiming [her mother's] voice". She further said that her decision was inspired by the phrase "mother tongue" and the transmission of language from mother to child, as well as "the idea of the feminine voice on top of an institution". In 2011, Cadieux created a French companion piece to ''La Voie lactée'', a mosaic of the same pair of lips in Paris, and titled it ''La Voix lactée''.
The art historian Julie Lavigne interpreted the title of ''La Voie lactée'' as evoking two symbols of motherhood: Mother Nature and lactation. She wrote that the theme of mother-daughter relationships coexists in the artwork with that of sexuality, associated with the image of female lips wearing red lipstick. An ''ARTnews'' critic referred to those lips as "an erotic come-on". Many interpretors further compared them to vaginal lips, but also to a scar; Cadieux herself once described her artwork as "like a wound in the sky". According to the curator Josée Bélisle, the superimposition of a mother's lips over the natural landscape evokes "a symbol of language, creative power and the origin of existence." Lavigne summarized her own interpretation of ''La Voie lactée'' by describing it as "a cultural, political, and public manifestation of the intimate".
Legacy
''La Voie lactée'' is a symbol of the MACM and one of the key artworks in its collection. It is also among the most well-known public artworks in Montreal and is considered an icon of the city. In 2015, the photograph of the lips was featured on a set of stamps by Canada Post, commemorating "some of the quintessential Photography in Canada, Canadian photographs of the past 150 years".''La Voix lactée''
In 2011, Cadieux unveiled a companion piece to ''La Voie lactée''. Homophone, Homophonically titled ''La Voix lactée'' ( "The Milky Voice"), the artwork is a glass-tile mosaic reproducing the same photograph of Cadieux's mother's lips, again in a large format. It is located inside Saint-Lazare station (Paris Métro), Saint-Lazare station, one of the busiest stations of the Paris Métro. Montreal's public transport agency, the Société de transport de Montréal (STM), gifted the mosaic to its Paris counterpart, the Régie autonome des transports parisiens (RATP), in recognition of the latter's technical contributions towards the creation of the Montreal Metro in the 1960s. The gift also fulfilled a pledge by the STM to donate a public artwork to the RATP, in exchange for the Paris Métro entrances by Hector Guimard, Hector Guimard metro entrance which the RATP gifted to the Montreal Metro's Square-Victoria–OACI station in 2003. The STM's pledge entailed that the gifted artwork would be themed around the French language. ''La Voix lactée'' is accompanied by an excerpt from a poem by the French Canadians, French Canadian writer Anne Hébert, who lived for some time in Paris:Notes
References
{{reflist Lips Public art in Montreal Quartier des spectacles 1990s photographs Color photographs