''Damnation'' ( hu, Kárhozat) is a 1988 black-and-white Hungarian film directed by

Béla Tarr Béla Tarr (born 21 July 1955) is a Hungarian filmmaker. Debuting with the film '' Family Nest'' (1977), Tarr began his directorial career with a brief period of what he refers to as "social cinema", aimed at telling everyday stories about ordi ...

. The screenplay was co-written by Tarr and his frequent collaborator,

László Krasznahorkai László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels '' ...

Plot

Karrer (Miklós B. Székely), a depressed man, is in love with a married torch singer (Vali Kerekes) from a local bar, the ''Titanik''. The singer breaks off their affair, because she dreams of becoming famous. Karrer is offered smuggling work by Willarsky (Gyula Pauer), a local bartender. Karrer offers the job to the singer's husband, Sebestyén (György Cserhalmi). This gets him out of the way, but things do not go as Karrer plans. Betrayals follow. Karrer despairs.

Reception

''Damnation'' is generally acclaimed by film critics, and many rank it one of Tarr's finest works. Review aggregator

Rotten Tomatoes Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wang ...

reports a 94% approval rating based on 17 reviews. Michael Atkinson of ''

Village Voice ''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creat ...

'' called the film "a serotonin-depleted ordeal, and yet seemingly a sketchbook of vibes and ideas to come, with some of the most magnificent black-and-white images shot anywhere in the world."

Jonathan Rosenbaum Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for ''The Chicago Reader'' from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has ...

wrote in the ''

Chicago Reader The ''Chicago Reader'', or ''Reader'' (stylized as ЯEADER), is an American alternative weekly newspaper in Chicago, Illinois, noted for its literary style of journalism and coverage of the arts, particularly film and theater. It was founded by a ...

'', "The near miracle is that something so compulsively watchable can be made out of a setting and society that seem so depressive and petrified." Writing for ''

Slant Magazine ''Slant Magazine'' is an American online publication that features reviews of movies, music, TV, DVDs, theater, and video games, as well as interviews with actors, directors, and musicians. The site covers various film festivals like the New York ...

'', Jeremiah Kipp argued, "In terms of creating a strong cinematic world, Tarr has few equals." A review compared the film to the works of

Andrei Tarkovsky Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greates ...

and

Michelangelo Antonioni Michelangelo Antonioni (, ; 29 September 1912 – 30 July 2007) was an Italian filmmaker. He is best known for directing his "trilogy on modernity and its discontents"—''L'Avventura'' (1960), ''La Notte'' (1961), and ''L'Eclisse'' (1962 ...

References

External links

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Jonathan Rosenbaum review
Hungarian black-and-white films Films directed by Béla Tarr 1980s Hungarian-language films 1988 drama films 1988 films Films with screenplays by László Krasznahorkai {{Hungary-film-stub