Koleka Putuma (born in

Port Elizabeth Gqeberha (), formerly Port Elizabeth and colloquially often referred to as P.E., is a major seaport and the most populous city in the Eastern Cape province of South Africa. It is the seat of the Nelson Mandela Bay Metropolitan Municipality, Sou ...

, 22 March 1993) is a South African queer poet and theatre-maker. She was nominated one of Okay Africa's most influential women in 2019.

Biography

Putuma was born in Port Elizabeth, South Africa in 1993. She studied for a BA in Theatre and Performance at the

University of Cape Town The University of Cape Town (UCT) ( af, Universiteit van Kaapstad, xh, Yunibesithi ya yaseKapa) is a public research university in Cape Town, South Africa. Established in 1829 as the South African College, it was granted full university statu ...

. In 2016 she was awarded the

PEN A pen is a common writing instrument that applies ink to a surface, usually paper, for writing or drawing. Early pens such as reed pens, quill pens, dip pens and ruling pens held a small amount of ink on a nib or in a small void or cavity whic ...

student writing prize for her poem 'Water'. This poem is used in schools as a reminder that access to water is political, historical and racialized. Recurrent themes in Putuma's work are love, queerness, decolonial struggle and the legacy of apartheid, as well as the intersection of patriarchy with those ideas and identities. She works as a theatre producer for Design Indaba and lives in Cape Town.

''Collective Amnesia''

Putuma first came to global attention with the publication of her poetry collection ''Collective Amnesia'', published by the South African poetry press uHlanga in 2017. It was released with complementary photography by Cape Town-based photographer Andy Mkosi. Within three months of its release the book sold 2000 copies, had 17 launches across South Africa and was on the syllabus at two universities. After eight months it had sold over 5000 copies and Putuma had given performances of it across three continents. It was translated to Spanish by

Lawrence Schimel Lawrence Schimel (born October 16, 1971) is a bilingual (Spanish/English) American writer, translator, and anthologist. His work, which frequently deals with gay and lesbian themes as well as matters of Jewish identity, often falls into the genres ...

and Arrate Hidalgo and was published in 2019. Its Danish translation is due to be published in 2020. As of 2018, Putuma is the best-selling poet in South African history. ''Collective Amnesia'' is notable for its repeated use of the word

womxn The term ''womxn'' is an alternative spelling of the English word ''woman''. ''Womxn'' has been found in writing since the 1970s, along with the term womyn, to avoid perceived sexism in the standard spelling, which contains the word ''man''. The ...

, which is intended to include nonwhite and transgender women.

Reception

Reviewing ''Collective Amnesia'', Bongani Madondo of the ''Johannesburg Review of Books'' hailed Putuma as a "genius". ''Collective Amnesia'' has quickly become a key text to understanding postcolonial South Africa, particularly with its focus on black women's bodies and queer identities. Haith argues that the collection is as much a 'cultural object' of contemporary South Africa, as it is a text. Burger's critique places Putuma's use of the water as a literary device within the context of other South African poets, such as Ronelda S Kamfer. The poem 'Water' has become a key text for literary explorations of hydrocolonialism. Pieterse emphasises Putuma's writing about black womanhood, alongside the poet Sindiswa Busuku-Mathese. Whilst it was Putuma's poetry that brought her to a global stage, her work for stage has also been received to critical acclaim, dealing with contemporary political issues. Her play ''No Easter Sunday for Queers'' brought attention to the violent discrimination that lesbians in South Africa can face. ''Mbuzeni'' deals with the orphan crisis and is narrated by five young women, who whilst they play joke about death. Boehmer considers Putuma within a broader canon of postcolonial poetry and short-story writing, which can feel for the reader like a "call to action".

Works

Plays

* ''SCOOP: kitchen play for carers and babes'' (2013) ''-'' the first South African play designed for babies up to 12 months old, with Magnet Theatre * ''Ekhaya'' - written for 2-7 year olds * ''UHM'' (2014) * ''Woza Sarafina'' (2016) * ''Mbuzeni’'' (2018) * ''No Easter Sunday for Queers'' (2019) - a drama about religion and queerness based on one of Putuma's poems.

Poetry

* ''Imbebwu Yesini'' (2016, editor) * ''Collective Amnesia'' (2017)

Awards

* National Poetry Slame Championship (2014) * PEN South Africa Student Writing Prize (2016)
Mbokodo Rising Light
Award (2017) * SCrIBE Scriptwriting Competition (2018) * Forbes Africa 30 under 30 Honouree(2018) * Glenna Luschei Prize for African Poetry (2018) * Distell National Playwright Competition (2019)

References

External links

Koleka Putuma's WebsiteKoleka Putuma's InstagramTedX Koleka PutumaOfficial Video - ''Water'' by Koleka Putuma
{{DEFAULTSORT:Putuma, Koleka Queer artists South African women writers South African poets 1993 births South African theatre directors Living people South African LGBT poets South African LGBT dramatists and playwrights