Khaled Youssef

Khaled Youssef ( ar, خالد يوسف; born 28 September 1964), is an Egyptian director and film writer. His films are noted for their use of improvisation and a realistic cinéma vérité style. In a career spanning more than three decades, Youssef's films have encompassed many themes and genres. For several audiences, his films were an early prediction for 2010/2011 Arab uprisings. In his films, Youssef has addressed the issues of authoritarianism, lack social justice, poverty, religious intolerance, corruption, restrictions on the freedom of thoughts and opinion, and the sexual violence in the Egyptian and the Arab communities. As a result, he has been targeted by tens of judicial prosecutions and political harassments, motivated by different governments, over decades. Recently, He became a member of the Egyptian Parliament since November 2015.

Biography

He was one of the outstanding leaders of the students' movement in eighties.
He was head of Students' Union at Zagazig University, Banha Branch, 1988-1989.
He obtained Bachelor of Engineering, Department of Electronic and Electrical communication Engineering in 1990.

He was head of the Film Commission, the Supreme Council of Culture in 2012.
He was a member of the 50-Member Committee for drafting Egypt's Constitution in 2013

He has been a member of the Egyptian parliament since 2015.
He participated in students' activities launched relationship between the Director and senior politicians, cultured and creative characters in Egypt, such as Youssef Shahin who advised him to work in cinema when he felt that he enjoys talent. Therefore, he offered him to know about cinema world through participation in short narrative documentary film "Al Kahira Monwara Beahliha" when an acting personality embodiment was entrusted to him, in addition to training on directing. He quickly discovered his being attracted to direction, so he joined Youssef Shahin scholars.

In 1992, he became co-director to Youssef Shahin in "Al Muhajer" film. He participated in writing the film's scenario and dialogue together with others. This is highly reflected in the next films, particularly when he became the excusive director of "Al Maseer", "Al Akhar", and "Alexandria New York " that he assisted Youssef Shahin in writing the story, scenario and dialogue for these films.

In 2000, he authored and directed his first film "Al Asifa", and he obtained the grand prize of International Arbitration Committee in Cairo International Cinema Festival (Silver Pyramid), and the reward of Best Arabic Film, in addition to the reward of best director (Top Work) in the National Festival of the Egyptian Cinema. He participated in many international festivals, such as San Francisco Festival in USA.
In 2001, he directed his second Film "Gwaz Biqarar Gomhoury", and he obtained the reward of best director (Top Work) in the National Festival of the Egyptian Cinema.
In 2004, he directed "Enta Omry" Film, and represented Egypt in Cairo International Cinema Festival. The film obtained the reward of the Best Actress.
In 2005-2006, he presented "Weja" and "Khiana Mshroua" Movies that were authored and directed by him. Those two films reflected the extent audience response to his movies.
In 2007, he participated Director Youssef Shahin in directing "Heya Fawda" Movie, which constituted a rare precedent in the history of the Egyptian cinema. This film represented Egypt in the official contest of Venice International Cinema Festival.
In the same year (2007), he presented his Movie "Hena Mysara", which sparked controversy not only in Egypt, but also worldwide as it was widely successful at the both criticism and audience admiration levels. The movie gained the most prizes of National Festival of Egyptian Cinema, such as the Best Movie Prize, the Best Director, the Best decoration, and the Best Drama.
In 2008, he presented "Al Rayis Omar Harb" Movie, and obtained the prize of the Best Director of the National Festival of Egyptian Cinema for the second year respectively.
In 2009, he presented his ninth Movie "Dokan Shehata" after he became one of the most prominent directors of Arab Cinema, and the most famous one due to the issues tackled by such movies that deserve discussion through cinematic style distinguished by suspension, accompanied with dramatic storyline and excellence of outstanding style presented through visual narration.
In 2010, he presented his tenth Movie "Kalemni Shokan", through which he presented his own vision regarding the effect of communication revolution on changing the values and traditions believes in Arab community. During the same year, he directed his eleventh Movie "Kaf El Qamar", but he was able to screen it only by the end of 2011 due to the circumstances of 25 January Revolution.
"Heya Fawda" , "Hena Maysara" and "Dokan Shehata" trilogies are considered to be among the movies that contributed highly in disclosing the volume of deteriorating indeed the very bad facts, including of poverty, oppression and injustice witnessed by Egyptians the matter that rooted the spirit of rebellion of rebellion which led to 25 January Revolution. During the 30 June anti-government protests; he was chosen by the Armed Forces to photograph the demonstrations from military aircraft. He was the only cinema director photographing these scenes. These photos have been used as propaganda by the military in their attempt at convincing the world that the 2013 military coup against President Morsi

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