Kevin MacDonald (director)

Kevin Macdonald (born 28 October 1967) is a Scottish director. His films include ''One Day in September'' (1999), a documentary about the 1972 murder of 11 Israeli athletes, which won him the Academy Award for Best Documentary Feature, the climbing documentary '' Touching the Void'' (2003), the drama ''The Last King of Scotland'' (2006), the political thriller '' State of Play'' (2009), the Bob Marley documentary '' Marley'' (2012), the post-apocalyptic drama ''How I Live Now'' (2013), the thriller ''Black Sea'' (2014), the Whitney Houston documentary ''Whitney'' (2018), and the legal drama film ''The Mauritanian'' (2021).

Personal life

Macdonald was born in Glasgow, Scotland. His maternal grandparents were the Hungarian-born British Jewish filmmaker Emeric Pressburger and English screenwriter and actress Wendy Orme. He was brought up in Gartocharn, Dunbartonshire and attended the local primary school for the first five years of his education, He was educated at Glenalmond College, and St Anne's College, Oxford. His brother Andrew Macdonald is a film producer.

In 1999, he married Tatiana Lund, with whom he has three sons. He lives in North London.

Career

Macdonald began his career with a biography of his grandfather, ''The Life and Death of a Screenwriter'' (1994), which he turned into the documentary ''The Making of an Englishman'' (1995).

After making a series of biographical documentaries, Macdonald directed ''One Day in September'' (1999), about the murder of Israeli athletes at the 1972 Munich Olympics. Possibly the most striking feature of this film was the lengthy interview with Jamal Al-Gashey, the last known survivor of the Munich terrorists (it has been suggested recently in Aaron Klein's book ''Striking Back'' that another, Mohammed Safady, might also still be alive). Macdonald found Al-Gashey through intermediaries, and was able to convince him that the film would only be truly authentic if Al-Gashey gave his side of the story. Since the former terrorist was convinced that Israeli authorities were still hunting him (he had been in hiding ever since being ransomed for a hijacked aeroplane less than two months after the Munich massacre), Al-Gashey agreed to the interview only on condition that he would be disguised, his face would be shown only in shadow or blurred out, and that the interview would be conducted by a person and in a place of Al-Gashey's choosing (which turned out to be Amman, Jordan), although Al-Gashey agreed that Macdonald could be present. Since the interview was conducted entirely in Arabic (even though Al-Gashey was known to be fluent in English, having been interviewed in the language in 1972), and Al-Gashey (through paranoia or annoyance) frequently stormed out of the interview room, Macdonald did not know if he had anything usable until he returned to London and hired an Arabic translator. The film won an Oscar for Best Documentary.

His next film was '' Touching the Void'', a docudrama that told the story of two climbers making the first successful ascent of the West Face of Siula Grande, a major peak in the Peruvian Andes, in 1985 and the subsequent dramatic series of events during their descent after one of the climbers broke his leg whilst high on the peak. The film won the Alexander Korda

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