Katherine (sometimes known as Katharine) Harriot Duncombe Pleydell-Bouverie (7 June 1895 – 1985) was a pioneer in modern English
studio pottery
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves.Emmanuel Cooper, ...
, known for her wood-ash glazes.
Biography
Pleydell-Bouverie was born into an aristocratic family at the
Coleshill estate near
Faringdon
Faringdon is a historic market town in the Vale of White Horse, Oxfordshire, England, south-west of Oxford, north-west of Wantage and east-north-east of Swindon. It extends to the River Thames in the north; the highest ground is on the Rid ...
, then in Berkshire. Her parents were Duncombe Pleydell-Bouverie and his wife Maria Eleanor, the daughter of
Sir Edward Hulse, 5th Baronet
''Sir'' is a formal honorific address in English for men, derived from Sire in the High Middle Ages. Both are derived from the old French "Sieur" (Lord), brought to England by the French-speaking Normans, and which now exist in French only as p ...
; her paternal grandfather was
Jacob Pleydell-Bouverie, 4th Earl of Radnor
Jacob Pleydell-Bouverie, 4th Earl of Radnor (18 September 1815 – 11 March 1889) was a British nobleman and army officer.
He was the son of William Pleydell-Bouverie, 3rd Earl of Radnor and Judith Anne St John-Mildmay. He was styled Viscount Fo ...
. Pleydell-Bouverie was the youngest of three children growing up in a 17th-century stately home surrounded by blue-and-white and ''
famille verte
Famille jaune, noire, rose, verte are terms used in the West to classify Chinese porcelain of the Qing dynasty by the dominant colour of its enamel palette. These wares were initially grouped under the French names of ("green family"), and (pink ...
'' Chinese porcelain. It was during childhood holidays playing on a muddy beach at Weston-super-Mare with her siblings that she was first introduced to clay.
She died at
Kilmington, Wiltshire
Kilmington is a village and civil parish in the extreme west of Wiltshire, England, about southwest of Warminster. The parish includes the hamlets of Kilmington Common and Norton Ferris.
The parish lies on the northern edge of the ancient Sel ...
, in January 1985 at the age of 89.
Career
Whilst living in London in the 1920s, her interest in pottery began when she visited
Roger Fry
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developme ...
at his
Omega Workshops
The Omega Workshops Ltd. was a design enterprise founded by members of the Bloomsbury Group and established in July 1913. Shone, Richard. (1999) ''The Art of Bloomsbury: Roger Fry, Vanessa Bell and Duncan Grant''. Princeton: Princeton University ...
and saw examples of his work, which led to her attending evening classes at the
Central School of Arts and Crafts
The Central School of Art and Design was a public school of fine and applied arts in London, England. It offered foundation and degree level courses. It was established in 1896 by the London County Council as the Central School of Arts and Cr ...
in London to study pottery under
Dora Billington
Dora May Billington (1890–1968) was an English teacher of pottery, a writer and a studio potter. Her own work explored the possibilities of painting on pottery.
Life and career
Dora Billington was born into a family of potters in Stoke-on-Tr ...
.
In 1924, Pleydell-Bouverie was taken on by
Bernard Leach
Bernard Howell Leach (5 January 1887 – 6 May 1979), was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery".
Biography
Early years (Japan)
Leach was born in Hong Kong. His mother Eleanor (née ...
at his pottery in
St. Ives. She remained at the
Leach Pottery
The Leach Pottery was founded in 1920 by Bernard Leach and Shoji Hamada in St Ives, Cornwall, in the United Kingdom.
The buildings grew from an old cow / tin-ore shed in the 19th century to a pottery in the 1920s with the addition of a two-stor ...
for a year and learnt alongside
Michael Cardew
Michael Ambrose Cardew (1901–1983), was an English studio potter who worked in West Africa for twenty years.
Early life
Cardew was born in Wimbledon, London, the fourth child of Arthur Cardew, a civil servant, and Alexandra Kitchin, the elde ...
,
Shoji Hamada
A is a door, window or room divider used in traditional Japanese architecture, consisting of translucent (or transparent) sheets on a lattice frame. Where light transmission is not needed, the similar but opaque ''fusuma'' is used (oshiire ...
and
Tsuronosuke Matsubayashi (known as Matsu). She did the necessary odd jobs at the pottery whilst observing technical lectures from Matsu and was soon given the nickname of "Beano".
In 1925, Pleydell-Bouverie started her first pottery with a wood-fired kiln in the grounds of her family estate at
Coleshill, where she was joined for eight years by fellow potter
Norah Braden. They used ash glazes, prepared from wood and vegetables grown on the estate. In 1946, after the family sold Coleshill House, she moved to her second pottery, in a
malthouse
A malt house, malt barn, or maltings, is a building where cereal grain is converted into malt by soaking it in water, allowing it to sprout and then drying it to stop further growth. The malt is used in brewing beer, whisky and in certain food ...
attached to the 17th-century
manor house
A manor house was historically the main residence of the lord of the manor. The house formed the administrative centre of a manor in the European feudal system; within its great hall were held the lord's manorial courts, communal meals w ...
at
Kilmington in Wiltshire, where she worked until her death in 1985.
Here she used first an oil-fired kiln, and then an electric one.
After
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
, Pleydell-Bouverie sold her ceramic work at low prices, possibly because she had private means.
Style, technique and reception
Pleydell-Bouverie described herself as "a simple potter. I like a pot to be a pot, a vessel with a hole in it, made for a purpose". In a letter to Bernard Leach written 29 June 1930, she said "I want my pots to make people think, not of the Chinese, but of things like pebbles and shells and birds' eggs and the stones over which moss grows. Flowers stand out of them more pleasantly, so it seems to me. And that seems to matter most."
Pleydell-Bouverie was judgmental of the aesthetic of some of her contemporaries such as
Charles and Nell Vyse as too 'competently commercial' rather than evoking the appearances of 'things like pebbles and shells and birds' eggs'.
She was also critical of
Distributism
Distributism is an economic theory asserting that the world's productive assets should be widely owned rather than concentrated.
Developed in the late 19th and early 20th centuries, distributism was based upon Catholic social teaching prin ...
as exemplified by
The Guild of St Joseph and St Dominic
The Guild of St Joseph and St Dominic was a Roman Catholic community of artists and craftspeople founded in 1920 in Ditchling, East Sussex, England. It was part of the Arts and Crafts movement and its legacy led to the creation of Ditchling ...
saying 'I met a bunch of 'em the other day. They made me rather angry.'
Pleydell-Bouverie's pots are functional and tend to have a style similar to
Bronze Age English pottery.
She trialled a wide range of vegetable and wood ash glazes for her stoneware pottery.
References
External links
Images of her letters and worksat
VADS, University for the Creative Arts
Cornwall Artists Index entryGrove Art Online entry
Katharine Pleydell Bouverie – A Simple Potterat
Friends of Lydiard Park
{{DEFAULTSORT:Pleydell-Bouverie, Katherine
1895 births
1985 deaths
20th-century British women artists
20th-century ceramists
Alumni of the Central School of Art and Design
British women ceramicists
English potters
People from Vale of White Horse (district)
People from Wiltshire
Women potters