Kaavi Art
   HOME

TheInfoList



OR:

Kaavi art (
Devanagari Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental syste ...
:कावि कला) is a form of murals found in
Konkan The Konkan ( kok, कोंकण) or Kokan () is a stretch of land by the western coast of India, running from Damaon in the north to Karwar in the south; with the Arabian Sea to the west and the Deccan plateau in the east. The hinterland ...
region especially in temples of
Goa Goa () is a state on the southwestern coast of India within the Konkan region, geographically separated from the Deccan highlands by the Western Ghats. It is located between the Indian states of Maharashtra to the north and Karnataka to the ...
, parts of coastal
Maharashtra Maharashtra (; , abbr. MH or Maha) is a states and union territories of India, state in the western India, western peninsular region of India occupying a substantial portion of the Deccan Plateau. Maharashtra is the List of states and union te ...
and
Karnataka Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnat ...
. Kaavi murals can also be seen in old houses, small shrines.


Materials

The term ''Kaav'' (
Devanagari Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental syste ...
:काव) in Konkani refers to Indian red pigment which is the only color used in this painting, is obtained from the
laterite Laterite is both a soil and a rock type rich in iron and aluminium and is commonly considered to have formed in hot and wet tropical areas. Nearly all laterites are of rusty-red coloration, because of high iron oxide content. They develop by ...
soil. Artistically drawn and well executed, reddish brown murals against white sandblasted backgrounds are the specialties of Kaavi art. Snow white lime, obtained by burning seashells, and washed sand from river beds were mixed with
jaggery Jaggery is a traditional non-centrifugal cane sugar consumed in the Indian Subcontinent, Southeast Asia, and Africa. It is a concentrated product of cane juice and often date or palm sap without separation of the molasses and crystals, and can ...
and allowed to ferment for two weeks. The mixture is then hand-pounded to obtain a homogeneous substance, which hardens when applied to the walls.


Technique

On the wet walls on which Kaavi pictures are to be etched, a buttery smooth mixture of lime and uramunji is smeared with a steel trowel. To cover larger areas, a wooden float is also employed. After an hour, engraving work commences. A well-trained Kaavi art mason can etch a small mural without any aids. For geometrical designs he employs rulers and compasses. Large and complicated motifs are first drawn on paper, perforated with pinholes and then traced on the wall by dusting the pinholes with dry lime. Kanthas or the steel bodkins of different sizes and dimensions are used for etching. The ridges, platforms and niches are decorated with the rows of spirals, spades, semi-circles and curves. The V-shaped parallel bands are used for twin pseudo-pillars.


Decline

Kaavi art is almost an dying form of art and lacks revival attempts. Renovation and reconstruction of temples has been a major factor for decline of this art form.


Notes

{{reflist


Further reading

*Kavikale by Dr. K.L.Kamat (in Kannada), Karnataka Arts Academy, 1993 *''Konkanyali kaavi kala''in Konkani *Sivaramamurthi C., Indian Paintings, National Book Trust of India, 1970 Murals in India Schools of Indian painting Murals