Josh Fox

Josh Fox is an American film director, playwright and environmental activist, best known for his Oscar-nominated, Emmy-winning 2010 documentary, ''Gasland''. He is one of the most prominent public opponents of hydraulic fracturing and horizontal drilling. He is the founder and artistic director of a film and theater company in New York City, International WOW, and has contributed as a journalist to ''Rolling Stone'', ''The Daily Beast'', ''NowThis, AJ+ and Huffington Post''.

Early life and education

Fox was born on July 24, 1975, and lived in Milanville, Pennsylvania. He is Jewish. He went to PS 6 in New York City, Wagner Junior High School and Columbia Preparatory School for High School. He attended Columbia University, majoring in theater, and graduated in 1995. Fox worked as an actor in Chicago in the early 1990s, and was featured in numerous plays including Drunkboat with Tracy Letts, Jim True and Michael Shannon at Steppenwolf theatre, Goose and TomTom by David Rabe at the Theater Building, and The Love of the Nightingale directed by Amy Landecker at the Next Theater. Beginning in 1994, Fox trained extensively with Anne Bogart, and SITI Company members Ellen Lauren, Will Bond, Stephen Webber and Barney O’Hanlon in Viewpoints, Suzuki and Composition.

Artistic career

Fox founded the film and theatre company International WOW Company in Chiang Mai, Thailand in 1996 with a group of performers from New York City and Asia. He has written and directed over 30 plays with his ensemble. Notable works include ''?WOW!'' (1996), ''This is Not the Ramakian'' (1997), ''Stairway to the Stars'' (1999), ''HyperReal America'' (2001), ''The Bomb'' (2002), Orphan on God's Highway (2002), Death of Nations Parts 1-4 (2003-6), ''The Comfort and Safety of Your Own Home'' (2004),''The Expense of Spirit'' (2004), ''Limitless Joy'' (2005), ''Surrender'' (2008), and ''Solutions Grassroots'' (2014). In addition, Josh has written, directed, and produced seven feature films, and over 25 short films, which have premiered in New York, Asia and around Europe. The ''New York Times'' has hailed him as “one of the most adventurous impresarios of the New York avant-garde” and ''Time Out'' NY called him “one of downtown’s most audacious auteurs,” citing his “brilliantly resourceful mastery of stagecraft.”

In addition to his work with International WOW Company, Fox has participated as an actor, director, designer and writer in numerous international theater collaboration projects in Japan, Thailand, the Philippines and Germany. He starred as David Conde in Yoji Sakate's ''Emperor and Kiss'' performed by the Rinko Gun company, along with Kameron Steele, marking the first time that the company worked with a western performers. He was also the first western performer to work with ''Pappa Tarahumara'' dance/theatre company, creating roles for ''WD'' (2001) and ''The Sound of Future Sync (2002)'' which performed at the Setagaya Public Theatre and the New National Theatre in Tokyo. He created Heimwehen, Death of Nations Part V (2006) with Frank Raddatz, the former dramaturg of Heiner Muller, for the Forum Freies Theatre in Düsseldorf. Fox was a frequent collaborator of Filipino playwright, actor and screenwriter Rody Vera throughout the early 2000s.

In 2008, Fox directed his first narrative feature film, ''Memorial Day'', an examination of American party culture, the Iraq War and torture which was executive produced by Jim McKay and Michael Stipe of R.E.M. In 2010, he wrote, directed, and produced ''Gasland'', one of the first major films about the environmental impacts of fracking. Gasland premiered at the Sundance Film Festival in competition, winning the critics poll and the Special Jury Prize for Documentary. The film is widely credited as galvanizing the anti-fracking movement worldwide, making fracking a household word. Josh later produced the HBO sequel ''Gasland Part II'', which aired July 2013 and was released on DVD in January 2014.

On October 1, 2015, Fox's mini-documentary ''GasWork'', which detailed the hazardous working conditions in the hydraulic fracturing oil and gas drilling industry, debuted on ''All In with Chris Hayes''.

In 2016, Fox directed '' How to Let Go of the World and Love All the Things Climate Can't Change,'' a personal take on climate change, the film features many notable figures on climate change such as Bill McKibben, Michael Mann, Van Jones, the Pacific Climate Warriors, and Elizabeth Kolbert. Josh was awarded his third Environmental Media Association award for Best Documentary for his film '' How to Let Go of the World and Love All the Things Climate Can't Change'', which premiered at the Sundance Film Festival in 2016, toured the world theatrically and was released on HBO in June 2016.

In 2017, he produced, co-directed and co-wrote AWAKE, A DREAM FROM STANDING ROCK with indigenous filmmakers Doug Good Feather and Myron Dewey, which premiered at the Tribeca Film Festival on Earth Day, launched on Netflix and toured to hundreds of locations around the world. In 2018 he co-founded the AWAKE MEDIA FELLOWSHIP for indigenous youth with leaders Stephanie Cassidy, Doug Good Feather and others.

In 2018, Fox created ''The Truth Has Changed'', a solo performance, book and film about misinformation, propaganda and psycho-graphic targeting aimed at manipulating our current media and political ecosystem. In the performance he tells of his extensive frontline reporting with an emphasis on the smear campaigns waged against him for nearly a decade by the fossil fuel industry. The project has toured to over 25 cities in the US and Europe and has been seen by thousands of people in support of dozens progressive, environmental and grassroots organizations. ''The Truth Has Changed'' is Fox's first book, published by Seven Stories Press. In January 2020 The Public Theater abruptly ended Fox's run on ''The Truth Has Changed'' following a dispute with the theater. Fox and International WOW Company staff including producer Diane Crespo alleged that Public Theater staff had physically attacked Fox while preparing for a show. Fox also alleged that festival director Mark Russell was verbally abusive to him before shows. Fox and the company submitted several formal written complaints about code of conduct violations and while pursuing these complaints the show's run of three remaining shows was halted. Fox was asked to meet with Public Theater Artistic Director Oskar Eustis

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