John Palmer (1959) is a British composer, pianist and musicologist.

John Palmer began his music career as a pianist and keyboard player in the mid-seventies. In the 1980s he studied piano with Grazia Wendling and Eva Serman at the

Lucerne School of Music The Lucerne School of Music (''Hochschule Luzern – Musik'') is a professional school for musicians located in Lucerne, Switzerland, and closely associated with the city's annual music festival. It is a division of the Lucerne University of Appli ...

(Musikhochschule Luzern), Switzerland, while attending courses in composition with

Edison Denisov Edison Vasilievich Denisov (russian: Эдисо́н Васи́льевич Дени́сов, 6 April 1929 – 24 November 1996) was a Russian composer in the so-called " Underground", "alternative" or "nonconformist" division of Soviet music. ...

and Vinko Globokar. He continued his composition studies in London at Trinity College of Music, Royal Holloway, University of London and at

City University London City, University of London, is a public research university in London, United Kingdom, and a member institution of the federal University of London. It was founded in 1894 as the Northampton Institute, and became a university when The City Univ ...

where he obtained a PhD in composition in 1994. Further studies include composition with Vinko Globokar at the Dartington Summer School and privately with Jonathan Harvey, analysis with Jonathan Cross at the University of Bristol, and conducting with Alan Hazeldine at the

Guildhall School of Music And Drama The Guildhall School of Music and Drama is a conservatoire and drama school located in the City of London, United Kingdom. Established in 1880, the school offers undergraduate and postgraduate training in all aspects of classical music and jazz ...

in London. Since 1987 Palmer's works has focused on orchestral, instrumental, vocal, chamber music, and electroacoustic composition.

Selected works

Opera

*'
Re di Donne
'' (2019) Chamber Opera in One Act, for 4 singers and ensemble with electronics

Orchestra

*'
Omen
'' ''(1991) for orchestra and choir'' *'
There
'' (1992, rev. 2019) for string orchestra with string quartet *'
Concertino
'' (1994) *'
Hypothetical Questions
'' (1992 rev. 2011) *'
Piano Concerto
'' (2005) for piano (tuned microtonally), orchestra and choir *'
Double Concerto for Violin and Cello
'' (2016) *'
Not Two
'' (2017) for orchestra

Ensemble

*Asgard (1987- rev. 2001) for 2 speakers and ensemble (fl, cl, vl, vla, vc, pno, electronics) *Koan (1999) for shakuhachi and ensemble (fl, ob, clar, perc, pno, vl, vla, vc) *Waka (2003) for percussion and ensemble (fl, ob, cl, pno, vl, vla, vc) *Legend (2008) for harp and ensemble *You (2008) for trombone and ensemble *Transparence (2015) for viola and ensemble with electronics *Blurring definitions (2016) fl, cl, bs, perc, 2 vl, vla, vc, db

Chamber music

*First String Quartet (1986) *Utopia (1989) soprano and wind quartet *Hellawes (1991) flute trio *Theorem (1995) violin, cello, piano *Second String Quartet (dream) (1996) *Encounter (1998) harpsichord, world percussion, electronics *Between (2000) violin and harpsichord *Transitions (2000) violin, clarinet, cello, piano *Still (2001) bass flute, 6 & 12-string guitar, viola *Nowhere (2003) clarinet, piano, electronics *Afterglow (2006) alto flute, piano, electronics *Transference (2010) flute, clarinet, violin, cello and piano *Crossing dialogues (2013) violin, cello, vibraphone and piano *Of Shadows Unveiled (2013) flute, bass clarinet and piano *Towards the soul (2015) trombone quartet *Conditional action (2016) two flutes *Alba (2016) violin, viola, cello, piano

Instrumental

*Hieroglyphs (1985–86) piano *Three Preludes (1987) piano *Poem for the Absurd (1987) piano *Musica Reservata (1989) piano *Shambhala (1990) piano *Satori (1999) harpsichord *Hinayana (1999) oboe *Mosaic (1998) harpsichord *Drang (1999) accordion *Without (2004) violin *Almost (2006) cello *Over (2006) violin *En avant (2006) piano *Se potessi (2011) piano *Eulogy (2013) piano *Verso l’alto (2014) viola *Three Haikus (2014) shakuhachi *Hypothesis (2017) percussion *Yahari (2017) guitar

Electroacoustic (including acousmatic)

*Beyond the bridge (1993) cello and electronics *Renge-kyo (1993) piano and electronics *Encounter (1998) harpsichord, world percussions, electronics *...as it flies... (2001) tape *Transfiguration (1999–2006) trombone and electronics *I am (2002) tape *After silence 1 (2005) piano and electronics *Inwards (2005–06) bass flute and electronics *In the Temple (2006–07) tape *Present Otherness (2008) tape *Mémoires (2011) tape *Woanders (2016) piano and electronics

Awards

*1990 - Cornelius Cardew Competition, England: special mention for in memory of a friend, for soprano and piano. *1992 - City of Lucerne Cultural Prize, Switzerland: first prize winner with Omen, for orchestra and choir. *1994 - Bourges International Competition for Electroacoustic Music, France: second prize winner with Beyond the Bridge, for cello & electronics. *1995 - Surrey Sinfonietta Orchestral Competition Contest, England: first prize winner with Concertino, for orchestra. *1995 - 1st Tokyo International Competition for Chamber Music Composition: second prize winner with Theorem (piano trio). *1996 - City of Klagenfurt International Composition Prize, Austria: second prize winner with Second String Quartet (Dream). *2009 - Bourges International Competition for Electroacoustic Music, France: selection of Transient for soprano, prepared piano & electronics. *2010 - Città di Udine International Competition for Composers, Italy: Special Mention and Medal of the President of the Italian Republic for Transference, for flute, clarinet, violin, cello and piano. *2011 - Presque Rien International Competition Prize, Paris: prize winner with mémoires, for electroacoustic sounds.

Recordings

*In the Temple - Animato Records ACD6144. *I Am - Animato Records ACD6143. *Musica Reservata - Animato Records ACD6136

*Beyond The Bridge in Edition Memnosyne, Synthese 8, LD278058/59
mnemosyne label
*Phonai in Electroshock, 2 ELCD 006

*Epitaph in Electroshock, 3 ELCD 007

*Theorem in Living Artists Recordings, Vol.3

*Present Otherness in
Sargasso SCD 28057
*Beyond The Bridge, Phonai, Renge-Kyo, Spirits, Vision
Sargasso SCD 28023
*Encounter, Hinayana, Epitaph, Between
Sargasso SCD 28038
*Koan, Still, Satori
Sargasso SCD 28049
*Waka, ...as it flies..., Nowhere
Sargasso SCD 28053
*Inwards, Drang, Transient, Tranfiguration, Fado
Sargasso SCD 28059
* Without in Dots/Lines
Takao Hyakutome
(2015) * Verso L’Alto in 20 Jahre Ensemble Plus
ORF Voralberg
CD Label, 2016. (Limited Edition). * Mémoires in Presque Rien Competition Prize CD Label, Vol. I, Paris 2017. (Limited Edition).

Bibliography

Books: '
Looking Within: The Music of John Palmer - Dialogues and Essays
'', edited by Sunny Knable (2021). Vision Edition, ISBN 978-0-9931761-7-3. '
Mortuos Plango, Vivos Voco by Jonathan Harvey. An aural score, analysis and discussion
'' (2018), 008-MA, 009-MP, 0010-M
Vision Edition
. ISMN: 979-0-9002315-4-3, 979-0-9002315-5-0. '
Conversations
'' (2015)
Vision Edition
003-MC, 2015. . '
Rhythm to go
'' (2013)
Vision Edition
002-MP. 2013. Fourth edition 2016. ISMN 979-0-9002315-1-2. '
Jonathan Harvey's Bhakti for chamber ensemble and electronics
'' (2001), Edwin Mellen Press, Studies in History and Interpretation of Music. ;
mellenpress
Formal Strategies in Composition. PhD Thesis, City University, London, 1994. Articles and Papers: Introduction to ‘Images of the mind' (1997). Paper given at the 1997 KlangArt International Congress ‘New Music & Technology’ in Osnabrück, Germany. Published in ‘Musik und Neue Technologie 3, Musik im virtuellen Raum’ (edited by Bernd Enders), Universitätsverlag Rasch, Osnabrück (2000). . Conceptual models of interaction: towards a perceptual analysis of interactive composition (1997-8) Paper given at the 1997 Sonic Arts Network Conference, University of Birmingham, UK, 10–12 January 1998. Published in the Seamus Journal, USA, Vol. XIV no. 1, Summer 1999. SEAMUS, Sonic Arts Network Perceptual Abstraction and Electroacoustic Composition (1998) Paper given at the 1998 Seamus Conference, Dartmouth College, NH, USA, 16–18 April 1998 (1997–98). Published in the Seamus Journal, USA, Vol. XIII, No. 2, Fall 1998. SEAMUS Listening: towards a new awareness of a neglected skill (1997) Paper for the Stockholm Hey Listen! International Conference on Acoustic Ecology, 9–13 June 1998 Published by the Royal Swedish Academy of Music, June 1998. Which Global Music? (1999) Paper given at the 1999 Klangart Congress, Osnabrueck, Germany, June 1999. Published in ‘Musik und Neue Technologie 4’ (edited by Bernd Enders), Epos music Universitätsverlag Osnabrück (2003). ,
epos music publisher read article
The lesson of freedom: Remembering Luc Ferrari (2005) Published in 'Soundscape - The Journal of Acoustic Ecology', Vol. 6, No. 1, Spring/Summer 2005. ISSN 1607-330

References

'
Breathing Silence. An interview with John Palmer
''. By Cristina Scuderi, 2011. Musica/Tecnologia Journal, Vol. 5, 2011, Firenze University Press. ISSN 1974-0042. The Ambiguity of Sounds. Composer and pianist John Palmer. By Christian Peter Meier. Luzerner Zeitung, 25.1.1993. In German. Intervista a John Palmer. By Lia De Pra Cavalleri. Verifiche, Swiss Journal of culture and politics in education, April 2003. In Italian

'
Interview in Composition Today'
''. By Christian Morris, 2014.

External links

*
Composers Edition

Vision Edition
{{DEFAULTSORT:Palmer, John 1959 births Living people Alumni of City, University of London 20th-century classical composers 21st-century classical composers English classical composers Academics of the University of Hertfordshire State University of Music and Performing Arts Stuttgart faculty English male classical composers 20th-century English composers 20th-century British male musicians 21st-century British male musicians