Jim Kelley Amplifiers
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__NOTOC__ Jim Kelley Amplifiers is the trademark for the
vacuum tube A vacuum tube, electron tube, valve (British usage), or tube (North America), is a device that controls electric current flow in a high vacuum between electrodes to which an electric potential difference has been applied. The type known as ...
guitar amplifier A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which ar ...
s designed by Jim Kelley and manufactured by his company Active Guitar Electronics of Tustin, California between the years of 1978 and 1985. Approximately 600 of these amps were built during that time. The single-channel version of the amplifier employed modest gain in the
preamp A preamplifier, also known as a preamp, is an electronic amplifier that converts a weak electrical signal into an output signal strong enough to be noise-tolerant and strong enough for further processing, or for sending to a power amplifier ...
stages, Baxandall type bass and treble controls, a split load phase inverter, and four 6V6GT output tubes. The amplifiers produce 60 watts RMS at full power, and include a half power (30/60) switch. An improved version of the single-channel amp was released in 1980 which included
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
, an additional stage of gain, and optional foot switchable gain boost. These guitar amps were the first to employ a matched quartet of Sylvania 6V6GT output tubes. The amps were offered with hardwood cabinets, or in a variety of vinyl-covered birch plywood cabinets in a variety of colors. The amps were built as 1-12", or 1-10" combos, or as a head. JBL E-120 speakers were offered as an option. Jim Kelley Amplifiers were also the first guitar amplifiers to be offered with an optional power attenuator. Jim developed these high-power continuously variable L-pad attenuators as a means of controlling the overall volume of his amplifiers so that the output section could be overdriven at more modest sound pressure levels. One unique feature of these power attenuators is the remote footswitch which would allow the attenuator to be bypassed. Further amplifier innovations were incorporated into the FACS (foot-activated channel switching) model, which built upon the single-channel design by including two similar switchable preamps and
tone stack A tone stack is a specialized type of audio filter incorporated into the circuit of an audio amplifier for altering the frequency response of the amplifier. The term is primarily used in reference to instrument amplifiers such as guitar amplifier ...
s, independent
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
level controls for each channel, and internal
relay A relay Electromechanical relay schematic showing a control coil, four pairs of normally open and one pair of normally closed contacts An automotive-style miniature relay with the dust cover taken off A relay is an electrically operated switch ...
switching for the external power attenuator. These models were available with optional transformer-coupled effects loops, and were configured for either a master effects loop, or for a separate effects loop for each channel. Owing to its longer (22-inch) chassis, the FACS model amplifiers were available additionally as a 2-10", or 4-10" combo. Another novel feature developed by Jim Kelley was the LED
Bias Bias is a disproportionate weight ''in favor of'' or ''against'' an idea or thing, usually in a way that is closed-minded, prejudicial, or unfair. Biases can be innate or learned. People may develop biases for or against an individual, a group ...
Indicator as an aid in adjusting grid bias. The final model to be developed and produced was the FACS Line Amp. It had all the features of a FACS amp, but the lead channel also employed a low-power push-pull output section. The miniature output
transformer A transformer is a passive component that transfers electrical energy from one electrical circuit to another circuit, or multiple circuits. A varying current in any coil of the transformer produces a varying magnetic flux in the transformer' ...
was followed by the Main Gain control, which functioned as a Master Volume. The lead channel also had a post distortion passive LC
tone control Tone control is a type of equalization used to make specific pitches or " frequencies" in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compens ...
which could cut or boost mid-range. A rack-mounted, all-
FET The field-effect transistor (FET) is a type of transistor that uses an electric field to control the flow of current in a semiconductor. FETs (JFETs or MOSFETs) are devices with three terminals: ''source'', ''gate'', and ''drain''. FETs contr ...
stereo guitar amplifier with analog delay reverb was developed but never brought to market. From 2012 until 2017
Suhr Guitars Suhr Guitars (officially ''JS Technologies Inc'') is an American company that manufactures electric guitars and basses, guitar amplifiers, and effect units. The company is based in Lake Elsinore, California and was founded in 1997 by John Suhr, ...
(JS Technologies) reissued the single-channel Reverb Model and Power Attenuator under a licensing agreement with Jim Kelley. In 2018 Jim began building a new single channel version of the Line Amp model in limited quantities from his own shop. The amps are now only sold at privately held online auctions. The most distinguishing feature of the new design is the innovative Harmonics Generator overdrive circuit. The circuit comprises a dual cascode differential amplifier and utilizes a pair of conventional dual triode tubes. The circuit produces harmonic distortion similar to that of an overdriven power output stage. Like the earlier Line Amps, output signal level is controlled by the Main Gain master volume. A post master volume, transformer coupled, guitar level effects loop is also provided. In addition, the amp contains much of the same circuitry as the original Single Channel non-reverb amp. In 2020 Jim Kelley began building a two channel version of the Line Amp. Unlike the FACS Line Amp, these amps feature two distinct inputs. But similar to the FACS, the two channel Line Amp has two preamps, and each preamp has its own tone controls. The A input is a legacy Reverb Model preamp. The B input is the Line Amp channel. Channel switching is accomplished using any external A/B or A/B/Y type footswitch. Among the unique feature of these amps are the dual concentric potentiometers, providing control of Gain, Treble, and Bass for each of the two channels.


References

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Further reading


Vince Gill Interview

Premier Guitar "The Other Dumble" Article

Dave Hunter Article, Vintage Guitar Magazine

Bob Dragich Article, Vintage Guitar Magazine


External links


2006 Guitar Player Article

Jim Kelley Amplifiers Web Page

In Tune Magazine Article

Joe Bonamassa Gear Spotlight Video
Guitar amplifier manufacturers Audio equipment manufacturers of the United States